The Bird Lover
The Bird Lover, also known as The Prince as Bird,[1] is a type of narrative structure in folklore, no. 432 in the Aarne–Thompson classification system. In the typical version of story, a woman acquires a bird lover—a nobleman in the shape of a bird—who is wounded by means of a trap set by the woman's husband, such as a set of sharp points set up outside the woman's window. She follows the wounded bird's trail, cures him, and then marries him.[2]
An example of the motif is found in one of Marie de France's Lais, "Yonec", though the lai develops somewhat differently: instead of a happy ending, the lai ends in tragedy.[2][3] A "sophisticated rationalization" of the type is found in Chrétien de Troyes's Lancelot, the Knight of the Cart, where Lancelot appears at Guinevere's heavily barred window and cuts his fingers bending the bars back.[1]
In French scholarship, this type is often referred to as "l'oiseau bleu" or "the blue bird", so named for a story by Madame d'Aulnoy.[2]
References
- ^ a b Mandel, Jerome (1999). "'Polymorphous Sexualities' in Chrétien de Troyes and Sir Thomas Malory". In Piero Boitani (ed.). The Body and the Soul in Medieval Literature: The J.A.W. Bennett Memorial Lectures, Tenth Series, Perugia, 1998. Anna Torti. Boydell & Brewer. pp. 63–78. ISBN 9780859915458. Retrieved 15 November 2012.
- ^ a b c Boivin, Jeanne-Marie (1995). "Bisclavret et Muldumarec: La part de l'ombre dans les Lais". In Jean Dufournet (ed.). Amour et merveille: les Lais de Marie de France (in French). Paris: Champion. pp. 147–68.
{{cite book}}: Cite has empty unknown parameter:|1=(help) - ^ Bacquin, Mari (2012). "Le motif de l'aigle d'or". In Olivier Delsaux (ed.). Original et originalité: Aspects historiques, philologiques et littéraires (in French). Hélène Haug. Presses univ. de Louvain. pp. 7–14. ISBN 9782875580221. Retrieved 15 November 2012.
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