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Nora Holt

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Portrait of Nora Holt, 1955, by Carl Van Vechten

Nora Douglas Holt (November 8, 1883/4/5 – January 25, 1974) was an American critic, composer, singer and pianist who was the first African American to receive a master's degree in music in the United States.[1][2] She composed more than 200 works of music and was associated with the leading figures of the Harlem Renaissance and the co-founder of the National Association of Negro Musicians. She died in 1974 in Los Angeles.

Life and career

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Early life

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She was born Lena or Lora Douglas in Kansas City, Kansas, between 1883[3] and 1885[4][5][6] (the exact year of her birth is contested) to Calvin Douglas, an African Methodist Episcopal Church minister, and Gracie Brown Douglas. Her mother encouraged her to start piano lessons at age four, giving her an early affinity for music and leading to her playing organ for several years in St. Augustine's Episcopal Church in Kansas City. Her father Calvin was a presiding elder with the AME Church and was on the board of trustees for Western University. He wrote the words for the school song, "O Western U." for the dedication of Grant Hall in 1907. Nora Holt wrote the music for this song but destroyed the score in a dispute for authorship between her and her music professor who only helped with some of the harmonies.[citation needed]

Holt graduated valedictorian from Western University at Quindaro, Kansas in 1917 with a bachelor's degree in music. In 1918 she earned her master's degree in music at Chicago Musical College, the first African-American to earn a master's degree in music composition in the United States. Her thesis composition was an orchestral work called Rhapsody on Negro Themes.[7] In 1931, she studied with Nadia Boulanger at the American Conservatory in Fontainebleau, France.[8] In the late 1930s, Holt also studied music education at the University of Southern California.[7]

Career

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From 1917 to 1923, Holt contributed music criticism to the Chicago Defender, one of the most famous and influential black newspapers in America. In 1919, Holt led a mobilization of composers and musicians to establish the National Association of Negro Musicians (NANM), of which she was a founding member. Among her colleagues in this movement were composers and artists such as Florence Price, Robert Nathaniel Dett, and Clarence Cameron White.[9] From 1921 to 1922, Holt published and edited a monthly magazine entitled Music and Poetry. It was in this magazine where Holt published two of her own compositions, Negro Dance, for piano and The Sand-Man, an art song with text by Paul Laurence Dunbar. Holt's journal also contained contributions from artists and writers such as Clarence Cameron White, Kemper Harreld, Helen Hagan, and Maud Cuney Hare, among many others.[10][11]

Between 1923 and 1943, Holt withdrew from music criticism and spent many of these years traveling in Europe and Asia. By 1926, she had composed more than 200 works for orchestral music and chamber songs. Sadly, all of her compositions were stolen during her time abroad and only her two previously published works survived.[12][13][14] In 1943 she took a position as an editor and music critic with a black-oriented publication Amsterdam News.[15]

In 1945, she began the annual “American Negro Artists” festival on radio station WNYC, and from 1953 through 1964 she was the producer and musical director of a weekly program, “Nora Holt’s Concert Showcase” on Harlem's WLIB radio station. In 1966 she was a member of the First World Festival of Negro Arts in Dakar, Senegal. Among many of the honors she received during her lifetime, one of the most prestigious was her election to the Music Critics Circle of New York.[16]

Personal life

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Douglas married five times. At the age of 15 she married a musician called Sky James, then two years later married politician Philip Scroggins, followed not long afterwards by a marriage to a barber named Bruce Jones.[17] In 1916, she married her fourth husband, hotel owner George Holt, taking his name and changing her first name to "Nora".[7]

During the 1920s, Holt was known as a wild socialite. She was wealthy due to her inheritance from her late husband George Holt. In 1923 she married Joseph Ray, assistant to tycoon Charles Schwab, in her fifth marriage. They moved to Pennsylvania.

After the break-up of this marriage 19 months later, she took the name of her former husband, changing it from Ray to Holt.[18] She moved to Harlem in the early 1920s, where she became an important part of the Harlem Renaissance. She became good friends many visionaries, activists, and novelists of the time, including Langston Hughes and Carl Van Vechten.[19][10]

Nora Holt died at the age of 89 on January 25, 1974, in Los Angeles.[8]

References

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Citations

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  1. ^ Bryan, Karen M. (2001). "Holt, Nora". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.A2283237. ISBN 978-1-56159-263-0. (subscription or UK public library membership required)
  2. ^ Perry, Imani (December 1, 2021). "Nora Holt: The Most Famous Woman You've Never Heard of". The Atlantic.
  3. ^ "United States Social Security Death Index". FamilySearch. U.S. Social Security Administration, Death Master File, database. April 30, 2005. Retrieved September 13, 2024.
  4. ^ "California, Death Index, 1940-1997". FamilySearch. Department of Public Health Services, Sacramento. November 26, 2014. Retrieved September 13, 2024.
  5. ^ "Nora Holt". The Black Perspective in Music. 2 (2): 226. 1974. ISSN 0090-7790. JSTOR 1214263.
  6. ^ The Letters of Gertrude Stein and Carl Van Vechten, 1913-1946. Columbia University Press. 2013. JSTOR 10.7312/burn06308.
  7. ^ a b c "Nora Douglas Holt, A Musical Pioneer". African American Registry. Archived from the original on September 9, 2016. [verification needed]
  8. ^ a b "Nora Holt Dead; Music Critic 89". The New York Times. January 30, 1974.
  9. ^ Absher, Amy (June 16, 2014). The Black Musician and the White City: Race and Music in Chicago, 1900-1967. University of Michigan Press. doi:10.2307/j.ctv3znzb4. ISBN 978-0-472-90096-1. JSTOR j.ctv3znzb4.
  10. ^ a b Caplan, Lucy (August 2020). ""Strange What Cosmopolites Music Makes of Us": Classical Music, the Black Press, and Nora Douglas Holt's Black Feminist Audiotopia". Journal of the Society for American Music. 14 (3): 308–336. doi:10.1017/S1752196320000218.
  11. ^ Walker-Hill, Helen (March 21, 2006). "Western University at Quindaro, Kansas (1865-1943) and Its Legacy of Pioneering Musical Women". Black Music Research Journal. 26 (1): 7–37. JSTOR 25433761.
  12. ^ A more detailed description can be found at Hidden Voices: Piano Music by Black Women Composers "Negro Dance Op. 25 No. 1, by Nora Holt"
  13. ^ This can be found online sampled here. [verification needed]
  14. ^ https://www.kdfc.com/culture/staff-blog/open-ears/nora-holt/ KDFC Radio shares Musicologist-Pianist Dr. Samantha Ege performing "Negro Dance" by Nora Holt in full.
  15. ^ "Nora Holt — Singer & Music Critic". Extravagant Crowd: Carl Van Vechten's Portraits of Women. 1932. Retrieved July 28, 2007. [verification needed]
  16. ^ "Nora Holt". The Black Perspective in Music. 2 (2): 226. 1974. ISSN 0090-7790. JSTOR 1214263.
  17. ^ James M. Manheim, "Holt, Nora 1885(?)–1974", Contemporary Black Biography, 2003. Encyclopedia.com. [verification needed]
  18. ^ The Letters of Gertrude Stein and Carl Van Vechten, 1913-1946. Columbia University Press. 2013. JSTOR 10.7312/burn06308.
  19. ^ "Nora Holt — Singer & Music Critic". Extravagant Crowd: Carl Van Vechten's Portraits of Women. 1934. [verification needed]

Sources

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