Williams College Museum of Art: Difference between revisions
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Deleted former page because of political issues within WCMA. I will expand it again soon once I have the green light from my boss, the head of WCMA. |
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The Williams College Museum of Art (WCMA) is situated on the Williams College campus, in Williamstown, Massachusetts. It is free and open to the public. |
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The '''Williams College Museum of Art''' (WCMA) is the foremost small college art museum in the United States. Situated at the heart of the [[Williams College]] campus close to [[MASS MoCA]] and the [[Clark Art Institute]], its growing collection encompasses more than 14,000 works, with particular strengths in contemporary art, photography, prints, and Indian painting. The museum is free and open to the public. |
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Since its establishment in 1826 by Karl Weston, WCMA has continually sought the expansion of its collection and enrichment of its engagement with the educational mission of College. In January 2014, under Museum Director Christina Olsen, WCMA instated a new Strategic Plan outlining a path to an even deeper relationship among the museum, the College, and the public. The project is based on a vision of the museum as an innovative center for learning and pleasure, for contemplation and discussion, for viewing and creating. |
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== History == |
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[[File:Lawrence Hall in 1890.jpg|thumbnail|Lawrence Hall, soon to house Williams College Museum of Art, before the addition of the two wings designed by [[Francis Allen]] in 1890]] |
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WCMA was established in 1926 by Karl Weston, an art history professor who made it his mission to provide students a venue for firsthand experience of art. The College’s rich art collection, in large part donated by Eliza Peters Field in 1897, had been housed in two small wings of what was then the College library, Lawrence Hall, designed by [[Thomas A. Tefft]] in 1846. When the library was moved to Stetson Hall in 1920, however, Weston transformed the beautiful octagonal brick building into the art museum we see today, adding a T-shaped wing in order to provide additional space for galleries and the College’s rapidly expanding art history curriculum. |
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Over the next half-century, under a series of directors, the College worked continuously to enlarge the art department and the museum’s collection. In 1981, Director Franklin W. Robinson hired [[Charles Moore]] to redesign the building in order to raise facilities to professional standards and double exhibition space. This coincided with a dramatic expansion of WCMA’s staff, educational programs, and exhibition schedule. |
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Accredited by the [[American Alliance of Museums]] in 1993 and re-accredited in 2004, the museum has been the site of dozens of daring exhibitions (see Past Exhibitions, below). In 2012, WCMA welcomed its current director, Christina Olsen. Under her leadership, the museum has taken on an ever more active role in the cultural sphere of the college and the community at large. |
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== Collection == |
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[[File:Prendergast Maurice Figures Under the Flag 1900-05.jpg|174x360px|thumbnail|Maurice Prendergast, Figures Under the Flag, 1900-1905]] |
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One of the best among college art museums in the country, WCMA’s collection plays an important role in attracting and inspiring faculty, students, and the public. Made up of 14,000 individual works, the collection has particular strengths in ancient Egyptian, Assyrian, and Greco-Roman objects, Indian Painting, African Sculpture, photography, art of the U.S., and international modern and contemporary art. The museum is also home to the world’s largest assembly of works by the artist brothers [[Maurice Prendergast]] and [[Charles Prendergast]]. These works were donated in 1983 by Charles’s widow Eugenie Prendergast, and were the basis for WCMA’s Prendergast Archive and Study Center, which is maintained as a center for scholarship on the brothers and their contemporaries. |
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Marking its 75th anniversary in 2001, the museum installed Eyes (Nine Elements) by [[Louise Bourgeois]]. This outdoor sculpture has since become a symbol of the museum’s dedication to contemporary art, as well as an iconic part of the Williams campus. |
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=== Notable Pieces === |
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* ''Morning in a City'' (1944), by [[Edward Hopper]] |
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* ''Eyes (Nine Elements)'', by [[Louise Bourgeois]] |
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* A commissioned wall painting by [[Sol LeWitt]] |
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* ''Death on the Ridge Road'' (1935), by [[Grant Wood]] |
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* More than 400 watercolors, oils, and sketches by Charles and Maurice Prendergast |
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* Relief of a guardian spirit from the Assyrian Palace at Nimrud, 9th century BCE, currently on view in the [[Metropolitan Museum of Art]] |
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== Community Engagement == |
