Étant donnés

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Étant donnés
English: Given: 1. The Waterfall, 2. The Illuminating Gas, French: Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage
Etant donnes.jpg
Artist Marcel Duchamp
Year 1946 (1946)–1966
Type Sculpture
Location Philadelphia Museum of Art, Philadelphia

Étant donnés (Given: 1. The Waterfall, 2. The Illuminating Gas, French: Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage) is Marcel Duchamp's last major artwork, which surprised the art world because it believed he had given up art for competitive chess which he played for almost 25 years, following a prolific art career. He made work with the Surrealists when he made The Bride Stripped Bare by Her Bachelors, Even (also known as The Large Glass).[1] He made other very famous works like The Fountain among others. This work is a tableau, visible only through a pair of peepholes (one for each eye) in a wooden door, of a nude woman lying on her back with her face hidden, legs spread, holding a gas lamp in the air in one hand against a landscape backdrop.

Duchamp worked secretly on the piece from 1946 to 1966 in his Greenwich Village studio.[2] It is composed of an old wooden door, nails, bricks, brass, aluminum sheet, steel binder clips, velvet, leaves, twigs, a female form made of parchment, hair, glass, plastic clothespins, oil paint, linoleum, an assortment of lights, a landscape composed of hand-painted and photographed elements and an electric motor housed in a cookie tin which rotates a perforated disc.[1] The Brazilian sculptor Maria Martins, Duchamp's girlfriend from 1946 to 1951, served as the model for the female figure in the piece, and his second wife, Alexina (Teeny), served as the model for the figure's arm.[3] Duchamp prepared a "Manual of Instructions" in a 4-ring binder explaining and illustrating how to assemble and disassemble the piece.[2]

The piece was created with the intention of having it displayed at the Philadelphia Museum of Art. Anne d'Harnoncourt, a young curator at the time and future director of the museum, orchestrated the acquisition and transfer of the piece to Philadelphia. According to the artist's wishes that the work be viewed and installed post-mortem, it wasn't until 1969, one year after Duchamp's death in 1968, that Duchamp's widow Alexina Duchamp and his step-son Paul Matisse installed the work at the Philadelphia Museum of Art and revealed the tableau to the public.[4]

References and sources[edit]

References
  1. ^ a b "Collections Object: Étant donnés", Philadelphia Museum of Art, Retrieved 23 November 2014.
  2. ^ a b "Marcel Duchamp: The Manual", Philadelphia Museum of Art, Retrieved 23 November 2014.
  3. ^ Cotter, Holland. "Landscape of Eros, Through the Peephole", The New York Times, August 27, 2009.
  4. ^ "Marcel Duchamp: Étant donnés", Philadelphia Museum of Art, Retrieved 23 November 2014.
Sources

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