Alice Williams Brotherton
Alice Williams Brotherton | |
|---|---|
| File:Alice Williams Brotherton.png | |
| Born | Alice Williams 1848 Cambridge, Indiana, US |
| Died | 1930 |
| Occupation | author |
| Education | St. Louis Eliot Grammar School; Woodward High School |
| Genre | poetry, essays, reviews, children's stories, lyrics |
| Spouse | William Ernest Brotherton |
Alice Williams Brotherton (1848–1930) was an American author of poetry, essays, reviews, children's stories, and lyrics. Though she hailed from Indiana, she lived most of her life in Cincinnati, Ohio, serving as president of the Cincinnati Woman's Press Club. She wrote critical essays and addresses on Shakespeare, while many of her poems were set to music in the United States and in England. Contemporary poets of Ohio included Helen Louisa Bostwick Bird and Kate Brownlee Sherwood.[1]
Early years and education
Alice Williams was born in Cambridge, Indiana. Her parent were Ruth Dodge Johnson Williams and Alfred Baldwin Williams, of Cincinnati. Her family was of Welsh and English descent, with six generations on United States soil. Her father resided in Cincinnati, Ohio, and afterward in St. Louis, Missouri, then in Cambridge, Indiana, and again settled in Cincinnati.[2]
Living as a child in an atmosphere of books, Brotherton was trained in composition at an early age by her mother.[2] She was educated in various private schools, in the St. Louis Eliot Grammar School, and Woodward High School, of Cincinnati,[3] graduating from that institution in 1870.[4]
Career
What can you say of a life so sequestered as mine except, 'She is born, is married, will die'; 'Story, God bless you I have none to tell.' I was born in Cambridge, Indiana, but have passed most of my life in Cincinnati, and have never been east of the Blue Ridge Mountains. As to my 'versing' that began soon after I was out of school. I think it was in 1872 I first sent my poems out to seek their fortune. -A. W. Brotherton[5]
Brotherton's first appearance in print was in 1872. Though her specialty was poetry, she wrote considerable prose in the form of essays, reviews and children's stories. Her work showed a wide range of feeling and a deep insight into varying phases of life. Writing only in the spare moments of a busy home life, she contributed at intervals to a variety of periodicals,[2] including The Century Magazine, Scribner's Magazine, The Atlantic Monthly, St. Nicholas Magazine, Poet Lore, and The New York Independent,[4] as well as various religious journals.[2] She was the author of three published volumes: Beyond the Veil (poems, 1886); The Sailing of King Olaf, and Other Poems, (1887); and What the Wind Told the Tree-Tops (prose and verse for children, 1888). A number of her lyrics, among which are those entitled "Rosenlied," "The Song of Fleeting Love," "The Fisher-Wife's Lullabye," "Unawares," "Boys, Keep the Colors Up," "God Knows," and "June Roses," were set to music,[4] in the United States and in England.[2]
From 1892, she devoted much of her time to the preparation of critical essays and addresses on Shakespeare, the drama, and other literary topics, delivering numerous lectures before study clubs, women's clubs, and dramatic schools.[4]
Personal life
On October 18, 1876, she married William Ernest Brotherton, of Cincinnati.[4] They had three children, two sons and one daughter;[3] the older son died in 1890, at the age of eleven.[2] Brotherton was a non-conservative Unitarian. She served several times as president of the Cincinnati Woman's Press Club. [4]
Selected works
- 1886, Beyond the veil
- 1887, What the wind told to the tree-tops
- 1887, The sailing of King Olaf : and other poems
- 1894, The buckeye song
- 1895, New year's eve
- ca. 1900–1920, Heap high the board with plenteous cheer
- 1905, The real Hamlet and the Hamlet oldest of all
- n.d., Debasing the Poetic Coinage the Quality and Function of Poetry
- n.d., "Debasing the Poetic Coinage". Part II: The "New Movement" in America
- n.d., The talisman
References
- ^ Bond, Utter & Weisenburger 1943, p. 447.
- ^ a b c d e f Willard & Livermore 1893, p. 124-25.
- ^ a b Eagle 1894, p. 67.
- ^ a b c d e f Venable 1909, p. 249.
- ^ Moulton 1889, p. 83.
Attribution
This article incorporates text from this source, which is in the public domain: Eagle, Mary Kavanaugh Oldham (1894). The Congress of Women: Held in the Woman's Building, World's Columbian Exposition, Chicago, U.S.A., 1893, with Portraits, Biographies and Addresses (Public domain ed.). Monarch Book Company. {{cite book}}: Invalid|ref=harv(help)- This article incorporates text from this source, which is in the public domain: Moulton, Charles Wells (1889). The Magazine of Poetry and Literary Review (Public domain ed.). C.W. Moulton.
{{cite book}}: Invalid|ref=harv(help) - This article incorporates text from this source, which is in the public domain: Venable, Emerson (1909). Poets of Ohio: Selections Representing the Poetical Work of Ohio Authors, from the Pioneer Period to the Present Day (Public domain ed.). Robert Clarke Company.
{{cite book}}: Invalid|ref=harv(help) - This article incorporates text from this source, which is in the public domain: Willard, Frances Elizabeth; Livermore, Mary Ashton Rice (1893). A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Moulton.
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Bibliography
- Bond, Beverley Waugh; Utter, William Thomas; Weisenburger, Francis Phelps (1943). The history of the state of Ohio. Ohio State Archaeological and Historical Society.
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External links
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