File:Alison Ruttan All Down the Line.jpg
Alison_Ruttan_All_Down_the_Line.jpg (360 × 270 pixels, file size: 51 KB, MIME type: image/jpeg)
Summary[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Sculpture, All Down the Line, (ceramic, 2016–7 by artist Alison Ruttan. Illustrates a key later body of work in Alison Ruttan’s career, in which she shifted her focus on war and aggression from primates and humans to the consequences of war on communities and created ceramic sculptures on table tops in the series “Dark City,” based on destruction that took place in Aleppo and Homs, Syria. Because the article is about an artist and her work, the omission of the image, a new medium, would significantly limit a reader's understanding and ability to visualize this body of work and phase in her art. Ruttan’s sculpture has been exhibited prominently and is discussed at length in the article as it has been by art critics and writers cited there. |
|---|---|
| Source |
Artist Alison Ruttan. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key late body of work and critical period in the artist's practice and technique: her series “Dark City” of 2016–7, featuring ceramic sculptures. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this type of work and late period in her art. Ruttan’s ceramic sculpture is discussed at length in the article and was discussed in detail by numerous art critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Ruttan’s, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Alison Ruttan//en.wikipedia.org/wiki/File:Alison_Ruttan_All_Down_the_Line.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 19:46, 19 October 2018 | | 360 × 270 (51 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Alison Ruttan | Description = Sculpture, ''All Down the Line'', (ceramic, 2016–7 by artist Alison Ruttan. Illustrates a key later body of work in Alison Ruttan’s career, in which she shifted her focus on war and aggression from primates and humans to the consequences of war on communities and created ceramic sculptures on table tops in the series “Dark City,” based on destruction that took place i... |
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