Carol Park
Carol Park (Romanian: Parcul Carol) is a public park in Bucharest, Romania, named after King Carol I of Romania. For the duration of the communist regime, it was called Liberty Park (Parcul Libertăţii).
The park was designed by French landscape artist Édouard Redont in 1900 on Filaret Hill and inaugurated in 1906. The park had an initial surface area of 360,000m², with a 20,000m² lake in the middle. It is officially recognized as a historical monument and is therefore protected by law. Administration of the park is undertaken mostly by the Bucharest City Hall, whereas monuments are in the care of the Ministry of Culture and Religious Affairs.
Attractions
Aside from its beautiful vegetation and panoramic views, the park also includes several monuments, such as the Tomb of the Unknown Soldier and a mausoleum where some of Romania's most prominent Communist leaders were buried until the Romanian Revolution of 1989.
Other attractions include the Cantacuzino Fountain, the Giants' Statues, the Zodiac Fountain, the Technical Museum (first opened in 1909), a monument in the shape of a small mosque built in 1923 as a sign of reconciliation, the open-air Roman Arena, and the Astronomical Institute of the Romanian Academy.
The park once contained busts of Ioan Lahovari and Constantin Istrati, but these are now gone. After 1948, busts of George Coşbuc, Alexandru Sahia, Nicolae Bălcescu (these three by Constantin Baraschi) and Theodor Neculuţă (by E. Mereanu) were set up in the park, where they remain.
In 2006, the Tomb of the Unknown Soldier was relocated to its original 1923 location, somewhat closer to the former communist mausoleum.[1]
Mausoleum
The Carol Park Mausoleum (Mausoleul din Parcul Carol), known during the Communist régime as the "Monument of the Heroes for the Freedom of the People and of the Motherland, for Socialism" (Monumentul eroilor luptei pentru libertatea poporului şi a patriei, pentru socialism), is located on a plateau. Formerly, it was the site of the Arts Palace (Palatul Artelor) and later of the Military Museum (Muzeul Militar), with the fountain in front of the latter museum.
The mausoleum was built in honour of revolutionary socialist militants. Designed by architects Horia Maicu and Nicolae Cucu, it was inaugurated on December 30, 1963, the 16th anniversary of the Romanian People's Republic.
The base is circular and plated with black granite. Above rise five narrow arches covered with red granite. Inside the base there is a rotunda covered in red granite plates; the ceiling is decorated with a golden mosaic. Prior to the Romanian Revolution of 1989, the rotunda contained the crypts of Communist leaders Petru Groza, Gheorghe Gheorghiu-Dej and Constantin Ion Parhon. In the semicircle around the monument were crypts containing the remains of a number of socialist militants, such as Ştefan Gheorghiu (trade unionist), Ion C. Frimu, Leontin Sălăjan, Alexandru Moghioroş, Lucreţiu Pătrăşcanu (after his rehabilitation), Grigore Preoteasa, Ilie Pintilie and Constantin Dobrogeanu-Gherea. To the right of the monument was a hemicycle containing the funeral urns of Communist militants, including Gheorghe Vasilescu-Vasia, Constantin David, Ada Marinescu, Panait Muşoiu, Barbu Lăzăreanu, Simion Stoilow and Mihail Macavei.
When it was built, an eternal flame burned on an upper terrace near the monument, in a granite amphora. This was intended to preserve the memory of those who had fought on behalf of the working class.
In 1991, the mausoleum acquired a new purpose when the Communists were exhumed and interred in other cemeteries. They were replaced by the remains of soldiers fallen in World War I, brought from the Mărăşeşti Mausoleum. The mausoleum and the monument in front of it were dedicated to the Unknown Soldier. The rotunda remains closed to the public, and guards are stationed to prevent the approach of visitors.
In 2005, 1.97 billion old lei from the state budget were allocated to refurbish the monument, even though it was removed from the list of historic monuments in 2004.[2]
Dimitrie Leonida Technical Museum
World first technical interactive museum.
Gogu Constantinescu bridge
Concrete bridge in Carol Park, Bucharest, designed by G. Constantinescu and erected in 1906.
Giants' Statues
The two Giants' Statues (Statuile Giganţii) flank the park's main walkway near the June 11th Square (Piaţa 11 iunie) entrance. 3.5 m tall and 50 m from one another, they form a line perpendicular to the walkway and depict two nude youths. One of them shows a young man with a strained look. His head is bowed, his right shoulder twisted, he leans on his left hand, the right he keeps behind his back, and the legs are bent. In the other statue, a young man leans his head toward his left shoulder, his torso is twisted and he supports himself on his left hand, while the right is behind his back.
At first the statues were located before the Arts Palace and of the artificial cave in front of it. The grotto was called "The Giants' Grotto" (Grota cu Giganţi) or "The Enchanted Grotto" (Grota fermecată) as it was watched over by the two giants and a Sleeping beauty (Frumoasa adormită). The three statues showed the characters of a legend where a pair of twins, in love with the same woman, were turned into stone due to their unrequited love, while the object of their love became a waterfall. At that time, the giants were displayed one before the other, with the sleeping beauty lying down in the middle.
Filip Marin sculpted Sleeping beauty; Dumitru Paciurea and Frederic Stork were responsible for the giants. The former was done in marble; the latter are in Rousse stone.
Controversy
The park drew national attention in 2003 when the Romanian government agreed to allot 52,700 m² to the Romanian Orthodox Church for the "Cathedral of National Redemption" project. The cathedral, although popular among the citizenry and supported by the government, drew criticism because it was to be placed on the site of the mausoleum.
Symbolically, replacing the mausoleum with a church was seen by some as a removal of painful memories, similar to the removal of other communist statues and symbols. On the other hand it was argued that it served as a reminder of Romania's fight for democracy. In addition, the building was seen as an architectural monument and drew the protests of Romanian architects. The cathedral site has since been moved next to the Palace of the Parliament.
Notes
- ^ Ministerul Culturii si Cultelor
- ^ Loredana Georgescu, "Mausoleul din Parcul Carol reabilitat pe banii Guvernului", Curierul Naţional, December 16, 2005
Bibliography
- Florian Georgescu, Paul Cernovodeanu, Alexandru Cebuc - Monumente din Bucureşti (Ed. Meridiane, Bucureşti, 1966)
- Dan Berindei, Sebastian Bonifaciu - Bucureşti. Ghid turistic (Ed. Sport-Turism, Bucureşti, 1978)
- Revista Societăţii de Studii Istorice Erasmus, nr 12 of 2001
External links
