V.S. Reid: Difference between revisions
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==Overview== |
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'''Victor Stafford Reid''' (1 May 1913-25 August 1987) was a Jamaican writer who wrote with an intent of influencing the younger generations. He was awarded the silver and gold Musgrave medals (1955-1978), the [[Order of Jamaica]] (1980) and the Norman Manley Award for Excellence in Literature in 1981. {{ref label|myref-25|1|a}} He was the author of seven novels, three of which were aimed towards children, one play production, and several short stories. Two of his most well noted works include ''[[V.S. Reid's New Day|New Day]]'' and ''[[The Leopard (V.S. Reid novel)|The Leopard]]''. |
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As a writer, Reid aimed to instill an awareness of legacy and tradition among the Jamaican people. His writings reflected many of the social and cultural hardships that pervade the time periods illustrated in his literary works. As literary critic Edward Baugh has stated, “[Reid’s] writing showed a fondness for the rebel with a cause… he wanted people to learn about their heritage through his writing.” {{ref label|myref-25|1|a}} |
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Reid was one of a handful of writers to emerge from the new literary and [[nationalist]] movement that seized Jamaican sentiment in the period of the late 1930s. From this “new art” surfaced many of Reid’s literary contemporaries, including [[Roger Mais]], George |
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Campbell, [[M.G. Smith]], and H.D. Carberry. A common objective among this new generation of writers was an inclination to “break away from Victorianism and to associate with the Jamaican independence movement.” {{ref label|myref-25|4|a}} |
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Reid’s emphasis on resistance and struggle is reaffirmed in a 1978 lecture he delivered at the Institute of Jamaica on the topic of cultural revolution in Jamaica post-1938. In the address, Reid contended that the collective discontent of the working class majority was the public assertion of a “new brand of loyalty” that situated itself not only beyond, but more importantly, in direct resistance to imperial rule. {{ref label|myref-25|5|a}} |
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==Biographical Background== |
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Born in [[Kingston, Jamaica]], Victor Reid was the son of Alexander Reid. Victor along with his two brothers and one sister grew up and attended school in Jamaica. Victor graduated from Kingston Technical High school in 1929. His father was a business man who worked in the shipping industry in the United States and married Margaret Reid. Victor called himself a “city bred” person because of his urban background. He was first involved in advertising, journalism, farming and the book trade before becoming a writer. {{ref label|myref-25|2|a}}Because of success in literature, his early life was prosperous. In 1935, he married his wife Monica and they had four children. Reid held several posts in the Jamaican government, including Chairman of the Jamaica National Trust Commission, and a Trustee of the Historic Foundation Research Centre in Kingston. Reid was also well traveled, journeying to [[Great Britain]], [[East Africa]] and [[West Africa]], [[Canada]] and the [[United States]] during his lifetime. {{ref label|myref-25|3|a}} |
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==Career== |
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His first novel, New Day (1949) chronicles the [[Morant Bay Rebellion]] of 1865 and the series of events that led to the establishment of the new Jamaican constitution in 1944. Because this was Reid’s first work and he was based on the small island, it was difficult to get a publisher, especially when his manuscript was written in a different type of language, Creole. In order to break the normal means of literary education, Reid decided to introduce Creole speech in order to familiarize young Jamaicans with black history as well as to form a consolidation of pride in their heritage. Luckily for Reid, a piece of his work in The ''[[Gleaner]]'', a Jamaican newspaper, caught the attention of some magazine people that were visiting the island. {{ref label|myref-25|1|a}} This started his first publication and gave him exposure to the literary world. He was soon also involved in editing and writing for ''Spotlight News Magazine'' and ''The Toronto Star''. {{ref label|myref-25|6|a}} Just after publishing ''[[V.S. Reid's New Day | New Day]]'', Reid published a novel written for young people called ''Sixty-Five'' that also portrays the [[Morant Bay Rebellion]], but “in an easier gentler sort of way.” {{ref label|myref-25|3|a}} |
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In the wake of the later [[Mau Mau Rebellion]] in Kenya, Reid was inspired to write a novel about the African situation in an attempt to relate that situation to the Jamaican uprising presented in New Day. His representation of this rebellion in Kenya is evidence that Reid found literary inspiration in these black uprisings. During the time that he was writing The Leopard, he was simultaneously working as an editor of a weekly newspaper called Public Opinion. Once the book was finished, it was “snapped up by an American and English publisher and was published.” {{ref label|myref-25|1|a}} Reid’s reviews on his new novel were well received by its first audience. After publishing his first few novels, he decided to shift from literary works on specific events to focus on educating the younger generation in Jamaica. According to Reid, it was more difficult for him to write children’s novels than adult novels, because he “had never written down to children.” {{ref label|myref-25|1|a}} |
