James Cleveland: Difference between revisions
m Bot: Migrating 1 langlinks, now provided by Wikidata on d:Q4845705 |
|||
| Line 22: | Line 22: | ||
=== Early life and career === |
=== Early life and career === |
||
Born in [[Chicago, Illinois|Chicago]], he began singing as a boy soprano at [[Pilgrim Baptist Church]], where [[Thomas A. Dorsey]] was |
Born in [[Chicago, Illinois|Chicago]], he began singing as a boy soprano at [[Pilgrim Baptist Church]], where [[Thomas A. Dorsey]] was mijnister of music and [[Roberta Martin]] was pianist for the choir. He strained his vocal cords as a teenager while part of a local gospel group, leaving the distinctive gravelly voice that was his hallmark in his later years. The change in his voice led him to focus on his skills as a pianist and later as a composer and arranger. For his pioneering accomplishments and contributions, he is regarded by many to be one of the greatest gospel singers to ever live.<ref>{{cite web|url=http://blackgospel.blogspot.com/2006/05/gospel-festival-to-honor-sounds-and.html|title=Gospel Festival to honor sounds and work of James Cleveland|date=May 28, 2006|author=Cohen, Aaron|publisher=Tribune}}</ref> |
||
==Musical career== |
==Musical career== |
||
Revision as of 20:05, 8 May 2013
James Cleveland | |
|---|---|
| Born | December 5, 1931 |
| Origin | Chicago, Illinois |
| Died | February 9, 1991 (aged 59) |
| Genres | Gospel music |
| Instrument(s) | Vocals, piano |
| Labels | States, Savoy |
The Reverend Dr. James Cleveland (December 5, 1931 - February 9, 1991) was a gospel singer, arranger, composer and, most significantly, the driving force behind the creation of the modern gospel sound, bringing the stylistic daring of hard gospel and jazz and pop music influences to arrangements for mass choirs. He is known as the King of Gospel music.[1]
Biography
Early life and career
Born in Chicago, he began singing as a boy soprano at Pilgrim Baptist Church, where Thomas A. Dorsey was mijnister of music and Roberta Martin was pianist for the choir. He strained his vocal cords as a teenager while part of a local gospel group, leaving the distinctive gravelly voice that was his hallmark in his later years. The change in his voice led him to focus on his skills as a pianist and later as a composer and arranger. For his pioneering accomplishments and contributions, he is regarded by many to be one of the greatest gospel singers to ever live.[2]
Musical career
Work with The Gospelaires
In 1950, Cleveland joined the Gospelaires, a trio led by Norsalus McKissick and Bessie Folk, who were associated with Martin. Martin hired him as a composer and arranger after the group disbanded. His arrangements of songs such as "(Give Me That) Old Time Religion" and "It's Me O Lord" transformed them, giving a rocking lilt and insistent drive to old standards.
The Caravans
Cleveland subsequently went to work for Albertina Walker, popularly referred to as the "Queen of Gospel"[3] and the Caravans as a composer, arranger, pianist and occasional singer/narrator. In November 1954, Albertina Walker provided him the opportunity to do his very first recording. By staying out of the studio for a while, she convinced States Records to allow him to record with her group. He continued to record with The Caravans until States closed down in 1957.[4] He left and returned to the Caravans a number of times to join other groups, such as the Gospel All-Stars and the Gospel Chimes, where he mixed pop ballad influences with traditional shouting. In 1959 he recorded a version of Ray Charles' hit "Hallelujah I Love Her So" as a solo artist.
Savoy Records
James Cleveland signed with Savoy Records in 1962, going on to release a huge catalog of black gospel recordings, many of which were recorded in a live concert setting.
