Jump to content

Timo Jouko Herrmann

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Bamyers99 (talk | contribs) at 19:11, 24 September 2016 (+Category:1978 births; +Category:Living people using HotCat). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Timo Jouko Herrmann (born September 22, 1978 in Heidelberg) is a German composer, musicologist and conductor.

Biography

Herrmann studied composition with Ulrich Leyendecker and musicology with Hermann Jung at the Hochschule für Musik und Darstellende Kunst Mannheim. During his studies, he received further influence from composers like Hermann Schäfer, Krzysztof Meyer, Detlev Glanert, Roberto Doati and Wladimir Sagorzew.

Herrmann holds a PhD awarded for his thesis on Antonio Salieri and his German language stage works. His rediscovery of the lost song of joy Per la ricuperata salute di Ofelia K. 477a by Salieri, Mozart and Cornetti in late 2015 brought him world-wide attention.[1] Among others, Herrmann created works for the Leipzig Gewandhaus Orchestra, the Leipzig armonia wind ensemble, the Heidelberg Symphony Orchestra and the Heidelberg Philharmonic Orchestra. Additionally, he received commissions from festivals like the Heidelberg Biennale for Contemporary Music, the SYLTARTFESTIVAL and the concert series for contemporary music kontrapunkte in Speyer. The Theater Heidelberg premiered several of his stage works, among them the chamber opera Unreine Tragödien und aussätzige Dramatiker and his contributions to the project Das neue Wunderhorn conducted by Cornelius Meister.

Herrmann is currently writing an opera on Shakespeare’s Hamlet, which was commissioned by the Opernhaus Dortmund to be premiered in February 2017.[2] His compositions are published by Verlag Neue Musik Berlin[3] and by Friedrich Hofmeister Musikverlag Leipzig. In addition to his profession as a composer, Herrmann also performs as a violinist and a conductor. He regularly works together with the pianist Martin Stadtfeld, the bass-baritone Falk Struckmann, the Mannheim Mozart Orchestra and the Heidelberg Symphony Orchestra as well as the Sinfonietta Leipzig.[4] Since 2009 he has been art director of the classical music festival Walldorfer Musiktage in his hometown of Walldorf.[5]

Awards and scholarships (selection)

  • Composition prize of SAP SE and the city of Walldorf (2001)
  • Scholarship of the Wilhelm Müller Foundation Mannheim (2001)
  • Composition competition Goethe vs. Schiller of the Goethe-Institut Heidelberg-Mannheim (2005)
  • Gebrüder-Graun-Preis (2005)
  • Finalist Berliner Opernpreis (2006)
  • Scholarship Live Music Now (2006-2010)
  • Junge-Ohren-Preis for Das Neue Wunderhorn (2007)
  • Finalist Soli fan tutti at Hessischen Staatstheaters Darmstadt (2011)

Compositions (selection)

  • Zeiten wie Perlenschnüre for mezzo-soprano, clarinet, horn, violin and violoncello (2001)
  • Thränen in schwerer Kranckheit for soprano, english horn, violin and piano (2002)
  • Andraitx - Pomegranate Flowers for baritone, piano, string quartet and double bass (2003/2010)
  • Unreine Tragödien und aussätzige Dramatiker - Chamber opera after Anton Chekhov (2003/04)
  • Mit Menschen- und mit Engelszungen for soprano, baritone, choir and orchestra (2004)
  • Monolog des Leicester - Melodrama for two narrators, harpsichord, piano, violin, violoncello and percussion (2005)
  • Schwanengesang - Dramatic etude in one act after Anton Chekhov (2006)
  • Chiasmus & Oxymoron - Two rhetorical figures for orchestra (2007)
  • L'ombre de Dinorah for bass clarinet and orchestra (2008)
  • Morphine for soprano/alto saxophone and orchestra (2009)
  • Skiatographie for saxophone quartet (2009)
  • Jakobs Kampf am Jabbok for mezzo-soprano, violoncello and organ (2009/10)
  • Sonatine for guitar and harp (2009/10)
  • Tempus fugit for violin and violoncello (2010)
  • Psalm 32 for baritone and piano quartet (2011)
  • Narkissos - Mythological fantasy for orchestra (2012)
  • Penthos for alto flute, violin, violoncello and piano (2013)
  • Fabelhafte Welt - Five fables after Jean de La Fontaine for narrator, flute (alto flute/piccolo), english horn (oboe), bass clarinet (basset horn), violoncello and double bass (2014/15)
  • Three pieces for bass clarinet (2014/2015/2016)
  • ...sur un objet trouvé - Caprice No. 1 for viola and bass clarinet (2015)
  • Nature mort - Stillleben mit Ginkgoblatt - Caprice No. 2 for viola and bass clarinet (2015)
  • La lira d'Orfeo for guitar (2015/16)
  • Hamlet - Sein oder Nichtsein - Chamber opera on a libretto by André Meyer and Kirstin Howein after William Shakespeare (2016)

Publications (selection)

  • Sonatine for guitar and harp (Cantate Musicaphon)
  • Sonatine for guitar and harp (Verlag Neue Musik)
  • Three miniatures for three guitars (Verlag Neue Musik)
  • Three pieces for bass clarinet (Friedrich Hofmeister Musikverlag)
  • Andraitx - Pomegranate Flowers (Darling Publications)
  • Per la ricuperata salute di Ofelia - First edition (Friedrich Hofmeister Musikverlag) [1]
  • Antonio Salieri und seine deutschsprachigen Werke für das Musiktheater (Friedrich Hofmeister Musikverlag) [2]

References

  1. ^ Report on the website of International Mozarteum Foundation
  2. ^ Website of the Opernhaus Dortmund
  3. ^ Author's profile on the website of Verlag Neue Musik Berlin
  4. ^ List of conductors on the website of the Heidelberg Symphony Orchestra
  5. ^ Website of the festival Walldorfer Musiktage
Retrieved from "https://en.wikipedia.org/w/index.php?title=Timo_Jouko_Herrmann&oldid=741003772"