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In January 2014, Director Christina Olsen unveiled WCMA’s Strategic Plan, which seeks to expand the museum’s role in the College and local community and leverage its resources, spaces, and practices to keep pace with the evolution of the College. Based on a vision of the museum as an inspiring and innovative center of learning and pleasure, seeing and making, contemplation and risk-taking, the project’s primary initiatives include developing WCMA as a center for public intellectual life, encouraging student engagement with design and curation at the museum, and reinvigorating its collection in order to increase its accessibility to the public. |
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=== Public Intellectual Life === |
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The museum is expanding its critical role as a portal between the Williams College campus and a broad, diverse public by curating an array of public programs centered around visual culture, both on-site and online. As a part of the new Strategic Plan, the museum brings together scholars, writers, artists, and other specialists to talk about their disciplines and how their studies relate to the social, cultural, and political world around them. By acting as a center for public intellectual life, the museum aims to fertilize interdisciplinary connections between the humanities and other disciplines, combine intellectual and social life, amplify existing programs that offer scholars a broader public for their ideas, and provide purposeful, inviting spaces for its programs. |
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Initiatives that bolster public intellectual life include: |
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* As a part of the '''Gallery Guides Program''', Williams students dedicate their time and energy to the local community by giving guided tours to visiting elementary and secondary school students. |
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* In '''Summer School 2014: Slightly Twisted Learning''', a wide array of College faculty held public classes that introduced the museum’s collections through multidisciplinary academic approaches. Visitors also had the opportunity to chat with the Director and other senior staff members to get a grasp on WCMA’s inner workings. |
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* As WCMA’s artist-in-residence for Fall 2014, '''Publication Studio''' has transformed the museum’s Rotunda into an on-demand press that prints, binds, and publishes original work of all kinds. Founded in 2009 in Portland, Oregon, and now a network of sibling studios across the globe, Publication Studio uses a simple binding machine and trimmer to bring communities together through bookmaking. Visitors can stop by the Rotunda during public workshops to have their own books rebound and drop in on classes as students publish their work. The program forms a part of the College’s Book Unbound 2014 initiative, which celebrates the construction of the new Sawyer Library. |
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=== Student Involvement === |
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As a part of the 2014 Strategic Plan, WCMA will engage its students more deeply in museum design and curation. The open-ended and interdisciplinary “Critical Making” initiative makes WCMA’s spaces, collections, and public into the context and material for a new and more rigorous form of creative practice. In the 2014 course “A Place for Stuff and Things,” for example, students work with specialists and museum staff to curate the Jonathan and Karin Fielding Collection of American art. The result of the students’ work will be on display until January 25, 2015. |
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==== Fulkerson Fund Award for Leadership in the Arts ==== |
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Established by Allan W. Fulkerson ’54, the Fund is now in its fifth year and continues to support a variety of student-centered projects at WCMA. Central components include: |
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* WALLS (see below) |
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* The WCMA Advisory Council (WAC) is dedicated to strengthening the connection between Williams students and the museum. By learning about WCMA’s behind-the-scenes activities and offering advice on how to create meaningful museum experiences for their peers, student members take on arts leadership roles at WCMA and throughout campus. |
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* The annual Leadership in the Arts Award is presented to one graduating Master’s and one College student. This award recognizes graduates who are poised to become future arts leaders. The museum seeks students who have contributed substantially to WCMA's efforts to engage the Williams community with the visual arts. Winners are awarded a fully funded trip to meet with a prominent alumni arts leader and an American Alliance of Museums membership. |
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=== Reinvigorating the Collection === |
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WCMA’s collection is at the center of its mission and critical to its past and future success. Recognizing its enormous potential for both student learning and academic scholarship, the museum continually refines and selectively expands its collection, deepening research and increasing access in innovative ways. |
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In conjunction with [[Artstor]] and [[Google Art Project]], WCMA’s Digitization Projects continue an effort to expand the collection’s public accessibility and to encourage digital sharing among museums, academic institutions, and the public. In June 2014, WCMA also finalized the complete online digitization of the Prendergast collection, which is now available as an online database. |
