Jump to content

The Cycle of Terror and Tragedy

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Citation bot (talk | contribs) at 02:14, 29 October 2020 (Alter: title, url, template type. URLs might have been internationalized/anonymized. Add: date, isbn, author pars. 1-1. Correct ISBN10 to ISBN13. | You can use this bot yourself. Report bugs here. | Suggested by AManWithNoPlan | All pages linked from cached copy of User:AManWithNoPlan/sandbox2 | via #UCB_webform_linked 612/1890). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

The Cycle of Terror and Tragedy (detail) by Graydon Parrish

The Cycle of Terror and Tragedy is a painting by Graydon Parrish.

History

In 2002, Douglas Hyland, the director of the New Britain Museum of American Art, approached Graydon Parrish to create an allegorical tribute to victims of the September 11 attacks. The completed painting, The Cycle of Terror and Tragedy, is over 18 feet long and is one of the largest realist paintings ever created in America. Today it hangs in the Chase Wing of the New Britain Museum of American Art.[1][2]

Reception

The painting has been noted for its academic style, inspired both by Jacques-Louis David and William Bouguereau, and for its highly symbolic content, said to express the cycle of denial and tragedy. It has been compared and contrasted with Pablo Picasso's Guernica and Théodore Géricault's The Raft of the Medusa, both comments on catastrophes. A review in The New York Times summarized that "Mr. Parrish has a fine arsenal of talent and ideas, but this particular work comes off as overly staged, showy and annoyingly melodramatic, the clichéd pomp and classical symbolism drowning out a gentler, more compassionate spirit."[3] James Panero, writing in The New Criterion, believed "The cycle of terror and tragedy: September 11, 2001," is a pretty good painting that manages to be monumentally terrible."[4] In response, Aimee Pozorski wrote that "In fact, it is true that what Parrish has created is a lovely and symmetrical allegory: The twin bodies--strong, virile, and painted as if part of a Botticelli painting--are also allegories for the virile twin towers about to fall. The children holding planes represent the loss of innocence of an entire nation."[5]

References

  1. ^ "The Cycle of Terror and Tragedy: September 11, 2001". New Britain Museum of American Art.
  2. ^ "Archived copy". Archived from the original on 2010-04-27. Retrieved 2010-04-24.{{cite web}}: CS1 maint: archived copy as title (link)
  3. ^ Genocchio, Benjamin (18 February 2007). "The Tragedy of 9/11, on a Long Sheet of Canvas". New York Times.
  4. ^ "Graydon Parrish's 'Cycle of Terror' by James Panero - The New Criterion". newcriterion.com.
  5. ^ Pozorski, Aimee (23 October 2014). Falling After 9/11. ISBN 9781628925005. {{cite book}}: |work= ignored (help)
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Cycle_of_Terror_and_Tragedy&oldid=985977122"