File:Metabolizing the Border 2018-2020.jpg
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Summary
[edit]| Description | Picture of Tanya Aguiñiga's wearable sculpture Metabolizing the Border (2018-2020) at the Renwick Gallery in Washington, DC in 2022. Several wearable objects made from glass, portions of the US-Mexico border wall, and other materials sit on a mannequin in a vitrine in a gallery. An image of the border wall is visible behind the sculpture. |
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| Author or copyright owner |
Original work: Tanya Aguiñiga Depiction: 19h00s |
| Source (WP:NFCC#4) | Own work |
| Date of publication | Original work: 2018-2020 Depiction: 14 May 2022 |
| Use in article (WP:NFCC#7) | Tanya Aguiñiga |
| Purpose of use in article (WP:NFCC#8) | To support encyclopedic discussion of this work in this article. The illustration is specifically needed to support the following point(s): Key example of artist's wearable art, most famous performance work |
| Not replaceable with free media because (WP:NFCC#1) |
Any derivative work based upon the artwork would be a copyright violation, so creation of a free image is not possible. |
| Minimal use (WP:NFCC#3) | Single usage, low resolution, only shows one angle of work with more detail/parts on the back |
| Respect for commercial opportunities (WP:NFCC#2) |
The use of a low resolution image of the artwork will not impact the commercial viability of the art. |
| Other information | Original work: Tanya Aguiñiga Metabolizing the Border, 2018-2020, Analogue VR headset, breath distiller, sound amplifiers, Maglite border torch, "Saint Juan Diego and Our Lady" border cloak, water backpack, and huaraches made of blown, cast, and sculpted glass with rusted metal pieces of US-Mexico border fence, leather, and cotton twine; neoprene wetsuit;glass components made in collaboration with Pilchuck Glass School artisans, Dimensions variable, Smithsonian American Art Museum, Smithsonian Institution, Washington, DC, Joint museum purchase with the Cooper Hewitt, Smithsonian Design Museum, through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative Depiction: The author of the image has released the photographic work under a free license, or it is in the public domain:
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| Fair useFair use of copyrighted material in the context of Tanya Aguiñiga//en.wikipedia.org/wiki/File:Metabolizing_the_Border_2018-2020.jpgtrue | |
Licensing
[edit] | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | ||
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 03:59, 14 July 2022 | | 195 × 488 (47 KB) | 19h00s (talk | contribs) | removed exif |
| 03:36, 16 May 2022 | No thumbnail | 195 × 488 (47 KB) | 19h00s (talk | contribs) | Uploading a depiction of a non-free 3D artwork using File Upload Wizard |
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