Kim Hoàng painting

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Lợn độc (Pig), one of the surviving examples of Kim Hoang painting.

Kim Hoàng painting (Vietnamese: Tranh Kim Hoàng) is a genre of Vietnamese woodcut paintings originated from Kim Hoàng village of Hoài Đức, Hanoi, Vietnam. In the past, Kim Hoang painting was a popular element of the Tết holiday, together with Dong Ho and Hang Trong painting, but this tradition was lost in the middle of the 20th century and today several authentic pictures of Kim Hoang painting are found only in museums or fine art galleries. However, the art of making Kim Hoang painting is still considered a symbol of traditional culture and aesthetic value of Vietnam.

Themes and making[edit]

Gà độc in black-and-white, an example of Kim Hoang painting.

Produced in the countryside as Dong Ho painting, pictures of Kim Hoang share many common themes with ones of Dong Ho such as everyday activities, animals and sprititual signs. The distinct feature of Kim Hoang painting is several lines of poem written in form of chữ thảo at the left corner of the painting, the content of those lines along with the illustration help emphasize the meaning of the picture. The popular examples of Kim Hoang painting are Gà độc (Cockerel) and Lợn độc (Pig).[1][2]

The woodcuts of Kim Hoang village are more delicate and detailed than ones of Dong Ho village, they are used to print in sheets of paper which are dyed beforehand with red or yellow colours, the red ones are called giấy hồng điều (scarlet paper) and the yellow ones is giấy vàng tầu (Chinese yellow paper). The colours used in making Kim Hoang painting are obtained from black Chinese ink and other natural materials such as white gypsum, red vermilion and yellow gardenia. To strengthen the durability of the colours, the craftsmen often mixed colour paints with glue extracted from buffalo skin. Like the production of Hang Trong painting, Kim Hoang craftsmen only used the woodblocks to create the black outlines and then drew and coloured details by their own hands. For this reason, pictures of a subject, although outlined by the same woodcut, are slightly different from one to another, thus they becomes more valuable and attractive to customers.[2][3]

History[edit]

The origin of Kim Hoang painting was dated back to the 18th century during the reign of the Lê Dynasty. The pictures were made in the Kim Hoàng village, now in Hoai Duc (Hanoi),[3] which was one of the few place where folk paintings were made in Vietnam during the dynastic time, along with Hang Trong, Dong Ho and Sinh village.[4] Kim Hoang painting was well received in the 19th century but the tradition of making pictures gradually declined and ultimately lost in the middle of the 20th century.[1][2] One of the main factor that led to the extinction of the manufacture was a flood in 1915 which destroyed almost all original woodblocks of the village. Nowadays, authentic Kim Hoang pictures are only found in museums and galleries.[3][5]

See also[edit]

References[edit]

  1. ^ a b "Tranh Kim Hoàng" (in Vietnamese). Quehuongonline.vn. 2007-10-22. 
  2. ^ a b c "Tranh Kim Hoàng" (in Vietnamese). Từ điển bách khoa toàn thư Việt Nam. 
  3. ^ a b c "Tranh đỏ Kim Hoàng: Chỉ còn lại là niềm nhớ tiếc!" (in Vietnamese). VietnamPlus. 2009-11-13. 
  4. ^ "Odd paintings from shipwrecks". Vietnamnet.vn. 2009-03-24. 
  5. ^ "Ethnic culture week kicks off in capital". Vietnamnet.vn. 2008-10-06.