Adriano in Siria (Mysliveček)
Template:Mysliveček operas Adriano in Siria ("Hadrian in Syria") is an eighteenth-century Italian opera in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto by the Italian poet Metastasio that was first performed in 1732. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. The cuts and changes in the text made for the 1770 performance of Mysliveček's opera are not attributable. All of Mysliveček's operas are of the serious type in Italian language referred to as opera seria.
Performance history
The opera was first performed at the Teatro del Cocomero in Florence on 8 September 1776 as the last dramatic composition he produced for the musical public of that city.[1] The electoral court of Munich intended to engage Mysliveček to compose an opera for the carnival season of 1776, but the composer found himself unable to travel due to the effects of syphilis. He remained in Florence for an extra year, but made remarkable use of his time. He was able to see productions of his new oratorio Isacco figura del redentore (perhaps his greatest composition) during Lent of 1776 and the opera Adriano in Siria in the autumn. He also came into contact with the Florentine music publisher Ranieri del Vivo, who published a number of his orchestral works, including a collection of his symphonies that constituted the first anthology of symphonies ever published in Italy. The opera was very successful, in particular the music written for the tenor singer Giovanni Ansani, and was revived in Perugia for the carnival operatic season of 1777, then in Pavia in the spring of the same year. Mysliveček's friend and close professional associate, the noted castrato Tommaso Guarducci, repeated his role of Farnaspe in the Perugia production.
Roles
| Cast | Voice type | Premiere, 8 September 1776, Teatro Teatro del Cocomero, Florence |
|---|---|---|
| Adriano, emperor of Rome, in love with Emirena | soprano castrato | Michele Neri |
| Osroa, king of the Parthians, father of Emirena | tenor | Giovanni Ansani |
| Emirena, prisoner of Adriano, in love with Farnaspe | soprano | Clementina Chiavacci |
| Sabina, in love with and betrothed to Adriano | soprano | Lucia Alberoni |
| Farnaspe, a prince of Parthia, friend and tributary to Osroa, in love with and betrothed to Emirena | soprano castrato | Tommaso Guarducci |
| Aquilio, a tribune | bass | Francesco Papi |
References
- ^ Detailed documentation concerning the Florentine performance of Mysliveček's Adriano in Siria is found in Daniel E. Freeman, Josef Mysliveček, "Il Boemo" (Sterling Heights, Mich.: Harmonie Park Press, 2009). His earlier dramatic works for Florence include the operas Ipermestra (1769) and Motezuma (1771) and the oratorios Adamo ed Eva (1771), La passione (1773), and Isacco figura del redentore (1776)