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Revision as of 23:10, 6 January 2009

The opera house in the Haymarket —first known as the Queen's Theatre and then later as the King's Theatre— where many of Handel's works were first performed. Illustration by William Capon.

George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres. He began composing operas in Germany and then for a brief time in Italy to modest success. It wasn't until he came to England that he truly found great success in the genre. His first opera in England, Rinaldo (1711), was met with enthusiasm and several more Italian operas soon followed. However, Handel's place as the central figure of opera in England during the eighteenth century was not truly solidified until, under the influence of Thomas Arne, he began composing large-scale works with English language texts. Though almost all of his English language works are technically oratorios and not operas, many of them, such as Acis and Galatea (1718) and Semele (1743), have become an important part of the opera repertoire.

First edition manuscript (1724).

Throughout the 36 years in which Italian opera was his major preoccupation, Handel adhered closely to the standard form of the period, determined by the priority given to solo singing and to stage presentation in which sets were changed in view of the audience and the curtain not lowered until the end of the evening. Recitatives followed by solo arias, invariably in da capo form (though often with a shortened return to the main section), dominate the operas, and scenes are generally constructed to begin with a number of characters on stage, each of whom sings an aria and leaves. The final scene usually ends with a coro sung by the soloists; ensembles are otherwise rare and largely confined to scenes of public rejoicing; only "Dall’orror" in Act 3 of Alcina (1735) touches the profundity of the choruses in the English choral works.

Handel’s operas thus appear at a first glance very like those of his contemporaries; what sets them apart is the excellence of the music and its ability to express with immediate conviction the emotional states of the characters in the context of the drama.

List of works

The following is a complete list of Handel's operatic works. All are opera seria in three acts, unless otherwise stated.

HWV Title Premiere Modern revival Libretto Notes
1 Almira (Der in Kronen erlangte Glücks-Wechsel, oder: Alimira, Königin von Castilien) 8 January 1705, Theater am Gänsemarkt, Hamburg 4 June 1994, Halleschen Händelfestspiele, Bad Lauchstädt Friedrich Christian Feustking, after Giulio Pancieri Singspiel
2 Nero (Die durch Blut und Mord erlangete Liebe) 25 February 1705, Theater am Gänsemarkt, Hamburg Friedrich Christian Feustking Music lost

Organ voluntary 'Arrival of the Queen of Sheba'

3 Florindo (Der beglückte Florindo) 1708, Theater am Gänsemarkt, Hamburg Hinrich Hinsch Music lost
4 Daphne (Die verwandelte Daphne) 1708, Theater am Gänsemarkt, Hamburg Hinrich Hinsch Music lost
5 Rodrigo (Vincer se stresso è la maggior vittoria) 1707, Florence 1984, Innsbruck After Francesco Silvani's
II duello d'amore e di vendetta
Italian libretto
6 Agrippina Late 1709 / early 1710, Teatro San Giovanni Grisostomo, Venice 1943, Halle Vincenzo Grimani
7a/b Rinaldo 24 February 1711, Queen's Theatre, London June 1954, Halle Giacomo Rossi/Aaron Hill, after Tasso, La Gerusalemme liberata,
Italian libretto
8a/b/c Il pastor fido 22 November 1712, Queen's Theatre, London 20 June 1948, Göttingen (third, November 1734 version); 14 September 1971, Abingdon (first, 1712 version) Giacomo Rossi, after Giovanni Battista Guarini
8b Italian libretto,

