File:J.Gillerman Kilauea-PelesDomain 2019.jpg

Still images from video by JoAnn Gillerman, Kilauea: Pele's Domain – 3 decades of Kilauea, film/video, immersive media, 360/virtual reality, 2019). The image illustrates a major body of work in JoAnn Gillerman's career beginning in the 1990s, when she produced experimental new media works combining collaborative live performance, music, and synthetically-generated video imagery. This image features video and 360/virtual reality imagery from Gillerman's film, Kilauea: Pele's Domain, which featured footage recorded over three decades of the activity, lava flows and effects on the local population. The film and related and new media works were publicly screened or exhibited in prominent venues and film festivals and discussed in press publications.

Artist JoAnn Gillerman. Copyright held by the artist.

JoAnn Gillerman

Still image of video

Yes. The image will not affect the commercial value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.

The image has contextual significance, serving an informational and educational purpose as the primary means of illustrating a key body of work in JoAnn Gillerman's career from the 1990s to the 2020s: her video and interactive exhibit works, which reworked imagery that recorded of macrocosmic primal events around the world, such as eclipses and volcanic activity. These works have included video and immersive live footage, sculptural elements, sound and research on reactions to the phenomena at the personal, cultural and universal levels. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this key body of work and medium, which brought Gillerman ongoing recognition through screenings and exhibitions in major venues, computer conferences and science centers as well as coverage by major critics and publications. Gillerman's work of this type and this series, as well as this specific work, are discussed in the article and by critics cited in the article.

There is no free equivalent of this or any other of this series by JoAnn Gillerman, so the image cannot be replaced by a free image.

The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.