File:Orna139-Hermen.png

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Summary

Description The Terminus (Plate 139.) The Terminus is a pilaster-like support, the fundamental form of which is characterized by tapering downwards in a manner recalling an inverted Obelisk. The name is derived from the fact that similar constructions were used in the Antique as milestones and to mark the Terminations of fields, &c. The Terminus consists of the profiled base, not infrequently supported on a special pedestal (figs. 3 and 7); the shaft tapering downwards and usually ornamented with festoons (figs. 3, 4, 5, 10); and the capital, which is often replaced by a bust or half-figure (figs. 4, 5, 9). In this latter case, it assumes the appearence of a caryatid; and, as the bust is that of Hermes (the God of letters), this application is often termed a "Hermes". Standing isolated, it serves as a Pedestal for busts and lamps, as a Post for railings, and in gardens and terraces. The last was exceedingly popular in the Rococo period. Joined to the wall, the Terminus often takes the place of the pilaster. This is especially true of the furniture and small architectural constructions of the Renascence period. It is also not uncommon on Utensils, e.g. tripods, handles of pokers, seals, &c. [1]
Date
Source A Handbook of Ornament - p. 226
Author Franz Sales Meyer
Permission
(Reusing this file)
This image comes from the 6th edition of A Handbook of Ornament (1898), or earlier.
Public domain

The author died in 1927, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 95 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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current19:22, 12 September 2005Thumbnail for version as of 19:22, 12 September 20051,317 × 2,006 (195 KB)Kolossos'''de:'' {{PD-Ornament1898}} Source: A handbook of ornament (1898) {{PD}} Category:Meyer's Ornament\
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