Jump to content

Dead Birds (1963 film)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by G-Dett (talk | contribs) at 12:43, 19 March 2008 (style). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

For the 2004 horror movie, see Dead Birds (2004 film)
Dead Birds
File:Dead-Birds.jpg
Screenshot from Dead Birds
Directed byRobert Gardner
Distributed byDocumentary Educational Resources
Release date
1964
Running time
84 min.
CountryU.S.A.
LanguageEnglish

Dead Birds is a 1965 documentary film by Robert Gardner about the the Dani people of New Guinea. It was produced as part of the Harvard-Peabody Expedition to study the highlands of New Guinea, at that time one of the only remaining areas in the world uncolonized by Europeans.

The film has been selected for preservation in the United States National Film Registry.

The film's title is borrowed from a Dani fable that Gardner recounts in voice-over. The Dani people, whom Gardner identifies mysteriously as "a mountain people," believe that there was once a great race between a bird and a snake, which was to determine the lives of human beings. Should men shed their skins and live forever like snakes, or die like birds? The bird won the race, dictating that man must die.

The film's plot revolves around two characters, Weyak and Pua. Weyak is a warrior who guards the frontier between the land of his tribe and that of the neighboring tribe. Pua is a young boy whom Gardner depicts as weak and inept.

Criticism

Though stylistically impressive, Dead Birds has been criticized with respect to its authenticity. The characters who speak in the film are never subtitled, and even then the voice itself is not always what it seems. What the audience perceives as Weyak's voice is actually a post-filming dub of Karl Heider speaking Dani. Gardner himself did not speak Dani, and so all his interpretations of events are second-hand. The battle sequences are made up of many shots taken during different battles and stitched together to give the appearance of temporal unity. The apparent continuity stems from the post-synchronized sound, and in fact all the sound in the film is post-synched.

References

Ruby, Jay. Picturing Culture: Explorations of Film and Anthropology. Chicago: U. of Chicago Press, 2000.