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{{Mozart Operas}}
{{Mozart Operas}}
'''''Il re pastore''''' (''The Shepherd King'') is an [[opera]], [[Köchel-Verzeichnis|K.]] 208, written by [[Wolfgang Amadeus Mozart]] to an [[Italian language|Italian]] [[libretto]] by [[Pietro Metastasio]], edited by [[Varesco]]. It is an [[opera seria]]. The opera was first performed on [[April 23]] [[1775]] in [[Salzburg]], at the Palace of the Archbishop.
'''''Il re pastore''''' (''The Shepherd King'') is an [[opera]], [[Köchel-Verzeichnis|K.]] 208, written by [[Wolfgang Amadeus Mozart]] to an [[Italian language|Italian]] [[libretto]] by [[Pietro Metastasio]], edited by [[Varesco]]. It is an [[opera seria]]. The opera was first performed on April 23 [[1775 in music|1775]] in [[Salzburg]], at the Palace of the Archbishop.


In [[1775]] the opera was commissioned for a visit by the archduke [[Maximillian Franz]], the youngest son of [[Empress Maria Theresa]], to [[Salzburg]]. Mozart spent six weeks working on the opera. It consists of two acts and runs approximately 107 minutes.
In 1775 the opera was commissioned for a visit by the [[Archduke Maximilian Franz of Austria]], the youngest son of [[Maria Theresa of Austria|Empress Maria Theresa]], to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs approximately 107 minutes.


Metastasio wrote the libretto in [[1751]], basing it on a work by [[Torquato Tasso]] called ''[[Aminta]]''. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by [[Felice Giardini]] — Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain, one Gianbattista [[Varesco]], was largely responsibly for this editing of Metastasio's libretto. Mozart then wrote the opera in six weeks.
Metastasio wrote the libretto in 1751, basing it on a work by [[Torquato Tasso]] called ''[[Aminta]]''. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by [[Felice Giardini]] — Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain, one Gianbattista [[Varesco]], was largely responsibly for this editing of Metastasio's libretto.


It is often referred to not as an opera, but as a serenata, a type of dramatic cantata. The apperarance of a quartet of lovers (Aminta and Elisa, and Agenore and Tamiri) of somewhat dubious fidelity automatically puts a modern audience in mind of ''[[Così fan tutte]]''. The principal psychological theme of the opera is, however, the demands of love against the demands of Kingship, as Aminta, the Shepherd-king, tussles with his conscience, and in this ''Il re pastore'' is closer in theme to ''[[Idomeneo]]'' than any other of Mozart's operas. Indeed, ''Idomeneo'' was the next completed opera that Mozart wrote after ''Il re pastore'', after his six-year-long break from the stage.
It is often referred to not as an opera, but as a serenata, a type of dramatic cantata. The apperarance of a quartet of lovers (Aminta and Elisa, Agenore and Tamiri) of somewhat dubious fidelity automatically puts a modern audience in mind of ''[[Così fan tutte]]''. The principal psychological theme of the opera is, however, the demands of love against the demands of Kingship, as Aminta, the Shepherd-king, tussles with his conscience, and in this ''Il re pastore'' is closer in theme to ''[[Idomeneo]]'' than any other of Mozart's operas. Indeed, ''Idomeneo'' was the next completed opera that Mozart wrote after ''Il re pastore'', after his six-year-long break from the stage.


==Roles==
==Roles==
{| class="wikitable"
{| class="wikitable"
!Role
!Role
!Voice type
![[Voice type]]
!Premiere Cast, April 23, 1775<br>(Conductor: - )
!Premiere Cast, April 23, 1775<br>([[Conducting|Conductor]]: — )
|-
|-
|Aminta, ''a shepherd, rightful heir to Sidon''
|Aminta, ''a shepherd, rightful heir to Sidon''
|[[soprano]] ([[castrato]])
|[[soprano]] ([[castrato]])
|Tommaso Consoli<ref>{{cite web|url=http://opera.stanford.edu/Mozart/creators.html|title=Role Creators in the Mozart Operas|accessdate=2008-10-10|work=OperaGlass|publisher=[[Stanford University]]}}</ref>
|
|-
|-
|Elisa, ''Phoenician shepherdess''
|Elisa, ''Phoenician shepherdess''
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|tenor
|tenor
|
|
|-
|}
|}


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Elisa is with her lover Aminta, the shepherd. She assures him that the war between King Alessandro and Stratone, the tyrant of Sidon, will not affect their love for each other. Having deposed Stratone, Alessandro searches for the rightful heir to Sidon. He thinks that Aminta is the rightful heir. He comes to Aminta in disguise and offers him to take him to Alessandro. Aminta wants to remain a shepherd. Meantime, Agenore encounters his beloved Tamiri, daughter of Stratone. Tamiri is comforted to learn that Agenore still loves her.
Elisa is with her lover Aminta, the shepherd. She assures him that the war between King Alessandro and Stratone, the tyrant of Sidon, will not affect their love for each other. Having deposed Stratone, Alessandro searches for the rightful heir to Sidon. He thinks that Aminta is the rightful heir. He comes to Aminta in disguise and offers him to take him to Alessandro. Aminta wants to remain a shepherd. Meantime, Agenore encounters his beloved Tamiri, daughter of Stratone. Tamiri is comforted to learn that Agenore still loves her.


