File:Margaret Cogswell Memento-Mori 1993.jpg
Margaret_Cogswell_Memento-Mori_1993.jpg (357 × 280 pixels, file size: 95 KB, MIME type: image/jpeg)
Summary
[edit]![]() | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
Description |
Installation by Margaret Cogswell, Memento Mori (installation, straw, hair, rope, tar, plaster, steel mesh, beeswax and salt, 14' h x 20' x 26', 1993, Utatsuyama Temple, Kanazawa, Japan). The image illustrates an earlier body of work in Margaret Cogswell's career: her installations of the mid-1990s, which explored a wider range of materials (twine, sheets of waxed fabric, newsprint and cheesecloth skins, calligraphic knotted and unknotted ropes, straw, salt, tar), linear tensions, and enclosures or shrine-like environments. This work was initially installed in an abandoned temple in Kanazawa, Japan, and later, at the Newhouse Center in the U.S. This work was publicly exhibited in prominent exhibitions, commissioned, and discussed in major art journals and daily press publications. |
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Source |
Artist Margaret Cogswell. Copyright held by the artist. |
Article | |
Portion used |
Installation view |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating an early body of work in Margaret Cogswell's career in the mid-1990s, when she began to shift from self-contained sculptural works to installations that explored new materials and linear tensions, often created as enclosures, frames or shrine-like environments. Her materials expanded to include hanging lengths of tarred twine, sheets of waxed fabric, skins of newsprint wrapped in cheesecloth, knotted and unknotted ropes, and materials used in rituals, such as straw and salt. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this key transitional body of work, which brought Cogswell increasing recognition through coverage by major critics and publications, museum commissions and exhibitions, and led to her later "River Fugues." Cogswell's work of this type and this series is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Margaret Cogswell, and the work no longer exists in this form, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Margaret Cogswell//en.wikipedia.org/wiki/File:Margaret_Cogswell_Memento-Mori_1993.jpgtrue |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:37, 9 November 2022 | ![]() | 357 × 280 (95 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Margaret Cogswell | Description = Installation by Margaret Cogswell, ''Memento Mori'' (installation, straw, hair, rope, tar, plaster, steel mesh, beeswax and salt, 14' h x 20' x 26', 1993, Utatsuyama Temple, Kanazawa, Japan). The image illustrates an earlier body of work in Margaret Cogswell's career: her installations of the mid-1990s, which explored a wider range of materials (twine, sheets of... |
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