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Since 2004, the Rose Study Gallery has provided a space for students, faculty, and members of the public to reserve time with certain artworks not currently on view. An ever-increasing number of professors across disciplines teach in this gallery, assuring that although not all 14,000 works can be on display at once, the whole collection can remain easily accessible to support academic endeavors and intellectual curiosity. |
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Through the WALLS initiative, ninety Williams students each semester borrow original pieces from the Museum’s collection to display in their dorm rooms and common spaces. Instated in February 2014 and funded by the generous donations of Allen W. Fulkerson ‘54, the initiative has been extremely successful, and the Museum plans to expand the number of pieces offered in the future. |
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== Points of Interest == |
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=== Monuments Men === |
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[[File:Ghent altarpiece at Altaussee.jpg|204x138px|thumbnail|U.S. military men removing the van Eyck's Ghent Altarpiece from the Altaussee salt mine, 1945]] |
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During World War Two, a body of nearly 350 servicemen and women was established to recover and protect artwork from areas affected by the conflict. This organization was known as the [[Monuments, Fine Arts, and Archives program]] (MFAA), or more colloquially, the Monuments Men. Among the ranks of this enterprise were Williams graduates [[Charles Percy Parkhurst|Charles Parkhurst]] ’35 and [[Lane Faison]] ’29, who both returned to WCMA to serve as museum directors after the war. In February 2014, Sony Pictures released [[The Monuments Men]] a feature film directed by [[George Clooney]] that has revived interest in these lesser-known heroes of the war. On March 7, 2014, WCMA celebrated its own two Monuments Men by inviting Faison’s sons and Parkhurst’s widow to speak at the museum. |
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=== Williams Art Mafia === |
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A primary goal of WCMA and the Williams College Art History and Studio Art Department is to train the arts leaders of the future. The legacy stems from a particularly eminent set of graduates, all of whom studied under the trio of Lane Faison, Bill Pierson and [[Whitney Stoddard]], and who became collectively known as the Williams Art Mafia. Its members include: |
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* [[Roger Mandle]] ’63, former president of the Rhode Island School of Design |
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* [[James N. Wood]] ’63, former director of the Art Institute of Chicago and head of the J. Paul Getty trust |
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* [[Earl A. Powell III]] ’66, director of the National Gallery of Art and chairman of the U.S. Commission of Fine Arts |
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* John R. “Jack” Lane ’66, president of the New Art Trust |
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* [[Kirk Varnedoe]] ’67, former curator of painting and sculpture at the Museum of Modern Art |
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* [[Thomas Krens]] ’69, former director of the Solomon R. Guggenheim Foundation |
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* [[Glenn Lowry]] ’76, director of the Museum of Modern Art. |
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Today, Williams art students graduate ready to take on a broad variety of leadership, creative, and education roles within the art world. |
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== Major Exhibitions == |
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=== Past === |
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'''''Carrie Mae Weems: The Hampton Project'' (2000)''' |
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In this installation, part of the museum’s permanent collection, [[Carrie Mae Weems]] knit her concerns about individual identity, class, assimilation, education, and the legacy of slavery into a series of photographic banners that forced viewers to reassess their own moral and ethical boundaries, as well as the political and socioeconomic realities of twentieth-century America. |
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'''''Prelude to a Nightmare: Art, Politics, and Hitler’s Early Years in Vienna, 1906–1913'' (2002)''' |
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This exhibition examined the influence Vienna, Austria had on the young Adolf Hitler and how this influence was later manifested in his creation of the Nazi party. The exhibition was WCMA’s contribution to The Vienna Project (2002), a collaboration among eleven arts and cultural institutions in the Berkshires that explored four centuries of art from the Austrian art mecca. |
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'''''Moving Pictures: American Art and Early Film, 1890–1910'' (2005)''' |
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This exhibition explored the relationship between American art and the new medium of film at the beginning of the 20th century. Showcasing approximately 100 paintings and 50 films, “Moving Pictures” presented art and film side by side, examining the complex relationship between these two media at the turn of the last century. |
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'''''Beautiful Suffering: Photography and the Traffic in Pain'' (2006)''' |
