Jump to content

John Armstrong (British writer/philosopher)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Dl2000 (talk | contribs) at 04:43, 9 December 2011 (unify formatting per MoS, script-assisted (UK subject)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

John Armstrong
Born
RegionWestern Philosophy
SchoolAnalytic Philosophy, German Idealism
Main interests
Ethics, Aesthetics, Education

John Armstrong (born 1966) is a British writer and philosopher living in Melbourne, Australia. He was born in Glasgow and educated at Oxford and London, later directing the philosophy program at the University of London's School of Advanced Study. Armstrong is currently Philosopher in Residence at the Melbourne Business School and Senior Adviser to the Vice-Chancellor of Melbourne University. He is author of several books on philosophical themes.

Writing

Armstrong's work has covered a range of themes including art, beauty, and civilisation. His work focuses on restoring traditional ways of thought by their modern application. Positive reviews of Armstrong's books have noted his accessible style and the importance of reviving the concepts of which he talks. Negative reviews have tended to criticise him for lacking a sense of history and irony. He is close friends with Alain de Botton.

The general task of this book is to elaborate the style of attention which works of art solicit. The cultivation of such a style is of importance because it is in the quality of our engagement that the human worth of art is apparent--art matters in virtue of the kind of experience it invites the spectator into. There is no access to art except in private--in looking, thinking, feeling as we stand before an individual work. Cultivation requires that we draw upon our own resources of sensitivity, reverie and contemplation, our capacity to invest our ideals and interests in the process of looking. Without these we can only know about art as detached observers who look on without being able to participate (like seeing people share a joke others don't quite catch).

— John Armstrong, Move Closer: An Intimate Philosophy of Art

Civilisation

His recent work has focused around developing a philosophical description of the concept of civilisation and applying it in the context of modern business and the humanities. Armstrong proposes that civilisation can best be thought of occurring when material and spiritual prosperity come together and mutually help each other. He also defines civilisation as "the life-support system for high-quality relationships to people, ideas and objects".[1]

Bibliography

  • The Intimate Philosophy of Art (2000)
  • Conditions of Love: The Philosophy of Intimacy (2002)
  • The Secret Power of Beauty: Why Happiness is in the Eye of the Beholder (2005)
  • Love, Life, Goethe: How to be Happy in an Imperfect World (2006)
  • In Search of Civilisation: Remaking a Tarnished Idea (2009)

References

  1. ^ See page 26 of "In Search of Civilisation" 2009.
  • John Armstrong's University home page
  • A list of the top 10 books on love by John Armstrong published in the Guardian.
  • Glossaire A glossary of terms important to Armstrong.
  • Armstrong, John (5 November 2008). "Decline reflects poorly on the arts". The Australian. Retrieved 2 September 2009. {{cite news}}: Cite has empty unknown parameter: |coauthors= (help)
  • Armstrong, John (April, 2011). "Reformation and renaissance: New life for the humanities". Griffith Review. Retrieved 2011-04-28. {{cite news}}: Check date values in: |date= (help); Cite has empty unknown parameter: |coauthors= (help)

Template:Persondata