Jump to content

File:Jacopo de' Barbari (Signatur).jpg

Page contents not supported in other languages.
This is a file from the Wikimedia Commons
From Wikipedia, the free encyclopedia

Jacopo_de'_Barbari_(Signatur).jpg (704 × 426 pixels, file size: 240 KB, MIME type: image/jpeg)

Summary

Jacopo de' Barbari: Still-Life with Partridge and Iron Gloves  wikidata:Q2349652 reasonator:Q2349652
Artist
Jacopo de' Barbari  (1460/1470–before 1516
date QS:P,+1516–00–00T00:00:00Z/7,P1326,+1516–00–00T00:00:00Z/9
 wikidata:Q927350
 
Alternative names
Jacopo dei Barbari, Barbarini Veneziano, Jaques de Barbaris, Jacopo de Barbarj, Master of the Caduceus, J. Walch Barbari, Jakob Walch, Jacob der Welsche
Description Italian painter, engraver, wood carver and court painter
Date of birth/death between 1460 and 1470
date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1460-00-00T00:00:00Z/9,P1326,+1470-00-00T00:00:00Z/9
before 1516
date QS:P,+1516-00-00T00:00:00Z/7,P1326,+1516-00-00T00:00:00Z/9
Location of birth/death Venice Edit this at Wikidata City of Brussels
Work location
Venice (1494-1500), Germany (1500-1508), Southern Netherlands (1510-1516)
Authority file
artist QS:P170,Q927350
image of artwork listed in title parameter on this page
Title
German:
Totes Rebhuhn mit Eisenhandschuhen und Armbrustbolzen Edit this at Wikidata

Still-Life with Partridge and Iron Gloves
title QS:P1476,de:"Totes Rebhuhn mit Eisenhandschuhen und Armbrustbolzen Edit this at Wikidata"
label QS:Lde,"Totes Rebhuhn mit Eisenhandschuhen und Armbrustbolzen Edit this at Wikidata"
label QS:Lit,"La natura morta appesa al muro"
label QS:Lja,"ヤマウズラと籠手のある静物"
label QS:Lfr,"Nature morte avec perdrix et gants de fer"
label QS:Larz,"الطبيعه الميته لطائر الحجل والقفازات"
label QS:Lnl,"Stilleven met patrijs"
label QS:Len,"Still-Life with Partridge and Iron Gloves"
label QS:Lar,"الطبيعة الميتة لطائر الحجل والقفازات (لوحة)"
label QS:Lru,"Натюрморт с куропаткой, латной рукавицей и арбалетным болтом"
Object type painting Edit this at Wikidata
Genre still life Edit this at Wikidata
Description
Deutsch: Signatur des Gemäldes Stillleben mit Rebhuhn und Eisenhandschuhen
Date 1504
date QS:P571,+1504-00-00T00:00:00Z/9
Medium oil and linden wood Edit this at Wikidata
Dimensions height: 52 cm (20.4 in) Edit this at Wikidata; width: 42.5 cm (16.7 in) Edit this at Wikidata
dimensions QS:P2048,+52U174728
dimensions QS:P2049,+42.5U174728
Accession number
References
Source/Photographer Florian Heine – Das erste Mal. Wie Neues in die Kunst kam, München: Bucher Verlag 2007 S. 76 ISBN 978-3-7658-1511-9
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Other versions

Captions

Signature of Jacopo de' Barbari, date 1504, and caduceus, detail of Still-Life with Partridge and Gauntlets

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current19:36, 21 November 2009Thumbnail for version as of 19:36, 21 November 2009704 × 426 (240 KB)Lewenstein{{Information |Description={{de|1=Signatur Jacopo de' Barbaris aus ''Stillleben mit Rebhuhn und Eisenhandschuhen''}} |Source=Florian Heine – ''Das erste Mal. Wie Neues in die Kunst kam'', München: Bucher Verlag 2007 S. 76 ISB

The following page uses this file:

Global file usage

Metadata