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Elvira Roca Barea

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Elvira Roca Barea in 2017

María Elvira Roca Barea[n. 1] (born 1966) is a Spanish academic and writer. She studied philology, and specialized in the literature of the middle ages and early modern Europe. Her research work has primarily focused on narrative strategies in different literary periods, but she became famous for her late work on the Spanish Black Legend.

Career

Born in El Borge (province of Málaga) in 1966, she earned a licentiate degree in Spanish Philology and later obtained a master's degree in Medieval Literature, and a PhD in Classical Philology at the University of Malaga.[1] She has worked for the Spanish National Research Council (CSIC) and has lectured at Harvard University in the United States. She is the author of several scholarly publications regarding, mainly, rhetoric and the construction of images and discourses through theatre and literature.[2][3]

She works as secondary school teacher at the IES Huerta Alta in Alhaurín de la Torre.[4]

In 2018, Roca Barea was among 200 politicians, journalists and historians who adhered to the manifesto Manifiesto por la historia y la libertad promoted by the Francisco Franco National Foundation, decrying the Law of Historical Memory as an attack on constitutional rights to political opinion and an attempt to impose an official version of history.[5]

Works

Empire-phobia and Black Legend (2016)

Her most recent publication, "Imperiofobia y leyenda negra: Roma, Rusia, Estados Unidos y el Imperio español" (Empire-phobia and Black Legend: Rome, Russia, United States and the Spanish Empire) became a bestseller and won numerous awards. The book is a work of advocacy, with a preface that declares that the author doesn't plan on being exhaustive but on putting forward the lesser known information about various empires and their ideological rivals. Roca Barea coins the term "empire-phobia" to refer to a characteristic, repetitive process of demonization through distortion and magnification that all multi-cultural empires suffer by neighbouring nations, given certain circumstances, and that follows a consistent pattern. She argues that the Spanish Black Legend is not a unique phenomenon, but a particularly persistent case of this broader phenomenon, which also affected other empires like ancient Rome and Ottoman Turkey, and is now affecting the modern United States, especially in the Islamic world.

In her book she offers a definition of both "empire" and "black legend". She then attempts to show the common elements and strategies shared by this discourse across nations and times, by deconstructing and exposing the similarities between the anti-American, anti-Russian, anti-Roman and anti-Spanish propaganda produced by their respective contemporaries, as well as the similarities in how the empires responded—or rather, did not respond.[6]

Fracasología

Continuing with the Roca Barea's main idea about the French and English hostility towards the Spanish Empire, her second book, Fracasología, is an attempt to discredit the Spanish intellectuals since the moment that, according to Roca Barea, the onset of the Bourbon dynasty and the 18th century allegedly "incrustated among the Spaniards the self-contempt and acritical admiration for modernity".[7] According to José-Carlos Mainer, Barea argues in the work that self-criticism would be something exclusive of Spaniards and that, somewhat, it would be also a bad trait (a "sin").[7]

Awards

In 2018 she was awarded the Medal of Andalusia and Medal of Honor of San Telmo awarded by the Andalusian government.[8]

In 2019, Roca-Barea's "Imperiophobia and Leyenda Negra" won the Espasa-Calpe Award for works of literature, journalism and thought, awarded annually since 1984. According to the jury her work was "a magnificent essay, a brave revision which changes the traditional image of the history of Spain and the understanding that we Spaniards have of ourselves."[9]

Reception

The historian Fernando García de Cortázar, Professor of Contemporary History at the University of Deusto and director of the Vocento Foundation and National History Prize 2008, believes that with Elvira Roca's work "we are once again aware of to what extent the entire history of Spain was misrepresented and had been manipulated to offer an absolutely negative view of it and, of course, contrary to the progress of civilization."[10]

Ricardo García Cárcel [es], Chair of Early Modern History at the Autonomous University of Barcelona and author of La leyenda negra: historia y opinión (1992), argues that, whether Roca Barea likes it or not (in order to build an argument out of it), it is not possible to currently find any European or American historian with scientific credit buying into the extremes of the so-called Leyenda negra ("Black Legend"),[11] as the exaggerations of the Black Legend have already been de-constructed precisely by European and American hispanists such as Elliott, Parker, Benassar or Vincent.[11]

She received significant praise from Peruvian Nobel Prize Winner, Mario Vargas Llosa, who considered Imperiofobia a "book of rigorous scholarship" which is "combative, deep, controversial and reads without pause".[12]

Historian Miguel Martínez, from the University of Chicago, declares discomfort with her presentation of empires as "victims" instead of aggressors. He has criticized[13] Elvira Roca's Imperiofobia arguing that while it is well documented it also contains key historical omissions and presents ideological bias. Martínez objects that Roca systematically omits relevant data contradicting her vision of the Spanish Empire as lenient and without conflict.

