Alfred Jacob Miller
Alfred Jacob Miller | |
|---|---|
 Self-Portrait, circa delll 1850 | |
| Born | January 2, 1810 |
| Died | June 26, 1874 (aged 64) |
| Nationality | german |
| Known for | blacksmith |
| Notable work | The Trapper's Bride Indian girls Nez-Perces Indian Breakfast at sunrise and others |
Alfred Jacob Miller (January 2, 1810 – June 26, 1874) was an American painter and sketcher best known for his paintings concerning the northwestern United States.
Life
Miller was born in Baltimore, Maryland, where he attended the local schools and hoped to become a painter. He received his first lessons in art from Thomas Sully. After doing some painting in Baltimore and Washington, D.C., in 1833 he went to Europe to perfect his skills, aided by his family. He spent considerable time in Paris but also visited Bologna, Venice and Switzerland. He was admitted without charge as an auditor to the Ecole des Beaux-Arts in Paris and while in Italy he was admitted to the English Life School.[1] During these times, he became friends with the Danish and American sculptors, Bertel Thorwaldsen and Horatio Greenough, respectively, and the painter Horace Vernet. He studied technique, color and line by copying Old Masters in the museums, as was the practice at the time.
After returning to Baltimore in 1834, Miller opened a small studio, which was not successful. Seeking a change, he relocated to New Orleans in 1837. There he met the Scottish adventurer William Drummond Stewart, who hired Miller to accompany him and record his hunting journey to the Rocky Mountains. That same year, along with representatives of the American Fur Company, they ventured as far as Fort William and Green River.
After returning to New Orleans later that year, Miller started working up his sketches in oils. The scenes and incidents of the hunting journey were the foundation of a series of paintings documenting aboriginal American life. In July 1838 Miller was able to arrange an exhibition in New Orleans. In October 1840 he traveled with his paintings to Stewart's Murthly Castle in Scotland, where a collection of his commissioned work was ultimately hung.
After spending a year in Scotland and another in London, Miller returned to Baltimore in April 1842. He established himself as an acknowledged portrait artist in the city. He died on June 26, 1874.
Paintings
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The Lake Her Lone Bosom Expands to the Sky, 1850, Dallas Museum of Art -
Camp Scene (Sioux), 1858-1860, Walters Art Museum -
Cavelcade, 1858-1860, Walters Art Museum -
Big Bowl (A Crow Chief), 1858-1860, Walters Art Museum -
Breaking up Camp at Sunrise, 1858-1860, Walters Art Museum -
Our Camp, 1858-1860, Walters Art Museum -
Fort Laramie, 1858-1860, Walters Art Museum
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Notes
- ^ Alfred Jacob Miller: Artist on the Oregon Trail, edited by Ron Tyler, Amon Carter Museum, 1982, p. 11-14
References
- Miller's Biographical Note
- Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
- Wilson, J. G.; Fiske, J., eds. (1900). . Appletons' Cyclopædia of American Biography. New York: D. Appleton.
External links
- Works by or about Alfred Jacob Miller at the Internet Archive
- Alfred Jacob Miller manuscript and sketches, (undated and 1837 from the Archives of American Art
- William Drummond Stewart biography at 3rd1000.com
- American paintings & historical prints from the Middendorf collection, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Miller (no. 21)
