Shakudō

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Unpatinated shakudō

Shakudō (赤銅) is a Japanese billon of gold and copper (typically 4–10% gold, 96–90% copper) which can be treated to develop a black, or sometimes indigo, patina, resembling lacquer. Unpatinated shakudō visually resembles bronze; the dark color is induced by applying and heating rokushō, a special patination formula.

Naming[edit]

The characters in the name shaku-dō mean "red" and "copper" but combined they represent this material which begins with a darkened coppery-bronze color and is then modified to black or near-black.

History[edit]

The word "shakudō" first appears in records of the Japanese "Nara" period (710-784 C.E.), and there are pieces known from the 12th century onwards. Shakudō was historically used to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments.

Shakudō was introduced to the West in the mid-19th century. It was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome.[1]

Fuchi. Shakudo, gold, copper alloy (sentoku).[2] The Walters Art Museum.

Usage[edit]

Modern jewelry artisans have revived the use of shakudō as a striking design element, especially for the technique of mokume-gane.

Due to the expensive gold content, shakudō is normally limited to accents or small items such as tsuba. Larger objects (such as vases) that are described as shakudō may be mislabeled, especially if the glossy blue-black color is not evident. Unpatinated or repolished shakudō will not spontaneously patinate in air.

Shakudō is sometimes inaccurately used as a general term for damascened decorative metal inlays of Japanese origin. These were widely known in the West as Amita damascene, from the name of a 20th-century manufacturer of such items for export. Amita damascene included shakudo, shibuichi, gold, silver, and bronze for inlays.

See also[edit]

Further reading[edit]

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