José Luis Villacañas authored Imperiofilia y el populismo nacional-católico (Lengua de Trapo, 2019), with the purpose of being a refutation of Imperiofobia. According to Villacañas, Imperiofobia lacks intellectual rigour and is alien to the parametres of "historical and academic research", featuring a brand of "reactionary intellectual populism".[14] Villacañas considers the underlying interest in the work of Barea to be the underpinning of an ancient metaphysical struggle between Catholicism (identified by Barea with "Spain") and protestantism (with Barea adopting an anglophobic, germanophobic, dutchphobic vision of history, albeit, in a renovated vision of the myth of the "Hispanidad", not a frontal Anti-US sentiment).[15]

Regarding Fracasología, José-Carlos Mainer considers the Roca Barea's work to be blind to the whole renovation of the literary historiography dealing with the century of Enlightenment that has taken place in the last six decades, as Roca Barea would "not be giving a damn about all that historians and philologists have written about the 18th-century in Spain".[7] When it comes to literary style, Mainer describes the prose in Fracasología as "capricious and impulsive", sprinkled with an "abundant" yet "arbitrary" bibliography with quite an amount of mistakes.[7]

Publications

  • A. Alberte González, M. E Roca Barea. "Edición de artes predicatorias latinas medievales". La filología latina hoy: Actualización y perspectivas, Vol. 1, 1999, ISBN 84-930825-1-1, págs. 591-597
  • M.E Roca Barea: La influencia de Cicerón y Quintiliano en las ideas sobre el estilo en las cartas de Plinio el Joven. Quintiliano, historia y actualidad de la retórica : actas del Congreso Quintiliano : historia y actualidad de la retórica : XIX Centenario de la "Institutio Oratoria" / coord. por Tomás Albaladejo, José Antonio Caballero López, Emilio del Río Sanz, Vol. 2, 1998, ISBN 84-89362-39-4, págs. 1053-1058
  • A. Alberte González, M. E Roca Barea. El estudio de las artes predicatorias "status quaestionis". Retórica y texto : [III Encuentro Interdisciplinar sobre Retórica, Texto y Comunicaciones] / coord. por Antonio Ruiz Castellanos, Antonia Víñez Sánchez, Juan Sáez Durán, 1998, ISBN 84-7786-295-8, págs. 15-19
  • M.E Roca Barea. Teatro y predicación: la predicación como espectáculo en el bajo medievo y el Renacimiento. En torno al teatro del Siglo de Oro : actas de las jornadas XII-XIII celebradas en Almería / coord. por José Juan Berbel Rodríguez, 1996, ISBN 84-8108-115-9, págs. 235-244
  • MER Barea El “Libro de la Guerra” y la traducción de Vegecio por Fray Alfonso de San Cristóbal - Anuario de estudios medievales, 2007 - estudiosmedievales.revistas.csic.es
  • MER Barea -Diego Guillén de Ávila, autor y traductor del siglo XV- Revista de filología española, 2006
  • MER Barea Las novelas de Caballería en Oriente y Occidente: aventura y magia en Chrétien de Troyes y El Caballero de la piel de leopardo- Exemplaria: Revista de literatura comparada, 2000 - dialnet.unirioja.es
  • MER Barea Imperiofobia y leyenda negra- editorial Siruela-Madrid, 2016

References

Informational notes
  1. ^ Sometimes abbreviated to "MERB" or "ERB" in written sources
Citations
  1. ^ "Credentials Listed" (PDF).
  2. ^ Empire Phobia and Black Legend. (n.d.)
  3. ^ Elvira Roca Barea: "Es un milagro que España siga existiendo". (n.d.)
  4. ^ "María Elvira Roca, la investigadora malagueña sobre la leyenda negra de España, medalla de Andalucía 2018". Diario Sur. 22 February 2018.
  5. ^ "Manifiesto contra la ley de memoria historica suma casi 19,000 firmas". Europa Press. 31 March 2018. {{cite journal}}: Cite journal requires |journal= (help)
  6. ^ MER Barea Imperiofobia y leyenda negra—editorial Siruela-Madrid, 2016
  7. ^ a b c d Mainer, José-Carlos (26 October 2019). "El fracaso español, sin complejos". El País.
  8. ^ Cultural, El. "Elvira Roca Barea gana el Premio Espasa con un nuevo ensayo sobre la propaganda antiespañola | El Cultural" (in Spanish). Retrieved 2019-10-10.
  9. ^ "María Elvira Roca Barea gana el premio Espasa con un ensayo que "cambia la imagen tradicional de la Historia de España"". ELMUNDO (in Spanish). 2019-09-13. Retrieved 2019-10-10.
  10. ^ "Inmunes al desaliento". January 13, 2017.
  11. ^ a b García Cárcel, Ricardo (4 June 2017). "Leyenda negra". www.cronicaglobal.elespanol.com. Letra Global.
  12. ^ Llosa, Mario Vargas (September 16, 2018). "Tribuna | Historia y ficción" – via elpais.com.
  13. ^ Miguel Martínez: "El imperio del extremo centro"
  14. ^ Bono, Ferran (4 June 2019). "La historia de la leyenda negra, un asunto político de filias y fobias". El País.
  15. ^ Villacañas, José Luis (20 June 2019). "La leyenda negra como excusa: el populismo imperial de Roca Barea". Ruritania. Zenda Libros.
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