Artibus Asiae
 | |
| Discipline | Art, archeology |
|---|---|
| Language | English |
| Edited by | Amy McNair |
| Publication details | |
| History | 1925–present |
| Publisher | Museum Rietberg Zurich (Switzerland) |
| Frequency | Biannual |
| Delayed (after 5 years) | |
| ISO 4 | Find out here |
| Indexing | |
| ISSN | 0004-3648 |
| JSTOR | 00043648 |
| Links | |
Artibus Asiae is a biannual academic journal specialising in the arts and archaeology of Asia. Along with the Ostasiatische Zeitschrift (founded in 1912) it was one of the most successful journals in its field in the German-speaking part of Europe.[1] The first number of Artibus Asiae appeared in 1925. While earlier issues contained articles in German, French and English, today's contributions are mainly in English. Artibus Asiae is owned and published by the Museum Rietberg in Zurich. Artibus Asiae also published occasional monographs since 1937.
History
The first volume of the journal was published by the Avalun-Verlag Hellerau-Dresden in 1925 and was edited by Carl Hentze (1883–1975) and Alfred Salmony (1890–1958).[2] The early volumes appeared in four issues each, up to vol. 59. All subsequent volumes were published in two parts.
The typographer, publisher and later editor-in-chief Richard Hadl (1876–1944) had worked for the Leipzig-based publisher Drugulin as a director since 1922.[3] Drugulin was one of the leading publishing houses and known for their wide array of unusual typesets. Hadl established his own publishing house, "Offizin Richard Hadl", in 1926.[4] and published five volumes of the journal Artibus Asiae.[5]
During the Second World War all publishing activities were moved to Switzerland and the journal would only appear irregularly.[6] Vol. 8 no. 1 was the first issue to be published in Switzerland, printed by the Kommissionsverlag Braus Riggenbach in Basel. All further volumes were published by Artibus Asiae in Ascona, where Hadl and his co-worker and publisher Luise C. Tarabori-Flesch (1912–2011) from Trier had settled in 1938¬/39. After Hadel had died in 1944,[7] Alfred Salmony became editor-in-chief and revived the journal after the war years[8] until his death in 1958.[9]
Artibus Asiae's link to the current owner, the Museum Rietberg, was established through the museums's former director Elsy Leuzinger, who edited an issue (vol. 20 no. 1, 1957) to commemorate the founding donor of the Museum Rietberg, Eduard von der Heydt.[10] In 1985 (from vol. 46 on), the Arthur M. Sackler Foundation started to sponsor the journal. The Museum Rietberg was granted a special publication endowment in 1991 (vol. 51) and it henceforth became the owner of both the journal and the monograph series.
Editors
The following persons have served as editors-in-chief of Artibus Asiae:
| Name | Place | Volumes | Years |
|---|---|---|---|
| Carl Hentze & Alfred Salmony | Antwerp and Cologne | vol. 1–vol. 4 no. 3 | 1925–1932 |
| Richard Hadl | Leizpig and Ascona | vol. 4 no. 4–vol. 8 | 1925–1945 |
| Alfred Salmony | Institute of Fine Arts, New York University | vols. 9–20 | 1945–1957 |
| Alexander Coburn Soper | Institute of Fine Arts, New York University | vols. 21–52 | 1958–1992 |
| Thomas Lawton | Arthur M. Sackler Gallery, Washington D.C. | vols. 53–61 | 1993–2001 |
| François Louis | Bard Graduate Center, New York | vol. 62–vol. 68 no. 1 | 2002–2008 |
| Amy McNair | University of Kansas | vol. 68 no. 2–present | 2008–present |
Artibus Asiae monographs
Longer articles submitted to Artibus Asiae were often split into parts and published in several numbers of the journal. Artibus Asiae started to publish monographs on selected topics in 1937 to allow more lengthy contributions to the field.[11] They are conceived as a supplemental series to the journal and present a broad range of lavishly illustrated studies.
