String Quartets Nos. 7–9, Op. 59 – Rasumovsky (Beethoven)

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The three "Razumovsky" (or "Rasumovsky") string quartets, opus 59, are the quartets Ludwig van Beethoven wrote in 1806, as a result of a commission by the Russian ambassador in Vienna, Count Andreas Razumovsky:

They are the first three of what are usually known as the "Middle Period" string quartets, or simply the "Middle Quartets." The other two are opus 74 and opus 95. Many quartets record all five as a set.

Beethoven uses a characteristically Russian theme in the first two quartets in honor of the prince who gave him the commission:

  • In Op. 59 No. 1, the "Thème russe" (as the score is marked) is the principal theme of the last movement.
  • In Op. 59 No. 2, the Thème russe is in the B section of the third movement. This theme is based on a Russian folk song which was also utilized by Modest Mussorgsky in the coronation scene of his opera Boris Godunov, by Sergei Rachmaninoff in the sixth movement of his 6 Morceaux for Piano Duet, Op.11 "Glory" ("Slava"), and by Igor Stravinsky in his ballet The Firebird.[citation needed]
  • In the quartet Op. 59 No. 3, there is no Thème russe explicitly named in the score, but many commentators[weasel words] have heard a Russian character in the subject of the Andantino movement.[clarification needed]

All three quartets were published as a set in 1808 in Vienna.

Reception[edit]

The quartets were generally received with uncertainty, as they deviated from the established genre of string quartets in their content and emotional range. However, one review published in 1807 stated that "Three new, very long and difficult Beethoven string quartets … are attracting the attention of all connoisseurs. The conception is profound and the construction excellent, but they are not easily comprehended."[1]

References and further reading[edit]

References[edit]

  1. ^ [1]The Guardian