Jump to content

Pierre-Athanase Chauvin

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Magioladitis (talk | contribs) at 10:53, 4 January 2017 (Further reading: clean up / fix section header naming (MOS:SECTIONS / WP:FURTHER) using AWB). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Pierre-Athanase Chauvin
Pierre-Athanase Chauvin by Jean Auguste Dominique Ingres, 1814
Born9 June 1774 (1774-06-09)
Died29 October 1832 (1832-10-30)
OccupationPainter

Pierre Athanase Chauvin was a French painter active in Italy.

A Convent Near Naples with a View of Capri, 1816, Dallas Museum of Art

Chauvin was a student of the landscape painter Pierre-Henri de Valenciennes. He began his career at the Paris Salon in 1793 and won the First Class Medal in 1819 with his painting Charles VIII’s entry into Acquapendente. The painting was commissioned by Louis XVIII of France for the Galerie de Diane at the Palace of Fontainebleau.

In 1813, Chauvin settled in Rome and became a member of the Accademia di San Luca. Chauvin’s views of Italy show the influence of Jean Auguste Dominique Ingres in their both classical and realist style. Chauvin knew Ingres and the latter painted portraits of Chauvin and his wife in 1814.[1]

Chauvin was elected Chevalier of the Legion of Honor in 1828.

His work was represented in the exhibition An Enchanted Country. Italy depicted by Artists from Thomas Jones to Corot at the Centro Internazionale d’Arte e di Cultura di Palazzo Te in Mantua, Italy in 2001.

References

  • An Enchanted Country. Italy depicted by Artists from Thomas Jones to Corot Exhibition Catalogue, Ottarri Cavina, Anna, Electa, Milan, 2001
  • De David a Delacroix: La Peinture francaise de 1774 à 1830 Exhibition Catalogue, Paris Grand Palais, 1974, pp 349–351
  • Grove Dictionary of Art, Lorraine Peake, vol. 6, p. 519

Further reading

  • French painting 1774-1830: the Age of Revolution. New York; Detroit: The Metropolitan Museum of Art; The Detroit Institute of Arts. 1975.