Elisa gets permission from her father to marry Aminta. Agenore tells Aminta that he is the rightful heir to the throne and that his father was driven out by Stratone when he was a baby. Aminta promises to return to Elisa after claming his throne. Aminta loves Elisa but Alessandro suggests that when Aminta is hailed king, royal duties take precedence over love. Alessandro suggests that Tamiri marry Aminta in order to ascend her father's throne. Aminta disagrees. The opera's lovely aria sung by Aminta, 'L'amerò, sarò costante', declares his love for Elisa.
Elisa gets permission from her father to marry Aminta. Agenore tells Aminta that he is the rightful heir to the throne and that his father was driven out by Stratone when he was a baby. Aminta promises to return to Elisa after claming his throne. Aminta loves Elisa but Alessandro suggests that when Aminta is hailed king, royal duties take precedence over love. Alessandro suggests that Tamiri marry Aminta in order to ascend her father's throne. Aminta disagrees. The opera's lovely aria sung by Aminta, "L'amerò, sarò costante", declares his love for Elisa.<!-- Not in act 1; this aria occurs in scene 6 of act 2 when Aminta declares his love for Elisa to Agenore: "E irresoluto ancora". -->


===Act 2===
===Act 2===
Line 52: Line 51:


==Noted arias==
==Noted arias==
* "Aer tranquillo" - Amintas in Act I
* "Intendo, amico rio" — Aminta in Act 1
* "Alla selva" - Elisa in Act I
* "Alla selva, al prato" — Elisa in Act 1
* "Di tante sue procelle" - Tamyris in Act I
* "Aer tranquillo e di sereni" — Aminta in Act 1
* "Intendo, amico rio" - Amintas in Act I
* "Si spande al sole in faccia" — Alessandro in Act 1
* "Per me rispondete" - Agenor in Act I
* "Per me rispondete" — Agenore in Act 1
* "Si spande il sole" - Alexander in Act I
* "Di tante sue procelle" — Tamiri in Act 1
* "Barbaro, oh Dio!" - Elisa in Act II
* "Barbaro! oh Dio mi vedi" — Elisa in Act 2
* "L'amerò" - Amintas in Act II
* "Se vincendo vi rendo felici" — Alessandro in Act 2
* "Se tu di me fai dono" - Tamyris in Act II
* "L'amerò, sarò costante" — Aminta in Act 2
* "Se vicendo" - Alexander in Act II
* "Se tu di me fai dono" — Tamiri in Act 2
* "Sol può dir" - Agenor in Act II
* "Sol può dir come si trova" — Agenore in Act 2
* "Voi che fausti" - Alexander in Act II
* "Voi che fausti ognor donati" — Alessandro in Act 2

==Media==

{{multi-listen start}}
{{multi-listen item|filename=MS-amero.ogg|title=L'amerò, sarò costante|description=Live recording, performed by a tenor|format=[[Ogg]]}}
{{multi-listen end}}


==Selected recording==
==Selected recording==
⚫
* 1967 — [[Reri Grist]] (Aminta), [[Lucia Popp]] (Elisa), [[Arlene Saunders]] (Tamiri), [[Nicola Monti]] (Agerone), [[Luigi Alva]] (Alessandro) — The Orchestra of Naples, [[Denis Vaughan]] — 2 CDs [[RCA]]


==References==
⚫
* 1967 - [[Reri Grist]] (Aminta), [[Lucia Popp]] (Elisa), [[Arlene Saunders]] (Tamiri), [[Nicola Monti]] (Agerone), [[Luigi Alva]] (Alessandro) - The Orchestra of Naples, [[Denis Vaughan]] - 2 CDs [[RCA]]
<references />


==External links==
==External links==
* {{NMA|49|-99|50|-99}}
* {{NMA|49|-99|50|-99}}
* [http://www.mozartproject.org/compositions/k_208__.html ''Il rè pastore'', introduction and synopsis at The Mozart Project]
* [http://www.mozartproject.org/compositions/k_208__.html ''Il rè pastore'', introduction and synopsis at The Mozart Project]
*[http://www.mozart-weltweit.eu/mozart-archiv/serie35.htm Complete recording] at [http://www.mozart-archiv.de/ Mozart Archiv]
*[http://www.mozart-weltweit.eu/mozart-archiv/35b06.mp3 "L'amerò, sarò costante"] at Mozart Archiv


{{DEFAULTSORT:Re pastore, Il}}
{{DEFAULTSORT:Re pastore, Il}}

Revision as of 07:51, 10 October 2008

Template:Mozart Operas Il re pastore (The Shepherd King) is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Pietro Metastasio, edited by Varesco. It is an opera seria. The opera was first performed on April 23 1775 in Salzburg, at the Palace of the Archbishop.

