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Kanda Bongo Man

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Kanda Bongo Man
Birth nameBongo Kanda
Born(1955-01-01)1 January 1955 (61 years)
Inongo, Belgian Congo now Democratic Republic of Congo
GenresSoukous, kwassa kwassa music
Occupation(s)Singer, musician
Instrument(s)Vocals, guitar
Years active1980–present
LabelsBongo Man

Kanda Bongo Man (born Bongo Kanda;[1] 1955 in Inongo, Democratic Republic of the Congo) is a Congolese soukous musician.[2]

Kanda Bongo Man became the singer for Orchestra Belle Mambo in 1973, developing a sound influenced by Tabu Ley.[3] His solo career only started to take off after moving to Paris in 1979, where his music started to incorporate elements of then-vibrant zouk music popularized by Kassav (originating in the French West Indies). His first solo albums, "Iyole" in 1981 and "Djessy" in 1982, were hits.

He is known for the structural changes he implemented to soukous music. The previous approach was to sing several verses and have one guitar solo at the end of the song. Kanda Bongo Man revolutionized soukous by encouraging guitar solos after every verse and even sometimes at the beginning of the song. His form of soukous gave birth to the kwassa kwassa dance rhythm where the hips move back and forth while the hands move to follow the hips.

Like many African rumba and soukous musicians before him, Kanda Bongo Man also had an entourage of musicians. Many of Kanda's musicians later moved on to start their own solo careers. Most notable of these was Diblo Dibala. Known as "Machine Gun", Diblo Dibala was a vital part of Kanda Bongo Man's lineup on several albums, including "Kwasa Kwasa" and "Amour Fou".

Kanda Bongo Man still tours in Europe and the United States. On July, 2005, he performed at the LIVE 8: Africa Calling concert in Cornwall.

Discography

Notes

  1. ^ "Kanda interview with The AfroNew".
  2. ^ African Music Encyclopedia: Kanda Bongo Man Archived May 31, 2008, at the Wayback Machine
  3. ^ Chris Stapleton's sleevenotes to Heartbeat Soukous

References

  • The African Music Encyclopedia: Music From Africa and the African Diaspora