The Love of God
He became known by more than just the professionals within gospel music with his version of the Soul Stirrers' song, "The Love of God", backed by the Voices of Tabernacle from Detroit. Rev. Cleveland migrated to Los Angeles as Minister of Music at Grace Memorial Church of God in Christ. In Los Angeles, Cleveland attained even greater popularity working with keyboardist Billy Preston and the Angelic Choir of Nutley, New Jersey; his recording of "Peace Be Still" (in 1963), an obscure 18th-century madrigal, sold hundreds of thousands of copies thanks to Cleveland's comforting growl and emotional command, his popularity grew to great acclaim, causing him once again to return to the road, this time with the newly organized James Cleveland Singers, Odessa McCastle, Georgia White, and Eugene Bryant, along with Billy Preston. In 1964 Cleveland re-organized The James Cleveland Singers again this time the group was made up of - Odessa McCastle, Roger Roberts and Gene Viale. In 1965, Cleveland added Clyde Brown and Charles Barnett to his group, which by then was traveling extensively throughout the United States and abroad into the late 60's, performing in all major venues, this collaboration brought memorable recordings such as "Heaven That Will Be Good Enough For Me", "Two Wings", "The Lord Is Blessing Me Right Now" and many others. From the 70's until 1990, Cleveland would bring together a number of artists to back him on appearances and records. He backed acts as well, contributing for instance, to one of Elton John's songs,Boogie Pilgrim. He would also continue to appear and record with some of the greatest Gospel Choirs of that time.
Gospel Workshop of America
Cleveland capitalized on his success by founding his own choir, the Southern California Community Choir, as well as a church, Cornerstone Institutional Baptist Church, that went from a handful of congregants (10) to thousands of members during his life. His influence stretched even further: like Dorsey before him, he taught others how to achieve the modern gospel sound through his annual Gospel Singers Workshop Convention, put on by the Gospel Music Workshop of America ("GMWA"), an organization that Cleveland founded along with Queen of Gospel Albertina Walker, and now which has over 30,000 members in 150 chapters. The GMWA has produced, among others, John P. Kee.
Musical style
The style he pioneered — large disciplined organizations who used complex arrangements and unusual time signatures to turn their massive vocal power to achieve the propulsive rhythms, intricate harmonies and individual virtuosity of the greatest groups of gospel's Golden Age — was still the wellspring for the mass choirs of that era.[5][6]
Death
Cleveland suffered from severe respiratory disease and ultimately died of heart failure on February 9, 1991. http://www.aaregistry.org/historic_events/view/james-cleveland-gospel-voice; http://biography.yourdictionary.com/james-cleveland
Awards
- Grammy Award won for Best Gospel Album by a Choir or Chorus 1990:
The Southern California Community Choir: Having Church - Grammy Award won for Best Soul Gospel Performance, Traditional 1980:
James Cleveland & The Charles Fold Singers: Lord, Let Me Be an Instrument - Grammy Award won for Best Soul Gospel Performance, Traditional 1977:
James Cleveland: James Cleveland Live at Carnegie Hall - Grammy Award won for Best Soul Gospel Performance 1974:
James Cleveland & The Southern California Community Choir: In the Ghetto
References
- ^ Obituary Variety, February 18, 1991.
- ^ Cohen, Aaron (May 28, 2006). "Gospel Festival to honor sounds and work of James Cleveland". Tribune.
- ^ Chicago Tribune, October 9, 2010
- ^ The United and States Labels Part II http://hubcap.clemson.edu/~campber/unitedstates2.html Accessed August 12, 2009.
- ^ Heilbut, Tony (1997). The Gospel Sound: Good News and Bad Times. Limelight Editions. ISBN 0-87910-034-6.
- ^ Boyer, Horace Clarence (1995). How Sweet the Sound: The Golden Age of Gospel. Elliott and Clark. ISBN 0-252-06877-7.
- Other references
- James Cleveland (1983). Gospel (DVD). Golden Door Productions.
- "Grammy Award Wins by James Cleveland". Grammy.com.
- Viale, Gene D. I Remember Gospel: And I Keep On Singing. AuthorHouse. ISBN 978-1-4490-7681-8.