Ovia (deity)
| Ovia | |
|---|---|
Peace, Providence | |
| Other names | Ovia-Eguae, Ovia-Otiti |
| Major cult center | Benin City, Edo State |
| Region | Nigeria |
| Ethnic group | Edo people |
| Festivals | Ovia Festival, Ugie Ododua Festival |
Ovia is a deity in the traditional religious beliefs of Nigeria, particularly among the Edo people of Benin City. This deity is associated with concepts of peace and providence. Ovia's historical origins can be traced back to the ancient Kingdom of Benin, known for its cultural traditions and governance structure. Emerging during a period of relative stability, Ovia was regarded as a symbol of peace and prosperity within the kingdom. Oral traditions and cultural practices have preserved the significance of Ovia across generations. Ovia was believed to bestow blessings that contributed to the well-being of the kingdom, fostering an environment of harmony and abundance. The deity was invoked during ceremonies, including royal coronations and harvest festivals.
Edo's mythology includes stories of Ovia, a woman known for her beauty and unwavering principles. She vowed to marry only a king, setting high standards for her suitors. In a distant land, the king of Oyo learned of Ovia's captivating allure and sought to make her his queen. Ovia's parents consented to the union, gifting her with mystical items, including a protective water pot, a canine companion, and a parrot. Ovia's journey to the Oyo kingdom was marked by challenges, including envy among the king's existing wives, which led to unjust accusations. During a snail-hunting expedition, Ovia's pristine white cloth became stained. Despite adversity, Ovia's tears transformed into the Ovia River, symbolizing her sacrifice and transformation into a revered goddess of peace and providence within Benin culture. An annual festival, during which women are prohibited from witnessing the rites, was established in her honour.
The worship of Ovia involves intricate rituals conducted by traditional priests and priestesses. These rituals seek Ovia's blessings for various aspects of life, including peace, fertility, and protection from adversity. Notably, the Ovia and Ugie Ododua Festivals feature vibrant processions, music, dance, and offerings, promoting communal unity and spiritual reflection.
History[edit]
The history of Ovia can be traced to the early days of the Benin Kingdom.[1] Ovia emerged as a deity associated with peace and prosperity during a period of stability within the kingdom.[2] While specific historical records are limited, oral traditions and cultural practices have transmitted the significance of Ovia through generations.[1][3]
Ovia's role in Edo society extended beyond the spiritual realm. It was believed that Ovia's blessings contributed to the well-being of the kingdom and its people, promoting harmony and abundance.[2] The deity was frequently invoked during significant ceremonies, including royal coronations and harvest festivals.[4]
Mythology[edit]
Legends from Edo State, Nigeria, recount the story of Ovia, a woman of exceptional beauty and steadfast principles. In ancient times, numerous suitors sought her hand in marriage, but Ovia remained unwavering in her vow to wed only a king, setting a high standard for her suitor.[5]
In a distant land, the king of Oyo, a renowned ruler, learned of Ovia's enchanting allure.[4] The prospect of making her his queen stirred both his heart and ambition.[4] Ovia's parents, recognizing the honour in such a proposal, consented to the union.[2] Before her journey to the Oyo kingdom, her father bestowed upon her three unique gifts: a mystical water pot, a loyal canine companion, and a wise parrot.[5]
The water pot offered refuge, a means for Ovia to escape potential mistreatment by her royal suitor.[1] With these assurances, Ovia embarked on her voyage to the distant Oyo kingdom.[6]
At the palace, the king provided her a chamber adjacent to his own, with intentions to visit her at his convenience. The proximity ignited envy among the king's existing wives, who conspired to tarnish Ovia's reputation.[1]
The senior wife devised a cunning scheme, gathering her co-wives for a purported snail-hunting expedition. Each wife carried a bowl except Ovia, who safeguarded her precious cargo in her pristine white cloth.[7] Fate, however, intervened, as Ovia's cloth became stained by the snail's slippery residue.[8]
Upon returning to the palace, Ovia faced unjust accusations of harbouring an infection, leading to public disgrace. Overwhelmed by sorrow, she sought solace in her quarters, where her tears flowed as freely as a river.[1] Remarkably, her tears filled her father's mystical pot.[9] The river is believed to be the present-day Ovia River located within Edo State, Nigeria.[10][11][8]
As her tears transformed into a river, coursing through time and space to reach her father's distant abode, Ovia conveyed a solemn decree, urging her father to safeguard her secrets from the prying eyes of women, believing that her fellow women had caused her to leave her husband's home.[9][1]
In reverence of her sacrifice and transformation into a deity, Ovia ascended to the status of a revered goddess of peace and providence within the Benin culture.[7] An annual festival was inaugurated in her honour, during which women were prohibited from witnessing the rites.[2][1][12]
Worship and rituals[edit]
The worship of Ovia involves a range of rituals and ceremonies conducted by traditional priests and priestesses. These rituals seek Ovia's Favor and blessings for various aspects of life, including peace, fertility, and protection from adversity.[7]
One notable ceremony associated with Ovia is the annual Ovia and Ugie Ododua Festivals, marked by vibrant processions, music, dance, and offerings.[13][14][15] It serves as a time for communal unity and spiritual reflection.[16]
Cultural significance[edit]
Ovia's cultural significance runs deep within Edo identity and heritage. Ovia's role in promoting peace and providence reflects Edo values and aspirations.[2]
The teachings and values associated with Ovia continue to influence Edo society, emphasizing harmony, prosperity, and communal well-being. Ovia's legacy is observed in various aspects of Edo culture, including traditional art, music, and folklore.[2]
See also[edit]
References[edit]
Notes[edit]
- ^ a b c d e f g Bradbury 2018, p. 187-188.
