Co-production is where technical experts and other groups in society generate new knowledge and technologies together. It is the dynamic interaction between technology and society. It has a long history, particularly arising out of radical theories of knowledge in the 1960s. Co-production forms part of Mode 2, a term used in the sociology of science to describe one of the modes, or ways that knowledge is formed. In Mode 2, science and technology studies move from extreme technological determinism and social constructivism to a more systemic understanding of how technology and society ‘co-produce’ each other. Co-production is functionally comparable to the concepts of causality loop, positive feedback, and co-evolution – all of which describe how two or more variables of a system affect and essentially create each other, albeit with respect to different variables operating at different scales. And as with these other concepts, if used too broadly/uncritically, co-production risks noetic flatness – if technology and society co-produce each other equally, the justification for maintaining the boundary between them dissolves (in which case actor-network theory may be invoked). Unless overlapping sets of boundary-work are employed, co-production may also fail to account for power differentials within each variable (in this case, within technology and society).
- Michael Gibbons, Camille Limoges, Helga Nowotny, Simon Schwartzman, Peter Scott and Martin Trow The New Production of Knowledge: The dynamics of science and research in contemporary societies Sage. 1994
- Jasanoff, Sheila. States of Knowledge: The Co-Production of Science and the Social Order. Routledge. 2006. ISBN 978-0-415-40329-0
- Harbers, Hans. Inside the Politics of Technology: Agency and Normativity in the Co-Production of Technology and Society. Amsterdam University Press. 2005. ISBN 978-90-5356-756-2