First Artists
First Artists was a production company which operated from 1969 to 1980. It made films for stars such as Barbra Streisand, Paul Newman, Sidney Poitier, Dustin Hoffman and Steve McQueen, who agreed to take lesser fees in exchange for greater creative control and a share of the profits. Movies made by the company include The Getaway, [1]
History
Beginnings
The company was formed in 1969 and was the idea of agent Freddie Fields of Creative Management with assistance from David Begelman. Inspired by the formation of United Artists, it was to give stars more creative control over their productions in exchange for being paid lower salaries and a percentage of the gross. The initial stars who formed the company were Paul Newman, Barbra Streisand, and Sidney Poitier. Each star promised to make three productions for the company, which would also be involved in television production, music publishing and recording. The distributor of the films would be National General Pictures who would put up two-thirds of the money for a film, and First Artists would put up the rest. [1]
In July 1970 Patrick Kelly was appointed chief executive officer of First Artists.[2] The following year Steve McQueen joined the company.[1]
The company's first slate of films were Pocket Money (1972) with Newman, The Getaway (1972) with McQueen, The Life and Times of Judge Roy Bean (1972) with Newman, and Up the Sandbox (1972) with Streisand. The Getaway and Roy Bean were particularly successful.
In 1972 First Artists offered 350,000 shares to investors at $7.50.[3] That year Dustin Hoffman joined the company agreeing to make two films at no more than $3 million.[4] He would have creative control provided the film did not go over budget and schedule.[5]
National General eventually went into liquidation. First Artists sued the company, and settled in 1976.[6] In November 1973 Warners took over the distribution of First Artists movies.[7]
Phil Feldman
The company's initial output was sporadic, owing to the commitments of its stars and by January 1975 it had only made seven films. That month, Phil Feldman, formerly a producer and an executive at CBS, Raystar and Warner Brothers, was brought in as chairman.[8] He increased the development slate, and moved it into film distribution, television and music to ensure a more constant source of income.[9]
Feldman decided to supplement the company's movies with other star's films, such as Bobby Deerfield, originally developed for Paul Newman, and made with Al Pacino at Columbia. The were involved in the production of The Gumball Rally, were distribution consultants on The Ritz and did TV movies like Minstrel Man.[9]
In July 1977 Feldman announced that Bill Cosby, who had appeared in three Poitier films, would produce and star in a film for the company called Sitting Pretty. "I consider him a member of the team," said Feldman of Cosby.[10] Other films the company planned to make include Repo with Darren McGavin and Stevie with Glenda Jackson and Devilfish with Bert Gordon. (Devilfish and Sitting Pretty would ultimately not be made.) They shared development costs on Bobby Deerfield, The Gauntlet and The One and Only and co produced Speedtrap with a Dutch conglomerate. The company also distributed some foreign films in the USA such as Pardon Mon Affaire and The Obscure Object of Desire.[10]
McQueen made Enemy of the People which was a box office disappointment. When First Artists refused to option Harold Pinter's Old Times for McQueen, the actor sued the company. The case was settled out of court.
Feldman insisted that Hoffman not make pictures for other studios until his obligation to First Artists was completed. Hoffman wound up suing First Artists for $65 million claiming that he was denied creative control on Straight Time and Agatha. Feldman counter claimed that these movies had gone over budget and schedule, allowing him to step in.[11] [12]
In July 1978 the company acquired Joel/Cal-Made, a male clothing manufacturer for $8 million.[13] In November the company sought to buy into a London casino but was unsuccessful.[14]
End of Company
Films such as Straight Time and Agatha performed poorly at the box office, although The Main Event was very successful. In September 1979 Philip Feldman resigned as chairman and president. The company was put up for sale.[15]
On December 31, 1979, the voting trust that runs the First Artists on behalf of its founder‐shareholders expired and First Artists left the movie business. By this stage the company's shares were worth $4. The company's last film was Tom Horn.[1]
Select Filmography
National General
- Pocket Money (Feb 1972) - with Newman
- The Getaway (Dec 1972) - with McQueen
- The Life and Times of Judge Roy Bean (Dec 1972)- with Newman
- Up the Sandbox (Dec 1972) - with Streisand
- A Warm December (May 1973) - with Poitier
Warner Bros
- Uptown Saturday Night (Jun 1974) - with Poitier
- The Drowning Pool (Jul 1975) - with Newman
- Let's Do It Again (Oct 1975) - with Poitier
- The Gumball Rally (Aug 1976)
- A Star Is Born (Dec 1976) - with Streisand
- Bobby Deerfield (Sep 1977)
- A Piece of the Action (Oct 1977) - with Poitier
- Straight Time (Mar 1978) - with Hoffman
- An Enemy of the People (Mar 1978) - with McQueen
- Agatha (Feb 1979) - with Hoffman
- The Main Event (Jun 1979) - with Streisand
- Tom Horn (Mar 1980) - with McQueen
TV Movies
- Flight to Holocaust (Mar 1977) (TV film)
- Minstrel Man (1977) (TV film)
- The Paul Williams Show (1979) (TV special)
Paramount
- The One and Only (Feb 1978)
First Artists Distributed
- Speedtrap (Mar 1978)
- Snatch (1978)
- Stevie (1979)
- Zero to Sixty (Jun 1978)
Distributor Only
Unmade Projects
- Dry Hustle from novel by Sarah Kernochan (1977)
- Fancy Hardware by script by A. Carothers (1977)
- Ev'ry Time We Say Goodbye based on the song by Cole Porter (1977)
- Tramps an original script by Sandor Stern (1977)
- Flashpoint based on novel by George LaFountaine
References
- ^ a b c d Hollie, Pamela G. (December 23, 1979). "First Artists Star‐Crossed Child of the 1960s". New York Times. p. F3.
- ^ First Artists Firm Names Kelley to Post Los Angeles Times 20 July 1970: e14.
- ^ First Artists' Initial Offering Wall Street Journal 28 Jan 1972: 21.
- ^ FILM CLIPS: Hoffman-First Artists Tangle Continues Kilday, Gregg. Los Angeles Times 21 Oct 1978: b5.
- ^ FILM CLIPS: Dustin Hoffman Vs. First Artists Kilday, Gregg. Los Angeles Times 18 Oct 1978: f17.
- ^ First Artists Settles Suit Wall Street Journal 28 May 1976: 10.
- ^ WARNERS TO HANDLE FIRST ARTISTS' FILMS Los Angeles Times 26 Nov 1973: c22.
- ^ FELDMAN NAMED TO ARTISTS POSTS Los Angeles Times 16 Jan 1975: h10.
- ^ a b First Artists' Formula Altered Kilday, Gregg. Los Angeles Times 18 Oct 1976: e11.
- ^ a b FILM CLIPS: Taking Stock at First Artists Kilday, Gregg. Los Angeles Times 10 Dec 1977: c9.
- ^ Kilday, Gregg (15 July 1978). "First Artists Wins Latest Round". Los Angeles Times. p. b5.
- ^ Sad Hoffman Tells of Film Suit: Lawsuit Is Complicated Regarded as Irrevelant 'Bad Faith' Charged By ALJEAN HARMETZ Special to The New York Times.21 Mar 1979: C17.
- ^ First Artists Acquires Firm Wall Street Journal 6 July 1978: 7.
- ^ California: First Artists said it seeks to operate a London casino, Los Angeles Times 3 Nov 1978: f18.
- ^ First Artists Production Says Feldman Resigned As Chairman, President Wall Street Journal 1 Oct 1979: 33.
External links
- First Artists at BFI