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The Foolish Virgin: A Romance of Today

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The Foolish Virgin: A Romance of Today
Title page of the first edition.
AuthorsThomas Dixon, Jr.
LanguageEnglish
PublisherD. Appleton and company[1]
Publication date
1915[1]
Pages352[1]

The Foolish Virgin: A Romance of Today is a 1915 novel by Thomas Dixon, Jr..

Plot summary

Mary Adams, a schoolteacher in New York City, dreams of finding a husband.[2] She starts a relationship with Jim Anthony, a criminal she meets at the New York Public Library.[2]

Mary and Jim visit North Carolina to meet Anthony's mother.[2] Now a drunk, she tries to murder her son in order to retrieve the valuables from his suitcase that he has stolen.[2] Mary escapes when she finds out about Anthony's criminal activities, and she is rescued by a physician.[2] She is pregnant with Jim's son.[2] Later, he returns his stolen items, builds a family home for his wife and son, and promises to get a job and provide for his family.[2]

Main theme

The novel is a criticism of the emancipation of women.[3]

Critical reception

In a January 1916 review for Bookman, critic P.G. Hulbert, Jr. argued that the ending of the novel was absurd.[2]

Biographer Anthony Slide has suggested that there is 'a vague hint of eugenics' when Mary is worried that her son may inherit Jim's criminal propensions.[2] He added, 'It is not Jim who is the hero here, or even the friendly doctor, but rather the South. The South has a regenerative effect on Jim and helps cure him of the ills—that is, crime—that he developed in New York.'[2]

Cinematic adaptations

The film rights were purchased by the Clara Kimball Young Film Corporation, headed by actress Clara Kimball Young and Lewis J. Selznick.[2] Filming began in August 1916.[2] The film received good reviews in the Motion Picture News, the Exhibitor's Trade Review and the Evening Express.[2]

Another cinematic adaptation was released in 1924.[2] Directed by George W. Hill, it starred Elaine Hammerstein and Robert Frazer.[2] The storyline was strayed from the novel, and the film received bad reviews in Variety and Photoplay.[2]

References

  1. ^ a b c HathiTrust
  2. ^ a b c d e f g h i j k l m n o p Anthony Slide, American Racist: The Life and Films of Thomas Dixon, Louisville, Kentucky: University Press of Kentucky, 2004, pp. 105-111 [1]
  3. ^ North Carolina Biographical Dictionary, North American Book Distribution, 1999, p. 182 [2]