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Francis Towne

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Entrance to the Grotto at Posilippo, Naples, 1781, little reworked
The Tarpeian Rock, Rome, 1780, reworked later
On The Dart

Francis Towne (1739 or 1740 – 7 July 1816) was a British watercolour landscape painter and teacher, who spent his career between his native London and Exeter. Towne travelled to Italy in 1780-81, which was strongly formative for his style, perhaps as much for what he learned from other English watercolourists there as from the sights or Italian art. He also went on "study trips" to Wales and the Lake District. He was reasonably well known in his lifetime, though failing repeatedly to get elected to the Royal Academy, but soon became neglected after his death.[1]

He remained an obscure figure until the early 20th century, so that the collector Paul Oppé was able to acquire numbers of important works very cheaply. Oppé was greatly impressed, especially with Towne's elegant and somewhat stylised early manner, which chimed with trends in English painting at the time,[2] "the taste of our own century for flat colourful pattern-making", as Andrew Wilton put it in 1993.[3] The writings of Oppé and others created a revival of interest in Towne, and more works began to appear on the market. By the 1950s he was widely recognised as an important figure and his works were owned by many museums, especially the British Museum and the Yale Center for British Art.[4] A catalogue raisonné of the artist's work is published by the Paul Mellon Centre for Studies in British Art.[5]

Biography

Towne was born in Isleworth in Middlesex,[6] the son of a corn chandler. In 1752 he was apprenticed to a leading coach painter in London, Thomas Brookshead. In 1759 he won a design prize from the Society of Arts, and studied for a while at St Martin’s Lane Academy; according to his pupil John White Abbott many years later, around this time he also studied under the court portraitist John Shackleton.

In 1763 Towne was employed by a coach painter called Thomas Watson in Long Acre, and went to Exeter on business, where he soon settled. He had already begun painting in oils and also taught drawing, and now he began to accept commissions from wealthy families in Devon. After a tour of north Wales in 1777, undertaken with his friend, the Exeter lawyer James White (1744–1825), he began to specialize in watercolours.

In 1780 he travelled to Rome, where he knew, and painted with, John "Warwick" Smith, who had been there since 1776, and William Pars, a friend from London. He spent a month in Naples in March 1781, staying with Thomas Jones. After returning to Rome, and excursions to Tivoli and other nearby areas, he travelled home to England with Smith, passing over the Alps. His works from this trip include over 200 sheets, and 54 large views of Rome which emphasize the ancient ruins rather than the post-classical sights or the contemporary life of the city. These 54 were later exhibited as a group in 1805 but never sold; he painted copies of them instead when he got commissions. Many were reworked later, starting around 1800, in the heavier and more conventional style he had by then adopted. At his death Towne left the group to the British Museum, where they remain.[7]

On his return to Devon, he was asked by Sir Thomas and Lady Acland of Killerton to paint some views in Devon and North Wales, and in 1786 he went on a painting tour of the Lake District. He painted versions of his watercolours, of Rome and elsewhere, in oils, mainly to submit to the Royal Academy, but though several were exhibited his eleven attempts from 1788 on to be elected a member all failed, and he gave up in 1803. He remained in Exeter painting and teaching, achieving reasonable success. In the last years of his life he returned to live in London.[8]

From January 2016, the British Museum held an exhibition of the watercolours he painted in Rome, and art critic Jonathan Jones commented:

Francis Towne, who failed 11 times to get elected to the Royal Academy but had the foresight to leave these watercolours to the British Museum when he died in 1816, may not be a famous British artist. He is, however, as this entrancing exhibition reveals, a great one.[9]

Notes

  1. ^ Stephens
  2. ^ Stephens
  3. ^ Wilton & Lyles, 38
  4. ^ Stephens
  5. ^ A Catalogue Raisonné of Francis Towne (1739-1816), now available, paul-mellon-centre.ac.uk 19 May 2016. Retrieved 28 May 2016. Archived here.
  6. ^ Stephens; Towne's baptism in Isleworth is now firmly established, in a 1996 article in the Burlington Magazine (vol 138, pp.500-5). The records of the Painter Stainers Company, where Towne enrolled as an apprentice, also state that Towne's father was from Isleworth. Before this, some sources assumed that Towne was from Devon, as he lived and worked there for so long.
  7. ^ Stephens
  8. ^ Stephens
  9. ^ Jones, Jonathan (19 January 2016). "Review: Luminous vision of a lost empire's ruined heart". The Guardian: 9.

References

  • Stephens, Richard, Light, time, legacy; Francis Towne's watercolours of Rome, exhibition leaflet, 2016, British Museum
  • Andrew Wilton & Anne Lyles, The Great Age of British Watercolours, 1750–1880, 1993, Prestel, ISBN 3791312545
  •  This article incorporates text from a publication now in the public domain: "Towne, Francis". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.

Further reading

Wikimedia Commons has media related to Francis Towne.
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