Fujiwara no Akisue
Template:Japanese name Fujiwara no Akisue (藤原 顕季, 1055 – 27 September 1123) was a noted Japanese poet and nobleman. He was active at the end of the Heian period, and the son of Fujiwara no Takatsune (藤原 隆経). He was also a member of the famous poetic and aristocratic clan, the Fujiwara.
Akisue was close to Emperor Shirakawa, both through his mother who was the Emperor’s nurse, and through the influence of Fujiwara no Sanesue (藤原 実季), his foster father, who was Dainagon to the Emperor. Starting in 1075, Akisue held a number of local official posts, and by 1109 was appointed as a Dazai Daini (secretary to the administrative officer of several provinces). Akisue was the father of Fujiwara no Akisuke.
Poetry
In 1078 Akisue participated in『承暦二年内裏歌合』(The Imperial Palace Poetry Match of Shôryaku 2). In 1093 he contributed a one-hundred poem set to the 『堀河院百首』 (Horikawa-in hyakushu), and participated in『郁芳門院根合』 (Ikuhômon-in neawase), 『堀河院艶書合』 (Horikawa-in tsuyakotobaawase), and 『鳥羽殿北面歌合』 (Toba-dono hokumen utaawase), among others, firmly establishing his reputation as a poet.
Poetry school
Akisue’s most famous house was built in Kyoto at the crossing of two streets, Rokujô and Karasuma, and the poets of his salon used to meet there. The poetic school that he established came to be called Rokujô. Similarly his descendants formed a clan that came to be called the Rokujō family. His poetic style was very conservative. Members of his salon were many of the more conservative poets of the time, such as Fujiwara no Akisuke, Fujiwara no Kiyosuke, Fujiwara no Motosuke and Fujiwara no Ari'i.e.
Akisue was a scholar of the Man'yōshū and worked to recover and popularize the poetry of Kakinomoto no Hitomaro. Both Akisue and the Emperor revered Hitomaro, and Akisue managed to borrow a famous painting of Hitomaro from the Emperor to make a copy for his own family, which he proudly displayed. In 1118, Akisue held a celebration of Hitomaro at his Rokujô mansion which was attended by the poetry luminaries of the time including Minamoto no Shunrai and Fujiwara no Akisuke. They presented offerings before the painting of Hitomaro and recited both his poems and their own, both Japanese waka and Chinese verse, composed especially for this occasion. This was the first formal ceremony on record dedicated to the veneration of Hitomaro, and began a practice that was later for other esteemed poets.[1]
Notes
- ^ Smits, Ivo (1998) "The Poet and the Politician: Teika and the Compilation of the Shinchokusenshu" Monumenta Nipponica 53(4): pp. 427-472, p.446;
References
- Levy, Ian Hideo (1984) Hitomaro and the Birth of Japanese Lyricism Princeton University Press, Princeton, NJ, ISBN 0-691-06581-0 ;
- Miner, Earl; Odagiri, Hiroko; and Morrell, Robert E. (1985) "Fujiwara, Akisue (1055-1123)" The Princeton Companion to Classical Japanese Literature Princeton University Press, Princeton, NJ, ISBN 0-691-06599-3 ;
- This article is based in part on material from the Japanese Wikipedia.