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For the Love of Ada (film)

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For the Love of Ada
UK theatrical poster
Directed byRonnie Baxter
Written byHarry Driver
Vince Powell
Produced byPeter J. Thompson
StarringIrene Handl
Wilfred Pickles
Barbara Mitchell
Jack Smethurst
CinematographyAlan Hume
Edited byAnthony Palk
Music byFrank Barber
Production
company
Distributed byLMG Film Productions Limited UK
Release date
  • August 1972 (August 1972)
Running time
88 min
CountryUnited Kingdom
LanguageEnglish
Budget£100,000[1]

For the Love of Ada is a 1972 British comedy film directed by Ronnie Baxter and starring Irene Handl, Wilfred Pickles, Barbara Mitchell and Jack Smethurst.[2][3] It is a spin-off from the television series For the Love of Ada (1970–1971).

Plot

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Walter and Ada Bingley, an elderly couple, are about to celebrate their first wedding anniversary. To celebrate, their family, friends and neighbours plan a surprise party.

Their daughter Ruth entrusts her husband Leslie Pollitt with the organisation. They hire a traditional club hall for the event.

On the night though Walter and Ada do their own thing and the party goes on without them. With most of the alcohol consumed a traditional knees-up begins. Leslie eventually finds them and drags them in for a meal, but they have already eaten.

Cast

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Reception

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The Monthly Film Bulletin wrote: "'What could be nicer,' Gilbert O'Sullivan croons questioningly over the credit titles, 'than two people young at heart?' The answer provided by the film, of course, as Irene Handl and Wilfred Pickles demonstrate how very nice, how indomitably life-loving, how British and human and working-class they are, is nothing whatsoever. Adapted from the TV comedy series, For the Love of Ada is a boneless jelly of a film, setting up pointless little heartbreaks and conflicts so that it can dissolve them in a flood of cosy sentimentality. Absolutely nothing happens from beginning to end, but every cliché in the book is given a whirl, from the wife who thinks her anniversary has been forgotten, to the husband who draws back in panic when his slobbering efforts at flirtation seem likely to bear fruit, right down to the climactic 'Knees Up Mother Brown'. Like Pavlov's dogs, the characters shed tears or grin and bear it to appropriate stimuli, but life in this ghastly, thoroughly patronising concoction is reduced to a conditioned reflex."[4]

References

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  1. ^ John Hamilton, Beasts in the Cellar: The Exploitation Film Career of Tony Tenser, Fab Press, 2005 p 231
  2. ^ "For the Love of Ada". British Film Institute Collections Search. Retrieved 26 August 2024.
  3. ^ "For the Love of Ada". BFI. Archived from the original on 14 January 2009.
  4. ^ "For the Love of Ada". The Monthly Film Bulletin. 39 (456): 188. 1 January 1972 – via ProQuest.
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