Talk:The Dead (short story)
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The plot summary for this doesn't seem very neutral; many of the statements seem (in my humble opinion) to be very hostile towards the character of Gabriel. This should probably be revised from a particular interpretation to a simple factual summary. Any discussion of possible symbolism or psychoanalysis of the main character should be supplemented by citations, as they should serve only to inform about various interpretations of the text in the academic (or internet) community rather than to advance one as being "correct". —Preceding unsigned comment added by 126.96.36.199 (talk) 20:33, August 30, 2007 (UTC)
I agree. The plot summary needs to be re-done. Gabriel is well-liked by the other characters (like his aunts) and that Miss Ivors runs off because Gabriel "hurt" her is an interpretation and in fact a dubious one (she gets by far the best of their encounter). The summary leaves out the most significant event in the story before the conclusion, Gabriel's speech, when Gabriel is at his best. The summary should reflect--objectively--that our attitude about Gabriel is meant to be uncertain.188.8.131.52 (talk) 02:42, 20 February 2012 (UTC)kbrewer36
Ermmmh, not-so-minor plot point, Miss Ivors rushes off before Gabriel's speech, not after it. The writer of the original article clearly does not know the content of the story. — Preceding unsigned comment added by 184.108.40.206 (talk) 12:41, 24 July 2014 (UTC)
Popular Culture: Father Ted
In the closing scene of the first series of Father Ted ("Grant Unto Him Eternal Rest"), the "boys" keep vigil on Father Jack's coffin. As it snows everywhere outside, the narrative sounds suspiciously like a parody of the end of Joyce's "The Dead." Then like Tim Finnegan, Father Jack arises, resurrected from the dead!!! Is this coincidence? or maybe a little in-joke???--PeadarMaguidhir (talk) 07:40, 21 February 2008 (UTC)
I don't think there was a problem with neutrality here. I've never seen a serious commentator challenge that status. In that sense, the claim is no more contentious than saying that Hamlet is “widely considered to be one of the greatest plays in the English language” . With citations, one might even get away with 'Has been widely claimed to be the single greatest short story in the English language'. However a citation or two (not too difficult to find) would strengthen the assertion. I'll look something out when I have time, and replace that description. Liamcalling (talk) 00:31, 10 September 2014 (UTC)
Gabriel Conroy, who is the main character in the short story “The Dead” by James Joyce tends to often be associated with Joyce himself, (246, Ellmann). Throughout the story Gabriel is partly characterized by his seemingly awkward relationships with women including the maid, Lily, who Gabriel awkwardly extends a holiday tip to. Another portion of the short story is focused on Gabriel’s debate with Molly Ivers, the Irish nationalist. This conversation with Molly Ivers is a point of interest in the short story, which Ellmann acknowledges in his book James Joyce: “The Backgrounds of ‘The Dead,’” saying “he knows such a defense would be pretentious and only musters up the remark that he is sick of his own country, But he issue is far form settled for him,” (Ellmann, 245).
Gabriel Conroy is often compared to Joyce himself as Ellmann acknowledges in “The Backgrounds of the Dead.” There are two aspects in which this can be directly seen, which Richard Ellmann speaks about in this chapter. The first is Gabriel’s complicated relationship with his homeland of Dublin, Ireland. Which, as previously mentioned, comes out in his conversation with Molly Ivers. The second connection to Joyce himself is the mirrored relationship between Gabriel and his wife and Joyce and his wife. There are several times in which Gabriel’s experience is in line with Joyce’s experience, one of which is the letter Gabriel recalls giving to his wife early on in their relationship which states “Why is it that words like these seem to me so dull and cold? Is it because there is no word tender enough to be your name?” (Joyce, The Dead). As Ellamann states these words are taken almost directly from a letter which Joyce write to his wife, (Ellmann. 246).
Cite error: There are
<ref> tags on this page without content in them (see the help page). Ellmann, Richard. "The Backgrounds of 'The Dead'" James Joyce. United States of America: Oxford UP, 1959. 243-254. Print.
The comment(s) below were originally left at several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section., and are posted here for posterity. Following
|Agree with other comment about the neutrality. Gabriel is portrayed in a bias manner.|
Last edited at 14:39, 3 October 2007 (UTC).
Substituted at 08:05, 30 April 2016 (UTC)