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Ground Zero (band)

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Ground-Zero
OriginTokyo, Japan
GenresNoise music
Free improvisation
Japanese noise rock
Years active1990–1998
Past membersOtomo Yoshihide
Hideki Kato
Masahiro Uemura

Ground-Zero was a Japanese noise/improvisation band[1] during the 1990s led by the guitarist and "turntablist" Otomo Yoshihide that had a large and rotating group of performers with two other regular performers.[1]

Musical style

The band performed on such instruments as turntables, sampler, shamisen, saxophone, koto, omnichord, electric guitar and two drum kits. They were the first free improvising musicians to use turntables[2]

Their music was virtuoso and mixed free jazz, improvisation, pop, rock and experimental noise.[3] They are best known for their albums Revolutionary Pekinese Opera ver. 1.28, a sound collage piece combining noise music and samples of peking opera and Consume Red, on which the performers improvise around a short sample of hojok music played by the Korean holy musician Kim Seok Chul.

History

Ground-Zero was formed to play the John Zorn game piece Cobra.[3] They first played in August 1990 and last played in March 1998.[3] The band's last project was in 1998 when they re-worked material from a 1992 Cassiber concert in Tokyo; it was released on the second CD of Cassiber's double CD, Live in Tokyo (1998).

Discography

Otomo Yoshihide at Weikersheim, Germany
  • Ground Zero (1992)
  • Null & Void (1993)
  • Revolutionary Pekinese Opera ver. 1.28 (ReR GZ1, 1996)
  • Consume Red (Sank-ohso/Creativeman, 1997)[3]
  • Plays Standards (1997)
  • Last Concert (Valve/Amoebic, 1999)[1]

References

  1. ^ a b c Jenkins, Todd S. (2004). Free jazz and free improvisation: An encyclopedia. Westport, Conn.: Greenwood. p. 165. ISBN 9780313298813.
  2. ^ Audio culture: readings in modern music. Continuum International Publishing Group. 2004. p. 405. ISBN 9780826416155. Retrieved 2010-05-30. {{cite book}}: Unknown parameter |authors= ignored (help)
  3. ^ a b c d Kelly, Caleb (2009). Cracked Media: The Sound of Malfunction. MIT Press. pp. 188–. ISBN 978-0-262-01314-7. Retrieved 7 August 2018.