Imre von Santho
Imre Szántó, worked professionally as Imre von Santho, (1895, Budapest – 1957, Frankfurt/Main) was a Hungarian fashion photographer and illustrator, based in Berlin and Vienna between the wars.[1]
Career
[edit]In the 1920s, he worked as a fashion illustrator and he produced erotic illustrations, which he signed I. de Chanteau. In the 1926 Handbuch des Kunstmalers (Directory of Berlin artists) he is shown at W15 Fasanenstrasse 33.
He worked for the Agentur Schostal in Berlin from 1929 onwards. In the years between the wars, the Agentur Schostal had its head office in Vienna, with branches in Paris, Milan, Berlin and Stockholm. It was particularly successful in the 1930s up until the declaration of the Second World War. The main customers were print media, including magazines such as Die Dame, Die Woche and Uhu in Germany and Moderne Welt, Die Bühne, Wiener Salonblatt and Wiener Magazin in Austria, to which Schostal supplied images relating to culture, fashion and glamor. Its images also appeared in U.S. publications.[1]
His studio was at 10 Tiergartenstrasse in Berlin (a Gabrielle von Santho is shown in the Jüdisches Adressbuch für Gross-Berlin (Jewish Address Book) for 1931 at that address)[2] and from 1932 to 1933 he worked from his studio at 44 Kaiserdamm.
He frequently worked with the German "supermodel" of the day, Karen Stilke.
After Hitler came to power, he supposedly left Germany and moved to Vienna. However, it has been noted that he was a friend of Magda Goebbels and some of his Berlin fashion photography carries dates in the late 1930s and 1940s. In 1933 the Deutsches Modeamt (German Fashion Office) was established by the Ministry of Propaganda, under the leadership of Madga Goebbels,[3] from which her husband dismissed her very early on.
Imre von Santho is shown in the Berlin telephone directories for 1940 and 1941 having a studio at W15 Kurfurstendamm 201 [4] (and at 102). Whilst all luxury magazines had suspended publication in 1939, von Santho remained as the main fashion photographer for the journal Der Silberspiegel (The Silver Mirror) until March 1943 when it too suspended publication.[5]
After 1945 his name was mentioned as a teacher at the photo academy of Angelo (Pál Funk). After the war he married Katharina (Carina) Haarhaus (1922-2014), a society lady who married later the mountaineer, sportsman, geographer and author Heinrich Harrer. Imre von Santho died in 1957 in Frankfurt/Main.
Exhibitions
[edit]His work was shown in 2013 at the exhibition, Vanity Fashion Photography from the F.C. Gundlach Collection at the National Museum in Kraków, Poland. Previously, in 2005, the show Berliner Modefotografie - Die Dreißiger Jahre, at the Kunstbibliothek, Berlin, had included his works.
Photos
[edit]
References
[edit]- ^ a b Auer, Anna (1997). Übersee. Flucht und Emigration österreichischer Fotografen 1920 - 1940 - a catalogue. Kunsthalle, Vienna. ISBN 978-3852471457.
- ^ "Jüdisches Adressbuch für Gross-Berlin, 1931". Retrieved 7 June 2020.
- ^ Thynne, Jane. "Fashion and the Third Reich". Archived from the original on 22 November 2022. Retrieved 8 June 2020.
- ^ "Amtliches Fernsprechbuch für den Bezirk der Reichspostdirektion Berlin Issue 1941". Retrieved 7 June 2020.
- ^ Moderegger, Johannes Christoph (2000). Modefotografie in Deutschland 1929-1955. Books on Demand. ISBN 978-3831107315.
Further reading
[edit]- Und sie haben Deutschland verlassen ... müssen : Fotografen und ihre Bilder 1928-1997 / Klaus Honnef, Frank Weyers
- Vanity Fashion / Fotography aus der Sammmlung F. C. Gundlach, Verlag für moderne Kunst, Nuremberg, ISBN 978-3-86984-270-7
- Die Eleganz der Diktatur: Modephotographien in deutschen Zeitschriften 1936–1943, by Ulrich Pohlmann and Simone Förster, Stadt München Münchener Stadtmuseum, 2001, ISBN 3934609031
- Gábor Szilágyi: History of Hungarian Photography, Bp., 1996.
- Database of the biographical lexicon Lajos Győri: Who-Who in Hungarian Photography - Hungarian National Museum, Historical Photo Gallery.
- Carina Harrer: Gelebte Träume - Mein Leben mit Heinrich Harrer, nymphenburger verlag, 2016, ISBN 9783485060110
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