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Along with his ''Sixty-Five'', Reid also wrote a number of novels for school children including ''The Young Warriors'' (1967) which deals with runaway slaves, called the [[Maroons]]. He also wrote ''Peter of Mount Ephraim'' (1971), which dates back to the 1831 [[Samuel Sharpe]] slave uprising. His next novel, ''The Jamaican'', was written in 1976. It was written to commemorate the life of the Juan de Bolas, a pre Maroon band leader during the English and Spanish quest for supremacy in Jamaica during the mid 17th century. ''Nanny Town'' (1983) was Reid’s last published novel that portrays Jamaica’s original Queen Mother who led the [[Jamaican Maroons]] to independence from the English. Reid’s final work was a biography of the Jamaican national hero, [[Normal Manley]], called ''The Horses of the Morning'' (1985). {{ref label|myref-25|2|a}} Although novels comprised the bulk of Reid’s literary body of work, Reid was also the author of several stories in ''Fourteen Jamaican Short Stories'' (1950) and a play production entitled ''Waterford Bar'' (1959). Furthermore, edited transcripts of lectures delivered by Reid, such as “The Cultural Revolution in Jamaica after 1938” (1978) and “The Writer & His Work: V.S. Reid” (1986), have been reprinted posthumously in texts such as ''The Routledge Reader in Caribbean Literature'' and the ''Journal of West Indian Literature'', respectively. |
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==Literary Themes== |
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Reid’s novels focus on the freedom of black culture and describe the struggles that blacks had to and sometimes still endure. His works tend to focus primarily on the history, hopes, and powers of the Jamaican people. Through his writing, Reid wanted to break apart the “distortions of history” {{ref|1}} portrayed by the foreign press, which described Jamaican radicals as criminals. He wrote to prove the innocence of people who were rendered to be the opposite. Reid held that “[he] must discover, somehow, that these people were not the criminals they were thought to be.” {{ref label|myref-25|1|a}} In a way, he was telling the untold stories of the times. |
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Another important aspect of Reid’s writing included his desire to contribute to the education system. Previously, schools were solely taught from an English perspective and through a colonial lens. Reid, however, wanted people in school to learn about their own heritage through his writing; he wanted people to recognize that blacks, not only Europeans, participated in history. Therefore, Reid wrote novels to be used in Jamaican schools that provided a historical context of their country and heritage. {{ref label|myref-25|1|a}} |
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Reid was also constantly reinventing language through his writing. In his first novel, ''[[V.S. Reid's New Day | New Day]]'', he created a modified language that combines both the elements of Standard English and the native Creole language. {{ref label|myref-25|1|a}} Later, in works such as ''[[The Leopard]]'', Reid integrates a singing prose style of writing. |
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==References== |
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*{{ref label|myref-25|1|a}}Journal of W. Indian Literature vol. 2 no 1. Dec. 1987 |
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*{{ref label|myref-25|2|a}} Cooke, Michael G. “V. S. (Vic) Reid” Dictionary of Literary Biography vol. 125: Caribbean and Black African Writers, second series. Detroit: Gale Research, 1993. 256-60. |
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*{{ref label|myref-25|3|a}}Dance, Daryl C. ed. Fifty Caribbean Writers: A Bio-Bibliographical Critical Sourcebook. Greenwood Press, 1986 |
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*{{ref label|myref-25|4|a}}Oakley, Leo. “Ideas of Patriotism and National Dignity in Some Jamaican Writings,” Jamaica Journal 4: 16-21, 1970 |
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*{{ref label|myref-25|5|a}}Reid, Victor Stafford. “The Cultural Revolution in Jamaica after 1938,” address delivered at the Institute of Jamaica, 1978 |
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*{{ref label|myref-25|6|a}}Reid, Victor Stafford. The Leopard. Heinemann Education Books, 1958. |
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{{DEFAULTSORT:Reid, V.S.}} |
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[[Category:1913 births]] |
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[[Category:1987 deaths]] |
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[[Category:Jamaican writers]] |
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[[Category:People from Kingston, Jamaica]] |
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