Early monographs were on topics only remotely related to the arts, such as publications on the Tibetan grammar books Sum cu pa and Rtags kyi ‘ajug[12] or on Chinese literature.[13] With the Museum Rietberg taking on the publishing responsibilities in 1991, the focus of the monographs has shifted more and more to the tradition of Indian painting.[14]
References
 | Constructs such as ibid., loc. cit. and idem are discouraged by Wikipedia's style guide for footnotes, as they are easily broken. Please improve this article by replacing them with named references (quick guide), or an abbreviated title. (May 2012) |
- ^ See Walravens, Hartmut, Ostasiatische Zeitschrift (1912–1943), Mitteilungen der Gesellschaft für Ostasiatische Kunst (1926-1943): Bibliographie und Register, Harrassowitz, Wiesbaden, 2000, XII.
- ^ For a biography of Salmony see Walravens, Hartmut, "Salmony, Alfred". In: Neue Deutsche Biographie, Band 22, Duncker & Humblot, Berlin, 2005, 386-387. Salmonys editorial role is also mentioned in Li, Weijia, China und China-Erfahrung in Leben und Werk von Anna Seghers, Lang Verlag, Bern, 2010, 33.
- ^ Artibus Asiae, 1945 (vol. 8 no. 1), pp. i–iii.
- ^ Ibid. The first book in his publishing house appeared in 1929 ("Schriftproben der Offizin Richard Hadl", Berlin, 1929).
- ^ "Artibus Asiae" vol. 3, no. 2-3 (1928–1929) was still published by the Avalun-Verlag, but already printed by the Offizin Richard Hadl. From vol. 3, no. 4 through vol. 8, no. 1, Hadl acted as editor-in-chief in Leipzig.
- ^ Volume 7 appeared in 1937, Volume 8 no. 1 was published in 1940 and Volume 8 no. 2-4 only in 1945.
- ^ For Hadl's obituary see Artibus Asiae, 1945 (vol. 8 no. 1), pp. i–iii
- ^ Waterbury, Florence, "Alfred Salmony: 1890-1958", in: Archives of the Chinese Art Society of America, 1958 (vol. 12), 9.
- ^ Obituaries include http://www.nytimes.com/1993/01/14/obituaries/alexander-soper-88-historian-of-asian-art.html; Ecke, Gustav, "In Memoriam Alfred Salmony", in: Ars Orientalis 1961 (vol. 4), 453; "Alfred Salomy (1890–1958)", in: College Art Journal, 1958 (vol. 18, no. 1), 77 and Waterbury, Florence, in: Asian Perspectives, 1958 (vol. 2 no. 1), 7.
- ^ An issue for von der Heydt's 70st[clarification needed] birthday was published in 1962 (vol. 25 no. 1).
- ^ For a list of published monographs, see http://www.artibusasiae.com/monographs/
- ^ Rol Pai Rdo Rje; Johannes Schubert, Tibetische Nationalgrammatik: Das Sum cu pa und Rtags kyi ‘ajug pa, Artibus Asiae Supplementum vol. 1, 1937.
- ^ Wolfram Eberhard, Die Chinesische Novelle des 17.-19. Jahrhunderts: Eine Soziologische Untersuchung, Artibus Asiae Supplementum vol. 9, 1938
- ^ For example: B. N. Goswamy, Nainsukh of Guler: A Great Indian Painter from a Small Hill-State, Supplementum Vol. 41, 1997. John Seyller, Workshop and Patron in Mughal India. The Freer Ramayana and Other Illustrated manuscripts of Abd al-Rahim, Supplementum Vol. 42, 1999. Eberhard Fischer; Vish-wa Chander Ohri; Vijay Sharma, The Temple of Devi-Kothi. Wall Paintings and Wooden Reliefs in a Himalayan Shrine of the Great Goddess in the Churah Region of the Chamba District, Himachal Pradesh, Supplementum Vol. 43, 2003. Andrew Topsfield, Court Painting at Udaipur. Art under the Patronage of the Maharanas of Mewar, Vol. 44, 2002. Milo Beach, Bagta and Chokha: Master artists at Devgarh, Vol. 46, 2005. Eberhard Fischer; Dinanath Pathy, Amorous Delight. The Amarushataka Palm Leaf Manuscript Illustrated by the Master of Sharanakula, Vol. 47, 2006. Beach, Milo; Fischer, Eberhard, Goswamy, B.N., editors; Masters of Indian Painting, Vol. 48, 2011.[original research?]