Casey Reas
C. E. B. Reas also known as Casey Edwin Barker Reas or Casey REAS[1] is an artist whose conceptual and minimal works explore ideas through the contemporary lens of software. [citation needed]Reas’s software and images derive from short text instructions explaining processes that define networks. The instructions are expressed in different media including natural language, machine code, computer simulations, and static images. [citation needed]Each translation reveals a different perspective on the process and combines with the others to form a more complete representation.[citation needed]
Reas is best known for having created, with Ben Fry, the Processing programming language .
He has shown his work at the Whitney Museum of American Art's artport,[2] Ars Electronica in Austria, ZKM in Germany, Transmediale in Berlin, GAFFTA in San Francisco, Uijeongbu International Digital Art Festival in Korea, the Danish Film Institute, bitforms gallery in New York and Seoul, IAMAS and ICC in Japan, the Microwave International Media Art Festival in Hong Kong, and the Sonar Festival in Barcelona.
University
Reas studied design at the University of Cincinnati[3] and then spent the next two years developing software and electronics as an artistic exploration.[citation needed] While studying design in Cincinnati, Casey Reas was a member of a band called 'nancy' with Scott Devendorf and Matt Berninger, who went on to become members of The National.[4]
In 2001, Reas earned a Master of Science in Media Arts and Sciences as a part of the Aesthetics and Computation Group at the Massachusetts Institute of Technology’s MIT Media Lab. [3]
Career
After graduating, Reas began to exhibit his software and installations internationally in galleries and festivals.
In 2003, Reas moved to Los Angeles where he is currently an associate professor in the department of Design | Media Arts at the University of California, Los Angeles.[5]
Reas is also notable for having created the Processing programming language. Together with Ben Fry, he created the software while at MIT, and it is now used by thousands of artists and designers worldwide.[6]
Public collections
His work is held by the Victoria and Albert Museum, the Mary and Leigh Block Museum of Art and other institutions.[citation needed]
See also
Processing programming language
Bibliography
- Casey Reas and Benjamin Fry, Processing: A Programming Handbook for Visual Designers and Artists, MIT Press, 2007.
- Casey Reas, Process compendium 2004-2010, REAS Studio, 2010. ISBN 978-1-4507-2713-6
Further reading
- Bruce Wands, Art of the Digital Age, Thames & Hudson, 2006. ISBN 0-500-23817-0.
- Mark Tribe and Reena Jana, New Media Art, Taschen, 2006. ISBN 3-8228-3041-0.
- Joline Blais and Jon Ippolito, At the Edge of Art, Thames & Hudson, 2006. ISBN 0-500-23822-7.
External links
References
- ^ "Information". reas.com. Casey Reas. Retrieved 28 November 2015.
- ^ http://artport.whitney.org/commissions/softwarestructures/ Software Structures
- ^ a b "Casey Reas Biography" (PDF). Bitforms Gallery. Bitforms Gallery. Retrieved 20 August 2015.
- ^ http://acg.media.mit.edu/people/creas/eat/ruther3429.html
- ^ "Casey Reas Professor". UCLA Design Media Arts. UCLA. Retrieved 20 August 2015.
- ^ Reas, Casey; Fry, Ben (2007). Processing: a programming handbook for visual designers and artists. MIT Press.