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Mari Kimura

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Mari Kimura
Birth nameMari Kimura
BornJapan
OriginJapanese
GenresClassical
Occupation(s)Violinist
InstrumentViolin
Websitewww.marikimura.com

Mari Kimura (木村 まり, Kimura Mari) is a Japanese violinist and composer best known for her use of subharmonics, which, achieved through special bowing techniques, allow pitches below the instrument's normal range.[1] She is credited with "introducing" the use of violin subharmonics,[2][3] which allow a violinist to play a full octave below the low G on the violin without adjusting the tuning of the instrument.[4]

She studied violin with Joseph Fuchs, Roman Totenberg, Toshiya Eto, and Armand Weisbord. She also studied composition with Mario Davidovsky at Columbia University, and computer music at Stanford University. Kimura holds a doctorate in performance from The Juilliard School. Since September 1998, she has been teaching a graduate class in Interactive Computer Music Performance at The Juilliard School.[5]

Compositions

Kimura has been composing for violin solo and violin with various media since 1991.[6] Her works for solo violin (without computer) showcase subharmonics: ALT (three movements), 1992, Gemini, 1993, Six Caprices for Subharmonics, 1997, Subharmonic Partita, 2004.

Kimura's compositions for violin and interactive computer make use of the Max/MSP software. Recently, she has been developing with and took part in introducing "Max for Live", which integrates Max patches with Ableton Live, at the AES (Audio Engineering Society) Meeting on October 9, 2009.[7]

She has premiered works by composers Jean-Claude Risset, Toshi Ichiyanagi, Frances White, Tania León, Robert Rowe, and Yoshihiro Kanno. She has performed with a range of avant-garde performers such as Robert Dick, Elliott Sharp, and Henry Kaiser.[8]

Awards

In Japan, Kimura was awarded the Kenzo Nakajima Music Prize in 1995, in recognition of her creative activities in the country.[citation needed] Her commissions include PluckLand for Shamisen and Violin with interactive computer (for Music From Japan Festival 2009),[9] InterAct Sweet for orchestra (for Chautauqua Regional Youth Symphony 2008),[10] GuitarBotana commissioned by Harvestworks,[11] Violin Concerto for violin and interactive computer system with orchestra (for Orqesta Sinfonica de Guanajuato, Mexico), Kivika for dance (for AmDAT dance),[12] Arboleda for viola and electronics (for violist Liuh Wen Ting), Bucknerian for voice and electronics (for baritone Thomas Buckner) and Descarga Interactive for violin and electronics (2000 ICMC Commission Award).[13]

She was selected as a 2010 Composer in Residence in musical research at IRCAM in Paris, as one of the two winners among 117 applicants.[14] She worked on her ongoing collaboration with the Real Time Musical Interactions Team at IRCAM on bowing gesture follower, the “Augmented Violin System”. Kimura was awarded the 2010 Guggenheim Fellowship in Music Composition.[15] Her composition "I-Quadrifoglio" for the Cassatt String Quartet, from a 2010 Commission Award from the Fromm Foundation, was premiered at Symphony Space in NYC on October 13, 2011.[16]

Performances

Kimura has been invited as an artist in residence at Banff Center for the Arts, Headland Center for the Arts, Harvestworks, among others. A winner of 2006 Artist Fellowship from New York Foundation for the Arts (NYFA), her works have been supported by grants including Jerome Foundation, Arts International, Meet The Composer, Japan Foundation, Argosy Foundation, and the New York State Council on the Arts (NYSCA). Her international appearances include the Agora Festival at IRCAM in Paris; Spring in Budapest, Hungary; ISCM World Music Days in Hong Kong; Internacíonal Festival Cervantino in Mexico; International Bartók Festival in Hungary; St. Christopher festival in Lithuania, Asian Contemporary Music Festival in Korea. Her radio and TV appearances include CNN’s Headline News, NY1 News, NHK radio in Japan, Radio France, WNYC-FM’s “Around New York”, among others.

Discography

Year Album
1993 Acoustics[17]
1996 Irrefragable Dreams[18]
1999 Leyendas[19]
2005 The World Below G (self-release, withdrawn for 2010 compilation)
2007 Polytopia[20]
2010 The World Below G and Beyond[21]

References

  1. ^ "Polytopia: Music for Violin & Electronics" review by Uncle Dave Lewis, AllMusic.
  2. ^ "subharmonics". marikimura.com.
  3. ^ "Mari Kimura on Subharmonics". Strings Magazine.
  4. ^ Edward Rothstein (April 21, 1994). "A Violinist Tests Limits In Music Of Her Time". New York Times. Retrieved 2008-09-15.
  5. ^ Mari Kimura, faculty page. The Juilliard School.
  6. ^ "Compositions by Mari Kimura". Retrieved 2009-12-02.
  7. ^ "W2 - Max for Live". Audio Engineering Society. October 9, 2009. Retrieved 2009-12-02.
  8. ^ "Mari Kimura" biography by Joslyn Layne, AllMusic.
  9. ^ "Masters of Tradition: Mojibei Tokiwazu V and his shamisen quartet". 2009.
  10. ^ Template:Wayback
  11. ^ Mari, GuitarBotana, sponsored by HarvestWorks.
  12. ^ "New York AMDaT - dance art technology visual motion construction". Amdat.org. Retrieved 2012-05-07.
  13. ^ "IMCA Commissions (in What's New?)". ICMA.
  14. ^ "WWWIRCAM 2010 Selection Committee".
  15. ^ "Guggenheim Fellow: Mari Kimura".
  16. ^ "Cassatt Quartet Schedule: October 13, 2011".
  17. ^ "Mari Kimura CDs". marikimura.com.
  18. ^ "Irrefregable Dreams". Random Acoustics.
  19. ^ "Leyendas: Information from". Answers.com. Retrieved 2012-05-07.
  20. ^ Jay Batzner (October 30, 2007). "Mari Kimura: Polytopia".
  21. ^ "Mutable Music".

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