Moore Theatre
 Entrance to the Moore Theatre at the corner of 2nd Ave. and Virginia St. | |
 | |
| Address | 1932 2nd Ave Seattle, Washington United States |
|---|---|
| Owner | Seattle Theatre Group |
| Capacity | 1,400 |
| Current use | music venue |
| Construction | |
| Opened | 1907 |
| Architect | E. W. Houghton |
| Website | |
| www.stgpresents.org | |
Moore Theatre and Hotel | |
| Coordinates | 47°36′42.45″N 122°20′28.85″W / 47.6117917°N 122.3413472°W |
| NRHP reference No. | 74001958 |
| Significant dates | |
| Added to NRHP | August 30, 1974 |
| Designated SEATL | October 16, 1989[1] |
Moore Theatre is a 1,419-seat performing arts venue located at the corner of 2nd Avenue and Virginia Street, two blocks from Pike Place Market in Seattle, Washington. It is the oldest still-active theater in Seattle. The Moore hosts a mix of theatrical productions, musical concerts of many varieties, and lectures. It is currently operated by the Seattle Theatre Group, which also runs the 2,803-seat Paramount Theatre and the Neptune Theater.
History
Built for Seattle real estate developer James A. Moore in 1907 and designed by E. W. Houghton, the Moore was a lavish social venue for the Gilded Age elite of early 20th-century Seattle. The Moore Theatre and the adjoining Moore Hotel were designed partly to accommodate and entertain tourists visiting the 1909 Alaska-Yukon-Pacific Exposition; the Moore opened in time for the originally planned date of the Exposition in 1907.
The theater was initially operated by John Cort, later founder of a major Broadway theatre venue in New York. Excellent programming carried the Moore through the 1930s, but changes in entertainment gradually led to struggling to survive by the 1970s.
The Moore Theatre and Hotel was placed on the National Register of Historic Places in 1974.[2]
In 1975 the Moore became the Moore Egyptian. The lease was taken over by Dan Ireland and Darryl MacDonald. They added Egyptian to the title to link it to the many Egyptian Theaters in the USA and Canada and give the staid Moore sex appeal. There had previously been a Seattle Egyptian Theater on University Way (The Ave) in the University District. Dan and Darryl transformed the theater into a Movie Palace with hard work and innovative programming. Rajeeve Gupta was essential to the programming. Bill Counter was the technical wizard. Dennis Nyback was the projectionist. The Moore Egyptian was the birthplace of the first Seattle International Film Festival (SIFF, founded 1976).[3] In 1981 the Moore's owners declined to renew their lease. Ireland and MacDonald moved to a Masonic Temple on Capitol Hill, taking the "Egyptian" name with them.[4]
The Moore has hosted touring musicians and theatrical productions since the 1980s, currently seating about 1,400.[4]
Architecture
Built of reinforced concrete (plus an enormous steel girder spanning the width of the house, carrying the weight of the balcony without the need for support columns)[5] and faced with a façade of white ceramic tile and terra-cotta, the theater is a mix of elements of the Byzantine and Italianate styles. Like most theaters, the exterior is relatively plain and stylistically neutral compared to the extravagant interior.
The staging area was the largest of any theater in Seattle, with an electrical system that was state-of-the-art for its time, and unusually numerous dressing rooms. Seating 2,436 in its original configuration, the Moore was one of the largest theatres in the U.S. at the time. The Moore was characterized by innovative architecture, luxurious materials, and sumptuous decor. The upper balcony, although well-appointed for its day, was originally racially segregated from the rest of the theater hall. It once had separate entrances, and to this day has a separate staircase connecting it to just inside the front door.
The Moore's architect, E. W. Houghton, also designed the Seeley Theatre in Pomeroy, Washington.[6] Like the Moore, the Seeley, which currently seats 270 people, features a steel girder supporting the balcony without the need for supporting columns.
Recorded performances
- The Who's rock opera Tommy was first produced as a full stage production in 1971 by the Seattle Opera, and included Bette Midler in the roles of the Acid Queen and Mrs. Walker.
- Soundgarden's Fopp EP was recorded at the Moore Theatre in 1988.
- Alice in Chains' Live Facelift home video release was filmed at the Moore Theatre in 1990.
- Pearl Jam's "Even Flow" video consists of video footage taken during a concert at the Moore Theatre in 1992.
- Mad Season's Live at The Moore home video release was filmed at the Moore Theatre in 1995.
- Jeff Tweedy of Wilco uses portions of the footage of his performance at the Moore Theater in the concert film Sunken Treasure: Live in the Pacific Northwest.
- Wanda Sykes filmed her comedy special Sick & Tired there.
- Two Progman Cometh music festivals were held there in 2002 and 2003, resulting in three live albums
- Seattle progressive metal band Queensrÿche filmed home-DVDs Mindcrime at the Moore and Live Evolution at this venue.
- James Blunt held a concert there on his All the Lost Souls world tour in 2008.
- Patton Oswalt's Finest Hour album was recorded at the Moore.
Notes
- ^ "Landmarks and Designation". City of Seattle. Retrieved 2013-03-04.
- ^ NRHP 2006
- ^ Cline, John; Weiner, Robert G.; Gore, Chris (2010). From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century. Scarecrow Press. pp. 162–166 Chapter 12 Art and Grind in Seattle by Dennis Nyback. ISBN 9780810876545.
{{cite book}}: Unknown parameter|lastauthoramp=ignored (|name-list-style=suggested) (help) - ^ a b Flom 2002
- ^ Kreisman, L: "Made to Last," page 36. University of Washington Press, 1999
- ^ http://historicpomeroy.com/nomination/bldg56.htm
References
- Flom, Eric L. (2002-06-20), Moore Theatre (Seattle), HistoryLink.org, retrieved 2006-07-21.
- NRHP (2006), WASHINGTON - King County, National Register of Historic Places, retrieved 2006-07-21. Link is to first of 5 pages. "Moore Theatre and Hotel" (added 1974) is on p. 3 of 5.
External links
