Jump to content

Hibutsu

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Jodosma (talk | contribs) at 11:58, 28 February 2015 (typo: initates→initiates). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Hibutsu (秘仏, "hidden Buddhas") are Japanese Buddhist icons or statues concealed from public view. Hibutsu are generally located within Buddhist temples in shrines called zushi (厨子, "miniature shrines"). They are generally unavailable for viewing or worship, although they are brought out for specific religious ceremonies; it is also possible in some cases for the hibutsu to be viewed in exchange for an offering to the temple. Certain hibutsu, such as the wooden statue of Gautama Buddha at Seiryō-ji or the Amida statuary at Zenkō-ji, are almost never displayed, even to initiates of the temples in which they are held (such examples are known as zettai hibutsu).[1] Others are put on public display only rarely, in a ceremony called kaichō (開帳, "opening the curtain").[2]

History

Whilst the practice of concealing important religious artefacts within zushi or behind curtains dates to the Heian period, the concept of hibutsu is slightly later. It is possible that the original practice was based on Shinto concepts, in which kami (, "gods") are without physical form,[3] however a document from Kōryū-ji indicates that it began at that temple with the concealment of a statue of Kannon imported from Silla in 616 C.E. The earliest record of an actual hibutsu dates from 1106, when sources indicate the Amida statues at Zenkō-ji were briefly put on display. By the Edo period hibutsu had become a popular concept in Japanese Buddhism, and during this time kaichō ceremonies became major public events, drawing crowds of thousands.[2] It has been noted by art historians such as Shiro Ito that hibutsu are a uniquely Japanese phenomenon; other Buddhist cultures do not have any equivalent practice.[1]

The concealment of the hibutsu is intended to emphasise their potency and trancendence.[4] It may also serve to protect them from pollution by the impure influences of the mundane world,[2] or to preserve the personal privacy of these "living" embodiments of Buddhism.[1]

Liza Dalby's novel Hidden Buddhas is based on the concept of hibutsu.[5]

References

  1. ^ a b c Suzuki, Michitaka. "Hibutsu (Hidden Buddha): Living Images in Japan and the Orthodox Icons" (PDF). University of Okayama. Retrieved 28 November 2014.
  2. ^ a b c Rambelli, Fabio (Autumn 2002). "Secret Buddhas: The Limits of Buddhist Representation". Monumenta Nipponica. 57 (3): 271–307. Retrieved 28 November 2014.
  3. ^ Herbert Plutschow (5 November 2013). Matsuri: The Festivals of Japan: With a Selection from P.G. O'Neill's Photographic Archive of Matsuri. Routledge. p. 63. ISBN 978-1-134-24698-4.
  4. ^ Bernhard Scheid; Mark Teeuwen (4 July 2013). The Culture of Secrecy in Japanese Religion. Routledge. p. 255. ISBN 978-1-134-16874-3.
  5. ^ Sato, Hiroaki (6 June 2010). "Chaos will reign if hidden Buddhas die". Japan Times. Retrieved 28 November 2014.