In 1775 the opera was commissioned for a visit by the Archduke Maximilian Franz of Austria, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs approximately 107 minutes.

Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called Aminta. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini — Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain, one Gianbattista Varesco, was largely responsibly for this editing of Metastasio's libretto.

It is often referred to not as an opera, but as a serenata, a type of dramatic cantata. The apperarance of a quartet of lovers (Aminta and Elisa, Agenore and Tamiri) of somewhat dubious fidelity automatically puts a modern audience in mind of Così fan tutte. The principal psychological theme of the opera is, however, the demands of love against the demands of Kingship, as Aminta, the Shepherd-king, tussles with his conscience, and in this Il re pastore is closer in theme to Idomeneo than any other of Mozart's operas. Indeed, Idomeneo was the next completed opera that Mozart wrote after Il re pastore, after his six-year-long break from the stage.

Roles

Role Voice type Premiere Cast, April 23, 1775
(Conductor: — )
Aminta, a shepherd, rightful heir to Sidon soprano (castrato) Tommaso Consoli[1]
Elisa, Phoenician shepherdess soprano
Tamiri, daughter of the deposed tyrant, Stratone soprano
Agenore, Sidonian aristocrat tenor
Alessandro, King of Macedonia tenor

Synopsis

The king of Macedonia, Alessandro, has overthrown Stratone, the tyrant of Sidon, but aims to find the rightful king.

Act 1

In a meadow. The city of Sidon can be seen from a distance.

Elisa is with her lover Aminta, the shepherd. She assures him that the war between King Alessandro and Stratone, the tyrant of Sidon, will not affect their love for each other. Having deposed Stratone, Alessandro searches for the rightful heir to Sidon. He thinks that Aminta is the rightful heir. He comes to Aminta in disguise and offers him to take him to Alessandro. Aminta wants to remain a shepherd. Meantime, Agenore encounters his beloved Tamiri, daughter of Stratone. Tamiri is comforted to learn that Agenore still loves her.

Elisa gets permission from her father to marry Aminta. Agenore tells Aminta that he is the rightful heir to the throne and that his father was driven out by Stratone when he was a baby. Aminta promises to return to Elisa after claming his throne. Aminta loves Elisa but Alessandro suggests that when Aminta is hailed king, royal duties take precedence over love. Alessandro suggests that Tamiri marry Aminta in order to ascend her father's throne. Aminta disagrees. The opera's lovely aria sung by Aminta, "L'amerò, sarò costante", declares his love for Elisa.

Act 2

Macedonian Camp.

Elisa is prevented by Agenore from seeing Aminta. He also discourages Aminta from pursuing her. Alessandro tells Aminta to dress like a king so he can be presented to his subjects. He also decides that Tamiri marry Aminta. Aminta is distraught. Agenore is upset. He breaks the news to Elisa. Tamiri does not want to marry Aminta. Agenore, too, is tormented by the planned marriage. Tamiri tells Alessandro that she and Agenore are in love. The women threw themselves in Alessandro's mercy. Elisa begs him to give her back Aminta. Realizing the potential injustice he was about to inflict, Alessandro tells Aminta to marry Elisa and Tamiri to marry Agenore. Aminta is crowned king of Sidon.

Noted arias

  • "Intendo, amico rio" — Aminta in Act 1
  • "Alla selva, al prato" — Elisa in Act 1
  • "Aer tranquillo e di sereni" — Aminta in Act 1
  • "Si spande al sole in faccia" — Alessandro in Act 1
  • "Per me rispondete" — Agenore in Act 1
  • "Di tante sue procelle" — Tamiri in Act 1
  • "Barbaro! oh Dio mi vedi" — Elisa in Act 2
  • "Se vincendo vi rendo felici" — Alessandro in Act 2
  • "L'amerò, sarò costante" — Aminta in Act 2
  • "Se tu di me fai dono" — Tamiri in Act 2
  • "Sol può dir come si trova" — Agenore in Act 2
  • "Voi che fausti ognor donati" — Alessandro in Act 2

Selected recording

References

  1. ^ "Role Creators in the Mozart Operas". OperaGlass. Stanford University. Retrieved 2008-10-10.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Il_re_pastore&oldid=244328166"