The Sitwells
The Sitwells (Edith Sitwell, Osbert Sitwell, Sacheverell Sitwell) were three siblings, who formed an identifiable literary and artistic clique around themselves in London in the period roughly 1916 to 1930. This was marked by some well-publicised events, the most prominent of which was probably Edith's Façade with music by William Walton, with its public debut in 1923. All three Sitwells wrote; for a while their circle was considered by some to rival Bloomsbury, though others dismissed them as attention-seekers rather than serious artists.
Wheels anthologies
The first Sitwell venture was the series of Wheels anthologies produced from 1916. These were seen either as a counterweight to the contemporary Edward Marsh Georgian Poetry anthologies, or as light 'society verse' collections. They did not really match the Imagist anthologies of the same years, or the modernist wing, in terms of finding poets with important careers ahead of them, but included both Nancy Cunard and Aldous Huxley.
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Legacy
Wood End, the former family home of the Sitwells in Scarborough has been redeveloped into a "creative industries centre" providing artists' workspace as well as administrative and learning spaces.[1]
There is a coffee shop in Cincinnati, Ohio, named Sitwell's Coffee House in honour of Edith Sitwell.
A large collection of the Sitwells' papers reside at the Harry Ransom Humanities Research Center at The University of Texas, Austin.[2]
A poem by Ogden Nash contains the line "Is there just one Sitwell? No, there are Sacheverell."
References
- ^ Scarborough Museums site
- ^ the Sitwell Collections at the HRC
Further Reading
- The Sitwells—published by the National Portrait Gallery to accompany the exhibition "The Sitwells and the arts of the 1920s and 1930s"; hardback ISBN 1-85514-140-X; paperback ISBN 1-85514-141-8
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