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This exhibition of photographs drawn from contemporary art, advertising, and photojournalism, explores the ethics and aesthetics involved in depicting human suffering. |
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'''''Making It New: The Art and Style of Sara and Gerald Murphy'' (2007)''' |
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[[Sara and Gerald Murphy]] are best remembered as the captivating American ‘expats’ who inspired F. Scott Fitzgerald’s Tender Is the Night. This exhibition, however, examined the two as forces in their own right who helped drive the modernist movement of the 1920s.[[File:Asco exhibit at WCMA, 2012.jpg|320x213px|thumbnail|''Asco: Elite of the Obscure, A Retrospective, 1972-1987'']] |
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'''''Asco: Elite of the Obscure, A Retrospective, 1972–1987'' (2012)''' |
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The first retrospective to present the wide-ranging work of the Chicano performance and conceptual art group [[Asco (art collective)|Asco]]. Asco began as a tight-knit core group of artists from East Los Angeles composed of [[Harry Gamboa, Jr.]], [[Gronk]], [[Willie Herrón]], and [[Patssi Valdez]]. Taking their name from the forceful Spanish word for disgust and nausea, Asco used performance, public art, and multimedia to respond to social and political turbulence in Los Angeles and beyond. |
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=== Current === |
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'''''Franz West'' (June 7, 2014 – January 25, 2015)''' |
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In conjunction with MASS MoCA’s installation of Les Pommes d’Adam (2007), WCMA presents the colorful mixed-media sculptures, collages, and furniture of Austrian artist [[Franz West]] (1947–2012) in a seven-month exhibition of the Hall Collection this year. Shaping unconventional materials such as lacquered aluminum into mischievously erotic and provocative forms, much of West’s work was designed for practical use and encourages tactile interaction. |
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''''Fathi Hassan: Migration of Signs'' (November 22, 2014 – April 26, 2015)'' |
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The artwork of [[Fathi Hassan]] makes Arabic script intentionally illegible in order to highlight the ambiguity of the written word and the illegibility of cultural sign systems. In recent years, Hassan, himself a Nubian born in Egypt, uses his collages and murals to address the migration and upheaval associated with the aftermath of the recent Arab Spring. The exhibition will include a commissioned floor-to-ceiling wall drawing. |
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== List of Directors (1926-present) == |
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{| class="wikitable" |
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|- |
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! Director !! From !! To |
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|- |
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| [[Karl E. Weston]] || 1926 || 1948 |
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|- |
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| [[S. Lane Faison]] || 1948 || 1976 |
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|- |
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| [[Whitney Stoddard]]|| 1960 || 1961 |
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|- |
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| Franklin W. Robinson|| 1976 || 1979 |
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|- |
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| [[Milo C. Beach]] || 1979 || 1979 |
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|- |
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| John W. Coffey II || 1979 || 1980 |
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|- |
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| [[Thomas Krens]] || 1980 || 1988 |
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|- |
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| [[Charles Percy Parkhurst|Charles Parkhurst]] || 1983 || 1984 |
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|- |
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| W. Rod Faulds|| 1988 || 1989 |
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|- |
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| Linda B. Shearer|| 1989 || 2004 |
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|- |
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| Marion M. Goethals|| 2004 || 2005 |
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|- |
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| Lisa Corrin || 2005 || 2011 |
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|- |
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| Katy Kline || 2011 || 2012 |
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|- |
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| Christina Olsen || 2012 || present |
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|} |
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== See also == |
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[[Williams College]] |
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[[MASS MoCA]] |
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[[Clark Art Institute]] |
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{{-}} |
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{{Uncategorized|date=November 2014}} |
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Revision as of 21:47, 19 November 2014
The Williams College Museum of Art (WCMA) is situated on the Williams College campus, in Williamstown, Massachusetts. It is free and open to the public.