- ^ a b c d e f Bradbury 2018, p. 185-209.
- ^ Bradbury 2018, pp. 129–146, chpt. 5.
- ^ a b c Omoregie 1972, p. 76.
- ^ a b Oronsaye 1995, p. 130.
- ^ Ben-Amos, D. (1975). Sweet Words: Storytelling Events in Benin. Institute for the Study of Human Issues. ISBN 978-0-915980-00-0. Retrieved 3 October 2023.
- ^ a b c Usuanlele & Falola 1994, pp. 303–318.
- ^ a b Parrinder 1949, p. 55.
- ^ a b Omorodion, F.I. (1997). Readings in Ethnography of Nigeria. Sylva Publications Limited. ISBN 978-978-34587-1-0. Retrieved 3 October 2023.
- ^ Bendel Arts Council (1979). Ivie. Bendel Arts Council. Retrieved 3 October 2023.
- ^ Peavy 2010, p. 30.
- ^ Aisien, E. (1991). Erediauwa, Prince of Benin. Stories from Old Benin. Aisien Publishers. ISBN 978-978-31533-0-1. Retrieved 3 October 2023.
- ^ Sylvester, Tobias (3 April 2019). "Oba of Benin Pictured With His Four Beautiful Wives During Traditional Event In Edo [Photos]". Kanyi Daily News. Retrieved 3 October 2023.
- ^ "Oba Of Benin Begins Ugie Ododua – Alltimepost.com". Alltimepost.com – Sincerity of Purpose. 2 October 2023. Retrieved 3 October 2023.
- ^ "Photos of Oba of Benin With His Four Pretty Queens As He Commences Traditional Event In Edo". Tori.ng. 3 April 2019. Retrieved 3 October 2023.
- ^ Nigeria. Education Department; Nigeria (1990). Nigeria Magazine (in German). Government of Nigeria. Retrieved 3 October 2023.
Bibliography[edit]
- Oronsaye, D.N. (1995). The History of Ancient Benin Kingdom and Empire. D.N. Oronsaye. p. 130. ISBN 978-978-33276-1-0. Retrieved 3 October 2023.
- Omoregie, S.B. (1972). Emotan and the Kings of Benin. Makers of African history. Longman. p. 76. ISBN 978-0-582-60925-9. Retrieved 3 October 2023.
- Bradbury, R. E. (16 August 2018). Morton-Williams, Peter (ed.). Benin Studies. Routledge. doi:10.4324/9781351031264. ISBN 978-1-351-03126-4. S2CID 240303286.
- Usuanlele, Uyilawa; Falola, Toyin (1994). "The Scholarship of Jacob Egharevba of Benin". History in Africa. 21. Cambridge University Press (CUP): 303–318. doi:10.2307/3171890. ISSN 0361-5413. JSTOR 3171890. S2CID 161203337.
- Peavy, D. (2010). Kings, Magic, and Medicine. Daryl M. Peavy. ISBN 978-0-557-18370-8. Retrieved 3 October 2023.
- Parrinder, E.G. (1949). West African Religion. Epworth Press. Retrieved 3 October 2023.