8c Italian libretto

9 Teseo 10 January 1713, Queen's Theatre, London 29 June 1947, Göttingen Nicola Francesco Haym, after Philippe Quinault
Italian libretto
5 acts
10 Silla 2 June 1713?, Burlington House?, London Giacomo Rossi, after Plutarch
Italian libretto
Music reused in Amadigi
11 Amadigi di Gaula 25 May 1715, King's Theatre, London Abbey Hall, Abingdon, 1968, Rossi or Haym (?), after Antoine Houdar de la Motte's Amadis de Grèce, 1699
Italian libretto
12a/b Radamisto 27 April 1720, King’s Theatre, London 27 June 1927, Göttingen Haym (?), after D. Lalli
Italian libretto
13 Muzio Scevola 15 April 1721, King’s Theatre, London 1928, Essen Paolo Antonio Rolli, after Silvio Stampiglia
Italian libretto
only Act 3 by Handel
14 Floridante 9 December 1721, King’s Theatre, London 10 May 1962, Unicorn Theatre, Abingdon Rolli, after Francesco Silvani's La costanza in trionfo
Italian libretto
15 Ottone 12 January 1723, King’s Theatre, London 5 July 1921, Göttingen Haym, after S B Pallavicino
Italian libretto
16 Flavio 14 May 1723, King’s Theatre, London 1967, Göttingen Haym, after M Norris
Italian libretto
17 Giulio Cesare 20 February 1724, King’s Theatre, London 1922, Göttingen Haym
Italian libretto
18 Tamerlano 31 October 1724, King’s Theatre, London 7 September 1924, Karlsruhe Haym, after Agostin Piovene and Nicholas Pradon
Italian libretto
19 Rodelinda 13 February 1725, King’s Theatre, London 26 June 1920, Göttingen Haym, after Antonio Salvi, after Pierre Corneille's play Pertharite, roi des Lombards
Italian libretto
20 Scipione 12 March 1726, King’s Theatre, London 1937, Göttingen Rolli
Italian libretto
21 Alessandro 5 May 1726, King’s Theatre, London 1959, Stuttgart (In German) O Mauro
Italian libretto
22 Admeto 31 January 1727, King’s Theatre, London 1964, Abingdon Haym
Italian libretto
23 Riccardo Primo 11 November 1727, King’s Theatre, London 8 July 1964, Sadler's Wells Theatre (Handel Opera Society), London Rolli, after Francesco Briani
Italian libretto
24 Siroe 17 February 1728, King’s Theatre, London December 1925, Gera Haym, after Metastasio
Italian libretto
25 Tolomeo 30 April 1728, King’s Theatre, London 19 June 1938, Göttingen Haym, adapted from Carlo Sigismondo Capece
Italian libretto
26 Lotario 2 December 1729, King’s Theatre, London 3 September 1975, Kenton Theatre, Henley-on-Thames After Antonio Salvi
Italian libretto
27 Partenope 24 February 1730, King’s Theatre, London 23 June 1935, Göttingen After Silvio Stampiglia
Italian libretto
28 Poro 2 February 1731, King’s Theatre, London 1928, Braunschweig After Metastasio
Italian libretto
29 Ezio 15 January 1732, King’s Theatre, London 30 June 1926, Göttingen Metastasio
Italian libretto
30 Sosarme 15 February 1732, King’s Theatre, London 1970, Abingdon After Salvi
Italian libretto
31 Orlando 27 January 1733, King’s Theatre, London 6 May 1959, Abingdon After Capece, after Ludovico Ariosto's Orlando furioso
Italian libretto
32 Arianna in Creta 26 January 1734, King’s Theatre, London After Pietro Pariati's Arianna e Teseo
A 11 Oreste 18 December 1734, Covent Garden Theatre, London 1990, Karlsruhe After Giangualberto Barlocci Pasticcio
33 Ariodante 8 January 1735, Covent Garden Theatre, London After Salvi, after Ariosto's Orlando Furioso
Italian libretto
34 Alcina 16 April 1735, Covent Garden Theatre, London 1928, Leipzig After Ariosto's Orlando Furioso
Italian libretto
35 Atalanta 12 May 1736, Covent Garden Theatre, London 1970, Hintlesham Festival, Hintlesham After Belisario Valeriani
Italian libretto
36 Arminio 12 January 1737, Covent Garden Theatre, London 23 February 1935, Leipzig (in German) After Salvi
Italian libretto
37 Giustino 16 February 1737, Covent Garden Theatre, London 21 April 1963, Abingdon Adapted from Pariati's Giustino, after Nicolo Beregan's Il Giustino
Italian libretto
38 Berenice 18 May 1737, Covent Garden Theatre, London After Salvi
A 13 Alessandro Severo 25 February 1738, King’s Theatre, London 18 March 1997, Britten Theatre, Royal College of Music, London After Apostolo Zeno Pasticcio
39 Faramondo 3 January 1738, King’s Theatre, London 5 March 1976, Halle Adapted from Apostolo Zeno's Faramondo
Italian libretto
40 Serse 15 April 1738, King’s Theatre, London 5 July 1924, Göttingen After Stampiglia
Italian libretto
Also known as Xerxes
A 14 Giove in Argo 1 May 1739, King’s Theatre, London 15 September 2006, Markgräfliches Opernhaus, Bayreuth Antonio Maria Lucchini Pasticcio
41 Imeneo 22 November 1740, theatre in Lincoln's Inn Fields, London 13 March 1960, Halle After Stampiglia's Imeneo
42 Deidamia 10 January 1741, theatre in Lincoln's Inn Fields, London Rolli
Italian libretto

See also

References

  • Hicks, Anthony (1992), 'Handel, George Frideric' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5
  • Some of the information in this article is taken from the related Dutch Wikipedia article.