Devonshire Hunting Tapestries
The Devonshire Hunting Tapestries are a group of four magnificent Flemish tapestries dating from the mid-fifteenth century.[1] These enormous works, each over 3 metres wide, depict men and women in fashionable dress of the early fifteenth century hunting in a forest. The tapestries formerly belonged to the Duke of Devonshire. The 6th Duke described using his 'spare' tapestry to insulate the Long Gallery at Hardwick Hall in the 1840s, a practice which saved these rare Gothic hangings from being discarded. The tapestries depict a Deer Hunt, Falconry, a Swan and Otter Hunt and Boar and Bear Hunt. The hunt was a particularly powerful theme and would have been a familiar pastime to many of the high-born individuals and families who owned tapestries. Hunting was both a stylized sport and an important source of the only meats considered noble.
This detail is from the Boar and Bear Hunt Tapestry, made in the 1420s, and shows men carrying special boar-spears, which have cross-bars designed to stop the charge of the boar and keep its deadly tusks at arms length. Much of the charm of these scenes lies in the elaborate costume detail. The lady crossing the stream on the lower right has 'Monte le Desire' inscribed on her flowing sleeve. This is the opening line of a popular song of the period. The practice of embellishing one's clothes with such words was a medieval equivalent of having a stylish slogan printed on a T-shirt except that, in the tapestry, weaving on a horizontal loom has reversed the letters.
The dress of the participants is of the type worn at court, particularly that of Burgundy, which had control of the tapestry-weaving areas in the southern Netherlands. It is unlikely that any serious hunting took place in such restricting and exotic clothes.[2]
References
- ^ "The Devonshire Hunting Tapestries". Victoria and Albert Museum. Retrieved 25 October 2013.
- ^ Jackson, Anna (2001). V&A: A Hundred Highlights. V&A Publications. ISBN 1-85177-365-7.
External links
- View the Tapestries
- The sign of the dog: an examination of the Devonshire hunting tapestries, Ann Claxton, Journal of Medieval History, Volume 14, Issue 2, 1988
