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Violet Hopkins

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Violet Hopkins (born 1973, El Paso, Texas) is an American painter who lives and works in Los Angeles. She holds a BFA from the University of Texas at Austin, and an MFA from the California Institute of the Arts, Valencia.[1]

Hopkins has exhibited her paintings internationally, including Uschi Kolb Gallery, Karlsruhe, Germany; Aspen Art Museum, Aspen, CO; Claremont Museum of Art, CA; Gallery Sora, Tokyo; Galeria Moriarty, Madrid; BaliceHertling, Paris; Rubell Family Museum, Miami; Weatherspoon Art Museum, Greensboro, NC; David Kordansky Gallery, Los Angeles; Stuart Shave/Modern Art, London; Peres Projects, Berlin; Deitch Projects, New York; David Zwirner Gallery, New York; CRG, New York; Taka Ishii Gallery, Tokyo. In 2007 she was awarded the Art Production Fund Giverny Residency Program, France.[citation needed]

Her 2009 solo exhibition at New York's Foxy Production gallery was based around the 1977 Voyager space program. Time Out concluded that "Violet Hopkins’s latest paintings won’t blow your mind... [but] her project acknowledges art’s challenge to interact with a vast, ever-changing world."[2]

Hopkins' work is included in major collections, including Jumex Collection, Mexico City; the Sender Collection, New York; Rubell Family Museum, Miami; the Foundation Louis Vuitton, Paris; the New Museum of Contemporary Art, New York; and the Museum of Modern Art, New York.[citation needed]

Further reading

Selected coverage

Tumlir, Jan. " Los Angeles: Drawing in L.A." The Judith Rothschild Foundation Contemporary Drawings Collection - Raisonné. MoMA, New York. 2009: 26 - 35.
Walleston, Aimee. "Ground Control." Interview online, May 26, 2009.
Griggs-Saito, Katrina. "Violet Hopkins: Lux, Lumen." The Japan Times, May 29, 2008.
Patterson, Tom. "A Profusion of Pleasure." Winston-Salem Journal, 31 December 2006.
Spiegler, Marc. "LA Art Is Here To Stay." The Art Newspaper, 8 December 2006: P.1.v
Wagner, James. "Violet Hopkins at Foxy Production." jameswagner.com, 7 November 2006.
Brooks, Amra. “Violet Hopkins.” Artforum, September 2006: 385-386.
Pagel, David. "Summer Sampler Has a Dark Side." The Los Angeles Times, 8 July 2005: E26.
Finkel, Jori. "First Come the Dealers, and Then the Diplomas." The New York Times, 3 July 2005: 22-23.
Cotter, Holland. "Dealers Gather at the River, Convenient to Lofts with Bare Walls." The New York Times, 11 March 2005: E46.

References