The Swerve (film)
| The Swerve | |
|---|---|
| Directed by | Dean Kapsalis |
| Written by | Dean Kapsalis |
| Produced by | Tommy Minnix |
| Starring |
|
| Cinematography | Daryl Pittman |
| Edited by |
|
| Music by | Mark Korven |
Production company | Spark Chamber |
| Distributed by | Epic Pictures |
Release date |
|
Running time | 95 minutes |
| Country | United States |
| Language | English |
The Swerve is a 2018 American horror-drama film written and directed by Dean Kapsalis. It delves into the complexities of mental illness through the life of Holly, played by Azura Skye. As a high school teacher in a quiet town, Holly grapples with personal challenges, including a strained marriage and haunting memories.
The film was released at the Thessaloniki International Film Festival on November 5, 2018.[1] It was released at subsequent film festivals and became available via streaming.
Plot
[edit]The Swerve follows Holly (Azura Skye), a high school teacher in a small town. Holly is married to Rob (Bryce Pinkham), who is focused on a promotion at the local supermarket, and is the mother to two teenage sons who frequently show impatience and irritation towards her. Despite her seemingly ordinary life, Holly is grappling with emotional and mental challenges.
Throughout her daily routine, Holly encounters a series of stressors. Her children often fault her for minor problems, and one of her high school students, Paul (Zach Rand), displays a concerning fascination with her, which is underscored when she finds troubling sketches of herself in his notebook. Holly's relationship with her estranged sister, Claudia (Ashley Bell), is fraught due to their shared difficult past. This tension surfaces during a family meal, where Claudia brings up a painful aspect of Holly's history, causing discomfort for Holly.
A mouse that frequently appears in Holly's house becomes an object of her fixation. Concurrently, visible signs of sleep deprivation and her regular visits to the medicine cabinet hint at her ongoing internal battles.
Holly starts to doubt her husband's loyalty and increasingly feels detached from her surroundings. This feeling intensifies when Holly has a distressing encounter with strangers on a remote road following a family event. This incident further muddies Holly's sense of reality, leading her to question her own experiences.
As events unfold, Holly's behavior becomes more erratic. The film depicts Holly's struggle, not as a result of a singular event but as an accumulation of various pressures.
Critical reception
[edit]- Film Threat's Lorry Kikta praised The Swerve for its poignant portrayal of a woman's battle with mental illness, showcasing the often unseen agonizing aspects of depression. Kikta commended Dean Kapsalis for his sensitive and realistic representation, highlighting an impactful ending and urging viewers to watch this deeply emotional horror film.[2]
- RogerEbert.com's Sheila O'Malley commended The Swerve for its portrayal of Holly's mental breakdown, emphasizing its depth and authenticity. The film's specific color schemes, strategic framing, and Mark Korven's unsettling score highlighted Holly's deteriorating mental state. O'Malley drew parallels to cinematic classics like Another Woman and Repulsion but especially commended Azura Skye's raw and powerful performance. Despite the film's bleak tone, O'Malley defended its importance in honestly depicting mental illness in cinema.[3]
- CineVue's Martyn Conterio appreciated The Swerve's deep exploration of the dark undertones of domestic life. He appreciated the film's depiction of Holly's feelings of invisibility, her struggles with family dynamics, and the overall themes of suburban suffocation and existential angst. Conterio lauded Dean Kapsalis for his subtle direction and Azura Skye's compelling portrayal of Holly, emphasizing her delicate and haunted on-screen presence.[4]
- Austin Chronicle's Richard Whittaker praised Azura Skye's captivating performance as Holly, highlighting her portrayal of a woman teetering on the edge, conveying vulnerability and tension. Whittaker commended first-time director Kapsalis for his ability to subtly build tension through the narrative, and emphasized the movie's strength in showcasing the gradual progression of a breakdown rather than attributing it to a single event. The critic further appreciated the film's visual balance achieved by costume designer Eric Hall and cinematographer Daryl Pitman, portraying Holly as a fading presence, yet central to the story's emotion and intensity.[5]
- Movie Nation's Roger Moore praised Azura Skye's compelling performance, comparing her breakout role to the likes of Melissa Leo in Frozen River and Viola Davis in Doubt. Moore highlighted director Dean Kapsalis's emphasis on Skye's character, Holly, capturing the pressures and humiliations she faces from her dismissive family, inattentive husband, and demanding students. While Moore acknowledged Kapsalis's intriguing storytelling, he emphasized that it was Skye's portrayal that truly engaged the audience, invoking empathy and fear for her character's mental state.[6]
References
[edit]- ^ "The Swerve". filmfestival.gr. Thessaloniki International Film Festival. Retrieved October 2, 2023.
- ^ Kikta, Lorry (September 21, 2020). "The Swerve". Film Threat. Retrieved October 2, 2023.
- ^ O'Malley, Sheila (September 22, 2020). "The Swerve". RogerEbert.com. Retrieved October 2, 2023.
- ^ Conterio, Martyn (August 31, 2020). "FrightFest 2020: The Swerve review". CineVue. Retrieved October 2, 2023.
- ^ Whittaker, Richard (October 2, 2020). "The Swerve". Austin Chronicle. Retrieved October 2, 2023.
- ^ Moore, Roger (September 11, 2020). "Movie Review: A teacher goes off the rails after 'The Swerve'". Movie Nation. Retrieved October 2, 2023.