File:Lisa Hoke ComeOnDown 2013.jpg
Lisa_Hoke_ComeOnDown_2013.jpg (588 × 170 pixels, file size: 129 KB, MIME type: image/jpeg)
Summary
[edit]![]() | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
Description |
Artwork by Lisa Hoke, Come On Down (site-specific installation, cardboard packaging, cups, glue and hardware, 16' x 110' x 2', 2013, Oklahoma City Museum of Art, OK). The image illustrates a later stage and body of work in Lisa Hoke's art when she produced large-scale installations using repurposed commercial packaging drawing on the rich color, patterning and appeal while also commenting on marketing, material excess and mass consumption. In this 16-by-110-foot work at the Oklahoma City Museum of Art, the The Price Is Right-derived title signals its double-edged celebration of excess. This project and similar works have been publicly exhibited in prominent venues, discussed in major art journals and daily press publications, and commissioned by museums. |
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Source |
Artist Lisa Hoke. Copyright held by the artist. |
Article | |
Portion used |
Installation view |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a later stage and body of work by Lisa Hoke, which was initiated in the 2010s: her large-scale installations using repurposed cardboard—primarily commercial packaging—as its main element, drawing on the rich color, patterning and appeal in the material. She created them out of hundreds of roughly 2' x 2' collages, which were edited and assembled on-site into large-scale, undulating wall installations that were disassembled after exhibition and sometimes reworked in later pieces. Critics related their abstract arabesques of color and fanning forms to work by Klimt, among others, while noting its commentary on the pleasures and horrors of marketing, material excess and mass consumption. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key later development in her career, which brought new, widespread recognition through exhibitions in major venues, coverage by major critics in publications, and museum commissions. Hoke's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Lisa Hoke, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Lisa Hoke//en.wikipedia.org/wiki/File:Lisa_Hoke_ComeOnDown_2013.jpgtrue |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 20:50, 21 September 2021 | ![]() | 588 × 170 (129 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Lisa Hoke | Description = Artwork by Lisa Hoke, ''Come On Down'' (site-specific installation, cardboard packaging, cups, glue and hardware, 16' x 110' x 2', 2013, Oklahoma City Museum of Art, OK). The image illustrates a later stage and body of work in Lisa Hoke's art when she produced large-scale installations using repurposed commercial packaging drawing on the rich color, patterning and appeal... |
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