Thomas Duncan (painter)
Thomas Duncan ARA RSA (4 May 1807 – 25 April 1845) was a Scottish portrait and historical painter.[1]
Life
Duncan was born in Kinclaven, Perthshire on 4 May 1807.
Educated at the Perth Academy, he began studying law, but abandoned it for art. Beginning under the instruction of Sir William Allan, he attained early distinction as a delineator of the human figure; and his first pictures established his fame so completely, that at a very early age he was appointed professor of coloring and afterwards of drawing, in the Trustees Academy of Edinburgh.
In the 1830s his address is given as 1 Darnaway Street, a large Georgian flat on the edge of the Moray Estate in the fashionable west end of Edinburgh's New Town.[2]
He died in Edinburgh on 25 April 1845.[1]
He is buried in Warriston Cemetery in north Edinburgh. The grave lies on a slope next to the steps at the east end of the vaults (next to the grave of James Young Simpson.
Works
In 1840 Duncan painted one of his finest pictures, Charles Edward Stuart and the Highlanders entering Edinburgh after the Battle of Prestonpans, which secured his election as an associate of the Royal Academy in 1843. In the same year he produced his picture of Charles Edward asleep after Culloden, protected by Flora MacDonald, which, like many other of his works, has been often engraved. In 1844 appeared his Cupid, and his Martyrdom of John Brown of Priesthill. His last work was a self-portrait, now in the National Gallery in Edinburgh. He particularly excelled in his portraits of ladies and children, yet his own portrait was painted by Robert Scott Lauder.
References
- ^ a b "Duncan, Thomas". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/8230. (Subscription or UK public library membership required.)
- ^ http://digital.nls.uk/directories/browse/pageturner.cfm?id=83400267&mode=transcription
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
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