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Gijsbert Verhoek

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This is an old revision of this page, as edited by Ser Amantio di Nicolao (talk | contribs) at 13:44, 28 October 2016 (Cat-a-lot: Copying from Category:Dutch Golden Age painters to Category:Dutch male painters). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Gysbert, or Gijsbert Verhoek (1644 in Bodegraven – 1690 in Amsterdam), was a Dutch Golden Age painter.

Biography

According to Houbraken he was the younger brother (by 11 years) of the glass painter Pieter Verhoek, who learned to paint from Jacob van der Ulft in Gorinchem.[1] He learned to paint from his brother Pieter, who had moved to Amsterdam to take up marble-painting, an interior decoration form that had become more fashionable than glass painting.[1] Gijsbert became the pupil of Adam Pijnacker, who knew his brother very well.[1] He also became friends with the brothers Job and Gerrit Adriaenszoon Berckheyde.[1] He made drawings in the style of "Ludovicus Rouhier" or "den Bourgonjon".[1] He died of gout and left a son who had been trained by his brother in marble-painting and who still conducted that business when Houbraken was writing (1704–1710).[1]

According to the RKD he was a pupil of Pijnacker who was known for his scenes with soldiers and cavalry, both in paintings and drawings.[2] He became a follower of Jacques Courtois and painted horsemen and cavalry scenes.[2] He was buried in the Nieuwezijds Kapel.[2]

References

  1. ^ a b c d e f Template:Link language Gijsbert Verhoek Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature
  2. ^ a b c Gijsbert Verhoek in the RKD